Back The Woods Save as PDF
Chapters (67)
  1. Cover
  2. Title Page
  3. Copyright
  4. Dedication
  5. Epigraph
  6. August 2008
  7. NOW
  8. Chapter 1
  9. Chapter 2
  10. Chapter 3
  11. Chapter 4
  12. THEN
  13. Chapter 5
  14. NOW
  15. ANOTHER SUMMER OF DEATH?
  16. Chapter 7
  17. Chapter 8
  18. THEN
  19. Chapter 9
  20. NOW
  21. Chapter 10
  22. Chapter 11
  23. Chapter 12
  24. Chapter 13
  25. THEN
  26. Chapter 14
  27. NOW
  28. Chapter 15
  29. Chapter 16
  30. Chapter 17
  31. THEN
  32. SECOND BODY FOUND
  33. NOW
  34. Chapter 19
  35. Chapter 20
  36. Chapter 21
  37. Chapter 22
  38. Chapter 23
  39. THEN
  40. Chapter 24
  41. NOW
  42. Chapter 25
  43. Chapter 26
  44. Chapter 27
  45. Chapter 28
  46. Chapter 29
  47. THEN
  48. Chapter 30
  49. NOW
  50. Chapter 31
  51. Chapter 32
  52. Chapter 33
  53. Chapter 34
  54. Chapter 35
  55. THEN
  56. Chapter 36
  57. NOW
  58. Chapter 37
  59. Chapter 38
  60. Chapter 39
  61. Chapter 40
  62. Chapter 41
  63. TRAGIC TALE OF ARABELLA COOPERREACHES ITS SAD CONCLUSION
  64. ACKNOWLEDGMENTS
  65. Discover More
  66. About the Author
  67. Also by Vanessa Savage

My hands are shaking as I open the envelope and my shoulders sag as I look at the first black-and-white photograph. It’s a squirrel on a wall, close up and beautifully detailed and shadowed, but it’s just a squirrel, not an answer to anything. The next couple are the same—a shot of the woods, moodily shadowed, one of the river, light playing on the water’s surface. I pause as I get to the next photograph. It’s me, standing in the garden at home, head bowed, curls covering my face. I never noticed her taking this. My heart thumps as I flick through the next ones. They’re of Dean House, taken at night. Darkness, dust, the creepiness of those empty rooms captured by Bella in stark black and white.

When did she take these? Did she visit Greg at night? Or did she go there alone—before she took me there? There’s the living room, the hallway, the stairs. I stop at the next one and then flick back through the others. What did I see? Something different. There, in the corner of that one. A shadow that when I squint takes on the shape of a figure. Whenever she took these photos, she didn’t go there alone.

There’s another photo, near the end, that shows the figure with more clarity. It’s a boy, facing away from her, dark clothes, head in shadow. I can’t tell who it is, but I can guess. I stare harder at the photo, willing it to come to life, willing him to turn and face me so I can be sure. It has to be Jack, who haunted her last months, who took her back to Dean House at night, who’s present in these photos, but hiding in the background. Hidden. Secret. Guilty.

The last photo, though, that’s the one that steals my breath.

Chapter 35

Chapter 35

The morning of Julia’s funeral, I give up on sleep at six o’clock and tiptoe out of my room. Dad’s room is open and empty, so I’m not the only one struggling to sleep. He’s nowhere downstairs, and I worry until I catch sight of him in the garden. I fill two mugs with tea and go outside. He’s sitting on a peeling wooden chair on the terrace, staring at the daffodils that have just come into flower. Winter has turned to spring in the time I’ve been here. He doesn’t look up or seem to notice my approach and it makes me wonder if this is what he’s been doing when no one else was here and his wife was slowly dying upstairs.

“You’re up early,” I say.