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Chapters (50)
  1. Cover
  2. About the Author
  3. By Trisha Ashley
  4. Dedication
  5. Praise for Trisha Ashley:
  6. Acknowledgements
  7. Foreword
  8. One
  9. Two
  10. Three
  11. Four
  12. Five
  13. Six
  14. Seven
  15. Eight
  16. Nine
  17. Ten
  18. Eleven
  19. Twelve
  20. Thirteen
  21. Fourteen
  22. Fifteen
  23. Sixteen
  24. Seventeen
  25. Eighteen
  26. Nineteen
  27. Twenty
  28. Twenty-One
  29. Twenty-Two
  30. Twenty-Three
  31. Twenty-Four
  32. Twenty-Five
  33. Twenty-Six
  34. Twenty-Seven
  35. Twenty-Eight
  36. Twenty-Nine
  37. Thirty
  38. Thirty-One
  39. Thirty-Two
  40. Tina’s Top Tips for New Writers
  41. Tina’s Espresso Ice Cream
  42. Sergei Popov’s Russian Blinis
  43. Linny’s Lebanese Baba Ganoush
  44. Read More
  45. 1
  46. 2
  47. The Little Teashop of Lost and Found
  48. A Leap of Faith
  49. A Good Heart is Hard to Find
  50. Did you love this book?

And could I really leave him for over a week to fly off to Antigua, even though, apart from the frustrated anger when his body refused to do what he wanted, his health now seemed quite stable?

He was so keen for me to go that I suspected he longed to escape my anxious eyes as much as the confines of his condition.

When I got up my second guess proved to be right. There was no sign of him in the cottage, but his coat and set of workshop keys were gone and the back door unlocked. When I opened it and looked out, he wasn’t lying on the path, and over the hedge I could see the glimmer of light in the large Victorian building that housed the famous Julian Seddon Architectural Glass Studio.

Of course, he could still be lying in a crumpled heap on the floor of the studio, but his condition had been so stable for ages that I didn’t really think so. In which case, it would be a repeat of yesterday’s scene: I’d found him attempting to use his almost useless left hand to hold down a piece of deliciously creamy yellow glass over the white paper cutline he’d laid on top of a light-box, while he ran the wheel over it with his right. But glass slides easily, and you need to exert firm pressure while you’re cutting …

The scrunch of the wheel incising a firm line across the surface of the glass, then the sharp tap underneath with the heavy grozing pliers, so that the break forms cleanly – these are some of the delights of the craft we both loved so much and took for granted.

His assistant, Grant, or old Ivan, who was officially retired but haunting the studio almost as much as when he was employed there, could have expertly cut the piece for him. As could I, of course, but I knew that wasn’t the point. He had begun producing his brilliant designs again, but he wanted to be part of the whole process – the cutting, the painting and silver-staining, the leading-up of the calmes with the smooth caps of solder on every joint … even scrubbing the soft, oily black glazing cement into the finished panels, and then polishing the surface with powdered whitening till glass and lead alike were shiny and clean.

He wanted to be part of the whole act of creation, not just the spark that ignited it.

I knew, because I did, too. We recognized that desire in each other almost the instant our eyes met for the first time in a mutual, consuming passion. We’d always been as much in love with that complete act of creation as with each other.