Chapters (50)
- Cover
- About the Author
- By Trisha Ashley
- Dedication
- Praise for Trisha Ashley:
- Acknowledgements
- Foreword
- One
- Two
- Three
- Four
- Five
- Six
- Seven
- Eight
- Nine
- Ten
- Eleven
- Twelve
- Thirteen
- Fourteen
- Fifteen
- Sixteen
- Seventeen
- Eighteen
- Nineteen
- Twenty
- Twenty-One
- Twenty-Two
- Twenty-Three
- Twenty-Four
- Twenty-Five
- Twenty-Six
- Twenty-Seven
- Twenty-Eight
- Twenty-Nine
- Thirty
- Thirty-One
- Thirty-Two
- Tina’s Top Tips for New Writers
- Tina’s Espresso Ice Cream
- Sergei Popov’s Russian Blinis
- Linny’s Lebanese Baba Ganoush
- Read More
- 1
- 2
- The Little Teashop of Lost and Found
- A Leap of Faith
- A Good Heart is Hard to Find
- Did you love this book?
And could I really leave him for over a week to fly off to Antigua, even though, apart from the frustrated anger when his body refused to do what he wanted, his health now seemed quite stable?
He was so keen for me to go that I suspected he longed to escape my anxious eyes as much as the confines of his condition.
When I got up my second guess proved to be right. There was no sign of him in the cottage, but his coat and set of workshop keys were gone and the back door unlocked. When I opened it and looked out, he wasn’t lying on the path, and over the hedge I could see the glimmer of light in the large Victorian building that housed the famous Julian Seddon Architectural Glass Studio.
Of course, he could still be lying in a crumpled heap on the floor of the studio, but his condition had been so stable for ages that I didn’t really think so. In which case, it would be a repeat of yesterday’s scene: I’d found him attempting to use his almost useless left hand to hold down a piece of deliciously creamy yellow glass over the white paper cutline he’d laid on top of a light-box, while he ran the wheel over it with his right. But glass slides easily, and you need to exert firm pressure while you’re cutting …
The scrunch of the wheel incising a firm line across the surface of the glass, then the sharp tap underneath with the heavy grozing pliers, so that the break forms cleanly – these are some of the delights of the craft we both loved so much and took for granted.
His assistant, Grant, or old Ivan, who was officially retired but haunting the studio almost as much as when he was employed there, could have expertly cut the piece for him. As could I, of course, but I knew that wasn’t the point. He had begun producing his brilliant designs again, but he wanted to be part of the whole process – the cutting, the painting and silver-staining, the leading-up of the calmes with the smooth caps of solder on every joint … even scrubbing the soft, oily black glazing cement into the finished panels, and then polishing the surface with powdered whitening till glass and lead alike were shiny and clean.
He wanted to be part of the whole act of creation, not just the spark that ignited it.
I knew, because I did, too. We recognized that desire in each other almost the instant our eyes met for the first time in a mutual, consuming passion. We’d always been as much in love with that complete act of creation as with each other.