Contents ( 300)
- PART ONE
- EXOGENESIS
- CHAPTER I
- DREAMS
- 1.
- 2.
- 3.
- CHAPTER II
- RELIQUARY
- 1.
- 2.
- 3.
- 4.
- CHAPTER III
- EXTENUATING CIRCUMSTANCES
- 1.
- 2.
- 3.
- 4.
- CHAPTER IV
- ANGUISH
- 1.
- 2.
- 3.
- CHAPTER V
- MADNESS
- 1.
- 2.
- 3.
- 4.
- 5.
- CHAPTER VI
- SHOUTS & ECHOES
- 1.
- 2.
- 3.
- 4.
- 5.
- 6.
- CHAPTER VII
- COUNTDOWN
- 1.
- 2.
- CHAPTER VIII
- OUT & ABOUT
- 1.
- 2.
- CHAPTER IX
- CHOICES
- 1.
- 2.
- 3.
- 4.
- 5.
- EXEUNT I
- 1.
- 2.
- 3.
- 4.
- PART TWO
- SUBLIMARE
- CHAPTER I
- AWAKENING
- 1.
- 2.
- 3.
- 4.
- CHAPTER II
- WALLFISH
- 1.
- 2.
- 3.
- 4.
- CHAPTER III
- ASSUMPTIONS
- 1.
- 2.
- 3.
- 4.
- 5.
- 6.
- CHAPTER IV
- KRIEGSSPIEL
- 1.
- 2.
- 3.
- CHAPTER V
- EXTREMIS
- 1.
- 2.
- CHAPTER VI
- NEAR & FAR
- 1.
- 2.
- 3.
- 4.
- 5.
- CHAPTER VII
- ICONS & INDICATIONS
- 1.
- 2.
- 3.
- 4.
- CHAPTER VIII
- NOWHERE TO HIDE
- 1.
- 2.
- 3.
- 4.
- CHAPTER IX
- GRACELING
- 1.
- 2.
- 3.
- 4.
- CHAPTER X
- DARMSTADT
- 1.
- 2.
- 3.
- 4.
- CHAPTER XI
- EXPOSURE
- 1.
- 2.
- 3.
- 4.
- 5.
- 6.
- CHAPTER XII
- LESSONS
- 1.
- 2.
- 3.
- 4.
- 5.
- 6.
- 7.
- 8.
- EXEUNT II
- 1.
- 2.
- 3.
- 4.
- 5.
- 6.
- 7.
- PART THREE
- APOCALYPSIS
- CHAPTER I
- PAST SINS
- 1.
- 2.
- 3.
- 4.
- 5.
- 6.
- 7.
- 8.
- 9.
- CHAPTER II
- A CAELO USQUE AD CENTRUM
- 1.
- 2.
- CHAPTER III
- SHARDS
- 1.
- 2.
- 3.
- 4.
- CHAPTER IV
- TERROR
- 1.
- 2.
- 3.
- CHAPTER V
- SIC ITUR AD ASTRA
- 1.
- 2.
- CHAPTER VI
- INTO THE DARK
- 1.
- 2.
- 3.
- CHAPTER VII
- NECESSITY
- 1.
- 2.
- 3.
- 4.
- 5.
- CHAPTER VIII
- SINS OF THE PRESENT
- 1.
- 2.
- 3.
- EXEUNT III
- 1.
- 2.
- 3.
- 4.
- 5.
- 6.
- 7.
- PART FOUR
- FIDELITATIS
- CHAPTER I
- DISSONANCE
- 1.
- 2.
- 3.
- 4.
- 5.
- CHAPTER II
- ORSTED STATION
- 1.
- 2.
- 3.
- 4.
- 5.
- 6.
- CHAPTER III
- ESCAPE!
- 1.
- 2.
- 3.
- 4.
- 5.
- 6.
- 7.
- CHAPTER IV
- NECESSITY II
- 1.
- 2.
- 3.
- 4.
- 5.
- EXEUNT IV
- 1.
- 2.
- 3.
- 4.
- PART FIVE
- MALIGNITATEM
- CHAPTER I
- ARRIVAL
- 1.
- 2.
- 3.
- 4.
- 5.
- 6.
- 7.
- CHAPTER II
- NECESSITY III
- 1.
- 2.
- 3.
- 4.
- 5.
- 6.
- 7.
- CHAPTER III
- INTEGRATUM
- 1.
- 2.
- 3.
- 4.
- 5.
- 6.
- 7.
- CHAPTER IV
- FERRO COMITANTE
- 1.
- 2.
- 3.
- 4.
- 5.
- 6.
- 7.
- CHAPTER V
- ASTRORUM IRAE
- 1.
- 2.
- 3.
- 4.
- 5.
- 6.
- 7.
- 8.
- 9.
- 10.
- 11.
- 12.
- 13.
- 14.
- CHAPTER VI
- SUB SPECIE AETERNITATIS
- 1.
- 2.
“Did you want to?”
A slight shrug underneath his thermal blanket. “The situation wasn’t great. I didn’t have much of a choice. You remember the uprising there?”
“Yeah.”
“The company was screwing folks over on their benefits in all sorts of ways. Disability. Worker’s comp. You name it. Things finally reached a boiling point and … everyone had to take sides.”
A slow realization dawned on her. “You were a claims adjuster, right?”
Salvo nodded, but with some reluctance. “That’s how I really came to understand how people were getting swindled. Once the protests started, I couldn’t stand by and do nothing. You have to understand, these were people I grew up with. Friends. Family.”
“And after?”
“After…” He put his cards down and rubbed at both temples with the tips of his index fingers. “After, I couldn’t bear to stay. Words had been said and actions had been done that couldn’t be forgiven. So I buckled down, saved my money for a few years, and then bought the Wallfish.”
“To escape?” she asked.
“No, to be free,” he said. “I’d rather struggle and fail on my own than be coddled as a slave.”
The conviction in his voice was so strong, it made the back of Kira’s neck prickle. She liked it. “So you do have principles,” she said in a softly mocking tone.
Salvo chuckled. “Careful now. Don’t tell anyone or you’ll give them a bad impression.”
“Wouldn’t dream of it.” She put down her cards. “Hold on. I’ll be back in a moment.”
Salvo watched with a questioning look as she left the galley. Hurrying, Kira returned to her cabin, fetched her concertina from under a blanket of the Soft Blade’s living tissue, and then headed back.
When he saw the concertina, Salvo groaned. “What now? Are you going to make me listen to a polka?”
“Hush,” said Kira, using the brusque response to conceal her nervousness. “I don’t know if I remember all the fingering, but…”
Then she played him “Saman-Sahari,” one of the first pieces she had ever learned. It was a long, slow song with what she thought was a beautiful melody. As the languid music filled the air, it reminded her of the greenhouses on Weyland, of their fragrant scents and the buzz of pollinating insects. It reminded her of family and home and much that was now lost.
Tears filled Kira’s eyes in spite of herself. When she finished, she stayed where she was for a long while, staring down at the concertina.
“Kira.” She looked up to see Falconi gazing at her with an earnest expression, his eyes gleaming with tears of his own. “That was lovely,” he said, and put his hand on hers.
She nodded and sniffed and laughed a little. “Thanks. I was afraid I was going to make a mess of it.”
“Not at all.”
“Well then.…” She cleared her throat, and then with some reluctance, freed her hand. “I suppose we should call it a night. Tomorrow’s going to be a busy day.”