Contents ( 107)
- Dedication
- Contents
- Introduction
- I
- SOME THINGS I BELIEVE
- Credo
- Telling Lies for a Living . . . And Why We Do It: The Newbery Medal Speech, 2009
- Four Bookshops
- The Pornography of Genre, or the Genre of Pornography
- Ghosts in the Machines: Some Hallowe’en Thoughts.
- How Dare You: On America, and Writing About It
- All Books Have Genders
- The PEN Awards and Charlie Hebdo
- II
- SOME PEOPLE I HAVE KNOWN
- These Are Not Our Faces
- Reflections: On Diana Wynne Jones
- Terry Pratchett: An Appreciation
- On Dave McKean
- How to Read Gene Wolfe
- Remembering Douglas Adams
- Harlan Ellison: The Beast That Shouted Love at the Heart of the World
- Banging the Drum for Harlan Ellison
- On Stephen King, for the Sunday Times
- Geoff Notkin: Meteorite Man
- Gumshoe: A Book Review
- SIMCITY
- Six to Six
- III
- INTRODUCTIONS AND MUSINGS: SCIENCE FICTION
- Fritz Leiber: The Short Stories
- Hothouse
- Ray Bradbury, Fahrenheit 451 and What Science Fiction Is and Does
- Of Time, and Gully Foyle: Alfred Bester and The Stars My Destination
- Samuel R. Delany and The Einstein Intersection
- On the Fortieth Anniversary of the Nebula Awards: A Speech, 2005
- IV
- FILMS AND MOVIES AND ME
- The Bride of Frankenstein
- MirrorMask: An Introduction
- MirrorMask: A Sundance Diary
- The Nature of the Infection: Some Thoughts on Doctor Who
- On Comics and Films: 2006
- V
- ON COMICS AND SOME OF THE PEOPLE WHO MAKE THEM
- Good Comics and Tulips: A Speech
- “But What Has That to Do with Bacchus?” Eddie Campbell and Deadface
- Confessions: On Astro City and Kurt Busiek
- Batman: Cover to Cover
- Bone: An Introduction, and Some Subsequent Thoughts
- Jack Kirby: King of Comics
- The Simon and Kirby Superheroes
- The Spirit of Seventy-Five
- The Best of the Spirit
- Will Eisner: New York Stories
- The Keynote Speech for the 2003 Eisner Awards
- 2004 Harvey Awards Speech
- The Best American Comics, 2010
- VI
- INTRODUCTIONS AND CONTRADICTIONS
- Some Strangeness in the Proportion: The Exquisite Beauties of Edgar Allan Poe
- On The New Annotated Dracula
- Rudyard Kipling’s Tales of Horror and Fantasy
- The Mystery of G. K. Chesterton’s Father Brown
- Concerning Dreams and Nightmares: The Dream Stories of H. P. Lovecraft
- On The 13 Clocks by James Thurber
- Votan and Other Novels by John James
- On Viriconium: Some Notes Toward an Introduction
- So Long, and Thanks for All the Fish: An Introduction
- Dogsbody by Diana Wynne Jones
- Voice of the Fire by Alan Moore
- Art and Artifice by Jim Steinmeyer
- The Moth: An Introduction
- VII
- MUSIC AND THE PEOPLE WHO MAKE IT
- Hi, By the Way: Tori Amos
- Curious Wine: Tori Amos II
- Flood: Twenty-Fifth Anniversary Edition, They Might Be Giants
- Lou Reed, in Memoriam: “The Soundtrack to My Life”
- Waiting for the Man: Lou Reed
- Afterword Afterword: Evelyn Evelyn
- Who Killed Amanda Palmer
- VIII
- ON STARDUST AND FAIRY TALES
- Once Upon a Time
- Several Things About Charles Vess
- The King of Elfland’s Daughter, Lord Dunsany
- Lud-in-the-Mist
- The Thing of It Is: Jonathan Strange & Mr. Norrell
- On Richard Dadd’s The Fairy-Feller’s Master-Stroke
- IX
- MAKE GOOD ART
- Make Good Art
- X
- THE VIEW FROM THE CHEAP SEATS: REAL THINGS
- The View from the Cheap Seats
- A Wilderness of Mirrors
- The Dresden Dolls: Hallowe’en 2010
- Eight Views of Mount Fuji: Beloved Demons and Anthony Martignetti
- So Many Ways to Die in Syria Now: May 2014
- A Slip of the Keyboard: Terry Pratchett
- Credits
- Index
- About the Author
- Also by Neil Gaiman
- Copyright
- About the Publisher
I try to get a cab at Baker Street, but the yellow “TAXI” light, holy grail of London emergencies, proves usually elusive. I tube to Tottenham Court Road, where a queue of taxis lurk, yellow lights blazing.
Head down to the basement of My Publishers, make some phone calls, stumble over the road to the Café München in the shadow of Centre Point, where I drink with Temporary Crisis Editor James Robinson, awaiting the arrival of My Publisher.
My Publisher is late but I bump into huge rock star Fish (late of Marillion); we haven’t seen each other for years, and catch up on recent events, interrupted only by a shady-looking fellow who’s setting up “the biggest charity in England” and wants Fish to lend support, and a prat who asks Fish to write out the lyrics to “Kayleigh” on a napkin so he can win a £50 bet. Fish says he can’t remember them and sends the guy away with an autograph. Still, somebody made £50 off of it.
My Publisher turns up, and we head off to grab something to eat (La Reach in Old Compton Street, great couscous), promising to meet Fish later in the new, moved Marquee. He’ll put our names on the door.
11:15 We turn up at the Marquee to be met by “Sorry, mate—we closed at eleven o’clock.” When I was a teenager the Marquee (possibly the cheapest sauna in the metropolis) scarcely opened before eleven. Dreams of a peculiar rock-’n’-rolloid night vanish. I still don’t know what I’m going to be doing this evening.
My Publisher is heading down to Wimbledon to try to fix an antique laserdisc player he sold to an old friend. I go with him.
1:00 Laserdisc player still doesn’t work, which means my publisher is unable to view Miami Spice (“Those Miami Spice girls sure have a nose for torrid trouble . . . a porno pool party . . . our passionate policewomen are ready for the big bust . . .” Fnur fnur).
1:30 Driving back into town through empty Wimbledon we get pulled over by a police car—they’ve noticed the antique laserdisc player in the boot, and have leapt to the not unreasonable conclusion that My Publisher is in fact a burglar. Nervously, he hides Miami Spice under the seat, gets out of the car, hands the cop his mobile phone and tells him to phone people to prove his identity; the cop stares at it wistfully. “They won’t even give us one of those,” he sighs. He asks My Publisher about his (Barrow-in-Furness) accent and announces that he comes from Bridlington himself. Waves us on our way. My plans of an exciting night crusading against police brutality—or better yet, journalistically, spent in the cells—founder and crash.
1:45 Victoria Station. Something must be happening at Victoria . . . nope. A sterile expanse, full of fluorescent ads for things you can’t buy at this time of night. (Prawn Waldorf sandwiches?) My Publisher explains that London pigeons have lost their toes through decades of inbreeding and pollution. Tell him this sounds unlikely.