Contents ( 300)
- PART ONE
- EXOGENESIS
- CHAPTER I
- DREAMS
- 1.
- 2.
- 3.
- CHAPTER II
- RELIQUARY
- 1.
- 2.
- 3.
- 4.
- CHAPTER III
- EXTENUATING CIRCUMSTANCES
- 1.
- 2.
- 3.
- 4.
- CHAPTER IV
- ANGUISH
- 1.
- 2.
- 3.
- CHAPTER V
- MADNESS
- 1.
- 2.
- 3.
- 4.
- 5.
- CHAPTER VI
- SHOUTS & ECHOES
- 1.
- 2.
- 3.
- 4.
- 5.
- 6.
- CHAPTER VII
- COUNTDOWN
- 1.
- 2.
- CHAPTER VIII
- OUT & ABOUT
- 1.
- 2.
- CHAPTER IX
- CHOICES
- 1.
- 2.
- 3.
- 4.
- 5.
- EXEUNT I
- 1.
- 2.
- 3.
- 4.
- PART TWO
- SUBLIMARE
- CHAPTER I
- AWAKENING
- 1.
- 2.
- 3.
- 4.
- CHAPTER II
- WALLFISH
- 1.
- 2.
- 3.
- 4.
- CHAPTER III
- ASSUMPTIONS
- 1.
- 2.
- 3.
- 4.
- 5.
- 6.
- CHAPTER IV
- KRIEGSSPIEL
- 1.
- 2.
- 3.
- CHAPTER V
- EXTREMIS
- 1.
- 2.
- CHAPTER VI
- NEAR & FAR
- 1.
- 2.
- 3.
- 4.
- 5.
- CHAPTER VII
- ICONS & INDICATIONS
- 1.
- 2.
- 3.
- 4.
- CHAPTER VIII
- NOWHERE TO HIDE
- 1.
- 2.
- 3.
- 4.
- CHAPTER IX
- GRACELING
- 1.
- 2.
- 3.
- 4.
- CHAPTER X
- DARMSTADT
- 1.
- 2.
- 3.
- 4.
- CHAPTER XI
- EXPOSURE
- 1.
- 2.
- 3.
- 4.
- 5.
- 6.
- CHAPTER XII
- LESSONS
- 1.
- 2.
- 3.
- 4.
- 5.
- 6.
- 7.
- 8.
- EXEUNT II
- 1.
- 2.
- 3.
- 4.
- 5.
- 6.
- 7.
- PART THREE
- APOCALYPSIS
- CHAPTER I
- PAST SINS
- 1.
- 2.
- 3.
- 4.
- 5.
- 6.
- 7.
- 8.
- 9.
- CHAPTER II
- A CAELO USQUE AD CENTRUM
- 1.
- 2.
- CHAPTER III
- SHARDS
- 1.
- 2.
- 3.
- 4.
- CHAPTER IV
- TERROR
- 1.
- 2.
- 3.
- CHAPTER V
- SIC ITUR AD ASTRA
- 1.
- 2.
- CHAPTER VI
- INTO THE DARK
- 1.
- 2.
- 3.
- CHAPTER VII
- NECESSITY
- 1.
- 2.
- 3.
- 4.
- 5.
- CHAPTER VIII
- SINS OF THE PRESENT
- 1.
- 2.
- 3.
- EXEUNT III
- 1.
- 2.
- 3.
- 4.
- 5.
- 6.
- 7.
- PART FOUR
- FIDELITATIS
- CHAPTER I
- DISSONANCE
- 1.
- 2.
- 3.
- 4.
- 5.
- CHAPTER II
- ORSTED STATION
- 1.
- 2.
- 3.
- 4.
- 5.
- 6.
- CHAPTER III
- ESCAPE!
- 1.
- 2.
- 3.
- 4.
- 5.
- 6.
- 7.
- CHAPTER IV
- NECESSITY II
- 1.
- 2.
- 3.
- 4.
- 5.
- EXEUNT IV
- 1.
- 2.
- 3.
- 4.
- PART FIVE
- MALIGNITATEM
- CHAPTER I
- ARRIVAL
- 1.
- 2.
- 3.
- 4.
- 5.
- 6.
- 7.
- CHAPTER II
- NECESSITY III
- 1.
- 2.
- 3.
- 4.
- 5.
- 6.
- 7.
- CHAPTER III
- INTEGRATUM
- 1.
- 2.
- 3.
- 4.
- 5.
- 6.
- 7.
- CHAPTER IV
- FERRO COMITANTE
- 1.
- 2.
- 3.
- 4.
- 5.
- 6.
- 7.
- CHAPTER V
- ASTRORUM IRAE
- 1.
- 2.
- 3.
- 4.
- 5.
- 6.
- 7.
- 8.
- 9.
- 10.
- 11.
- 12.
- 13.
- 14.
- CHAPTER VI
- SUB SPECIE AETERNITATIS
- 1.
- 2.
For a few moments, the only sound was the rumble of the ship and the whirring fans of life support. Kira used the time to marshal her thoughts and then said, “I care because I’m curious. We’re way out past the rim, and yet I don’t really know anything about you.”
“Why does it matter?”
“That’s another question.”
“Mmm.… You know I care for the Wallfish. And my crew.”
“Yes,” said Kira, and she felt an unexpected sense of closeness with him. Falconi was protective of his ship and crew; she’d seen it. And his bonsai also. That didn’t mean he was necessarily a good person, but she couldn’t deny his sense of loyalty to the people and things he considered his own. “As for what’s bothering me, the nightmares.”
“That’s not much of an answer.”
“No, it isn’t,” said Kira and, one-handed, swept up the cards on the floor. “Maybe you can get more out of me if you beat me again.”
“Maybe I will,” said Falconi with a dangerous flash in his eyes.
It was difficult, but Kira managed to shuffle the cards. She plopped them next to her knee, stirred them in a muddled mess, and then dealt by picking up individual cards between thumb and index finger. She felt horribly clumsy throughout the whole process, and it annoyed her nearly enough to use the Soft Blade to facilitate. But she didn’t because, right then, she didn’t want anything to do with the xeno. Not then and not ever.
Since she hadn’t gotten her questions answered the last time, she repeated them. In turn, Falconi asked her: “What about the nightmares is bothering you so much?” And “How did you really lose your arm?”
To Kira’s extreme annoyance, she lost again, one to three. Still, she also felt a measure of relief at no longer having to avoid the truth.
She said, “… I haven’t been drinking enough for this.”
“There’s a bottle of vodka over in the locker,” said Falconi.
“No.” She tilted her head back and rested it against the wall. “It wouldn’t fix anything. Not really.”
“Might make you feel better.”
“I doubt it.” Tears suddenly filled her eyes, and she blinked, hard. “Nothing will.”
“Kira,” said Falconi, his voice unexpectedly gentle. “What is it? What’s really going on?”
She let out a shuddering breath. “The nightmares … they’re my fault.”
“How do you mean?” His eyes never left her.
So Kira told him. She told him the whole sorry tale, starting with the creation of the Carr-Jelly–Soft Blade monstrosity and all that had transpired with it since. It was as if a barrier broke inside her, and a tidal wave of words and feelings came rushing out in a tumult of guilt, sorrow, and regret.
When she stopped, Falconi’s expression was unreadable; she couldn’t tell what he was thinking, only that his gaze had grown hooded and the lines about his mouth deepened. He started to speak, but she preempted him: “The thing is, I don’t think I can fight the nightmares. At least, not the ones like the Soft Blade. When we touched, I could feel it absorbing me. If I’d stayed…” She shook her head. “I can’t beat them. We’re too similar, and there are so many more of them. I’d drown in their flesh. If I met this Carr-Jelly-thing, it would eat me. I know it would. Flesh for the Maw.”