Contents ( 300)
- PART ONE
- EXOGENESIS
- CHAPTER I
- DREAMS
- 1.
- 2.
- 3.
- CHAPTER II
- RELIQUARY
- 1.
- 2.
- 3.
- 4.
- CHAPTER III
- EXTENUATING CIRCUMSTANCES
- 1.
- 2.
- 3.
- 4.
- CHAPTER IV
- ANGUISH
- 1.
- 2.
- 3.
- CHAPTER V
- MADNESS
- 1.
- 2.
- 3.
- 4.
- 5.
- CHAPTER VI
- SHOUTS & ECHOES
- 1.
- 2.
- 3.
- 4.
- 5.
- 6.
- CHAPTER VII
- COUNTDOWN
- 1.
- 2.
- CHAPTER VIII
- OUT & ABOUT
- 1.
- 2.
- CHAPTER IX
- CHOICES
- 1.
- 2.
- 3.
- 4.
- 5.
- EXEUNT I
- 1.
- 2.
- 3.
- 4.
- PART TWO
- SUBLIMARE
- CHAPTER I
- AWAKENING
- 1.
- 2.
- 3.
- 4.
- CHAPTER II
- WALLFISH
- 1.
- 2.
- 3.
- 4.
- CHAPTER III
- ASSUMPTIONS
- 1.
- 2.
- 3.
- 4.
- 5.
- 6.
- CHAPTER IV
- KRIEGSSPIEL
- 1.
- 2.
- 3.
- CHAPTER V
- EXTREMIS
- 1.
- 2.
- CHAPTER VI
- NEAR & FAR
- 1.
- 2.
- 3.
- 4.
- 5.
- CHAPTER VII
- ICONS & INDICATIONS
- 1.
- 2.
- 3.
- 4.
- CHAPTER VIII
- NOWHERE TO HIDE
- 1.
- 2.
- 3.
- 4.
- CHAPTER IX
- GRACELING
- 1.
- 2.
- 3.
- 4.
- CHAPTER X
- DARMSTADT
- 1.
- 2.
- 3.
- 4.
- CHAPTER XI
- EXPOSURE
- 1.
- 2.
- 3.
- 4.
- 5.
- 6.
- CHAPTER XII
- LESSONS
- 1.
- 2.
- 3.
- 4.
- 5.
- 6.
- 7.
- 8.
- EXEUNT II
- 1.
- 2.
- 3.
- 4.
- 5.
- 6.
- 7.
- PART THREE
- APOCALYPSIS
- CHAPTER I
- PAST SINS
- 1.
- 2.
- 3.
- 4.
- 5.
- 6.
- 7.
- 8.
- 9.
- CHAPTER II
- A CAELO USQUE AD CENTRUM
- 1.
- 2.
- CHAPTER III
- SHARDS
- 1.
- 2.
- 3.
- 4.
- CHAPTER IV
- TERROR
- 1.
- 2.
- 3.
- CHAPTER V
- SIC ITUR AD ASTRA
- 1.
- 2.
- CHAPTER VI
- INTO THE DARK
- 1.
- 2.
- 3.
- CHAPTER VII
- NECESSITY
- 1.
- 2.
- 3.
- 4.
- 5.
- CHAPTER VIII
- SINS OF THE PRESENT
- 1.
- 2.
- 3.
- EXEUNT III
- 1.
- 2.
- 3.
- 4.
- 5.
- 6.
- 7.
- PART FOUR
- FIDELITATIS
- CHAPTER I
- DISSONANCE
- 1.
- 2.
- 3.
- 4.
- 5.
- CHAPTER II
- ORSTED STATION
- 1.
- 2.
- 3.
- 4.
- 5.
- 6.
- CHAPTER III
- ESCAPE!
- 1.
- 2.
- 3.
- 4.
- 5.
- 6.
- 7.
- CHAPTER IV
- NECESSITY II
- 1.
- 2.
- 3.
- 4.
- 5.
- EXEUNT IV
- 1.
- 2.
- 3.
- 4.
- PART FIVE
- MALIGNITATEM
- CHAPTER I
- ARRIVAL
- 1.
- 2.
- 3.
- 4.
- 5.
- 6.
- 7.
- CHAPTER II
- NECESSITY III
- 1.
- 2.
- 3.
- 4.
- 5.
- 6.
- 7.
- CHAPTER III
- INTEGRATUM
- 1.
- 2.
- 3.
- 4.
- 5.
- 6.
- 7.
- CHAPTER IV
- FERRO COMITANTE
- 1.
- 2.
- 3.
- 4.
- 5.
- 6.
- 7.
- CHAPTER V
- ASTRORUM IRAE
- 1.
- 2.
- 3.
- 4.
- 5.
- 6.
- 7.
- 8.
- 9.
- 10.
- 11.
- 12.
- 13.
- 14.
- CHAPTER VI
- SUB SPECIE AETERNITATIS
- 1.
- 2.
At least on this trip she didn’t have to worry about starving to death. There was plenty of food on the Wallfish. Still, she didn’t plan on eating much—only when exercising during their breaks in FTL. Besides, hunger seemed to be one of the triggers that helped convince the Soft Blade to place her into stasis.
Eat the path.
Having decided on a course of action, Kira set her weekly alarm and then spent the next hour contending with the Soft Blade in the first of their sessions.
Since she wasn’t using exercise to induce physical or mental stress this time, Kira found another, equally challenging test for herself: attempting to solve mental problems while coaxing the xeno into making different shapes. Mathematical equations proved to be an excellent stressor in that regard. She also imagined being back on the Jelly ship, with tentacles wrapped around her, unable to move—or the jolt of pain from the Numenist breaking her nose—and she let the memory of fear quicken her pulse, flood her veins with adrenaline, and then Kira did her best to shape the Soft Blade as she saw fit.
The second way wasn’t the healthiest choice; she was just training her endocrine system to overreact to physical danger. But she needed to be able to work with the Soft Blade under less-than-ideal circumstances, and right then, she didn’t have many options.
When she no longer had the mental focus to keep practicing, Kira relaxed by playing her new concertina. It had pearl-like buttons and a swirling inlay along the sides of the box. The design had been an addition of Hwa-jung’s, and Kira appreciated it. When not playing, she traced the swirls with her fingers and admired how the faint emergency lights reflected red.
Gregorovich listened to her music. He had become a constant, unseen companion. Sometimes he offered commentary—a piece of praise or a suggestion—but mostly he seemed content to be her respectful audience.
First one day, then two crept by. Time seemed to slow: a familiar telescoping that left Kira feeling trapped in a shapeless limbo. Her thoughts grew slow and clumsy, and her fingers no longer found the right buttons on the concertina.
She put the instrument aside, then, and again turned on Bach’s concertos and allowed the music to sweep her away.
…
Gregorovich’s voice roused her from a state of torpor. The ship mind was speaking soft and slow: “Kira.… Kira.… Are you awake?”
“What is it?” she murmured.
“I have to leave you now.”
“… Alright.”
“Are you going to be okay, Kira?”
“Yes. Mm’good.”
“Okay. Goodnight, then, Kira. Dream of beautiful things.”
3.
Kira lay on her bed, attached to it by the Soft Blade. There were straps mounted along the side for sleeping in zero-g. She had used them at first, but when she realized the xeno could hold her in place without constant supervision, she undid them.
As she drifted ever deeper into the hazy twilight of near unconsciousness, she allowed the mask to slide into place over her face, and she was dimly aware of the suit bonding with itself, joining limb to limb and winding her in a protective shell, black as ink and hard as diamond.