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Contents ( 107)
  1. Dedication
  2. Contents
  3. Introduction
  4. I
  5. SOME THINGS I BELIEVE
  6. Credo
  7. Telling Lies for a Living . . . And Why We Do It: The Newbery Medal Speech, 2009
  8. Four Bookshops
  9. The Pornography of Genre, or the Genre of Pornography
  10. Ghosts in the Machines: Some Hallowe’en Thoughts.
  11. How Dare You: On America, and Writing About It
  12. All Books Have Genders
  13. The PEN Awards and Charlie Hebdo
  14. II
  15. SOME PEOPLE I HAVE KNOWN
  16. These Are Not Our Faces
  17. Reflections: On Diana Wynne Jones
  18. Terry Pratchett: An Appreciation
  19. On Dave McKean
  20. How to Read Gene Wolfe
  21. Remembering Douglas Adams
  22. Harlan Ellison: The Beast That Shouted Love at the Heart of the World
  23. Banging the Drum for Harlan Ellison
  24. On Stephen King, for the Sunday Times
  25. Geoff Notkin: Meteorite Man
  26. Gumshoe: A Book Review
  27. SIMCITY
  28. Six to Six
  29. III
  30. INTRODUCTIONS AND MUSINGS: SCIENCE FICTION
  31. Fritz Leiber: The Short Stories
  32. Hothouse
  33. Ray Bradbury, Fahrenheit 451 and What Science Fiction Is and Does
  34. Of Time, and Gully Foyle: Alfred Bester and The Stars My Destination
  35. Samuel R. Delany and The Einstein Intersection
  36. On the Fortieth Anniversary of the Nebula Awards: A Speech, 2005
  37. IV
  38. FILMS AND MOVIES AND ME
  39. The Bride of Frankenstein
  40. MirrorMask: An Introduction
  41. MirrorMask: A Sundance Diary
  42. The Nature of the Infection: Some Thoughts on Doctor Who
  43. On Comics and Films: 2006
  44. V
  45. ON COMICS AND SOME OF THE PEOPLE WHO MAKE THEM
  46. Good Comics and Tulips: A Speech
  47. “But What Has That to Do with Bacchus?” Eddie Campbell and Deadface
  48. Confessions: On Astro City and Kurt Busiek
  49. Batman: Cover to Cover
  50. Bone: An Introduction, and Some Subsequent Thoughts
  51. Jack Kirby: King of Comics
  52. The Simon and Kirby Superheroes
  53. The Spirit of Seventy-Five
  54. The Best of the Spirit
  55. Will Eisner: New York Stories
  56. The Keynote Speech for the 2003 Eisner Awards
  57. 2004 Harvey Awards Speech
  58. The Best American Comics, 2010
  59. VI
  60. INTRODUCTIONS AND CONTRADICTIONS
  61. Some Strangeness in the Proportion: The Exquisite Beauties of Edgar Allan Poe
  62. On The New Annotated Dracula
  63. Rudyard Kipling’s Tales of Horror and Fantasy
  64. The Mystery of G. K. Chesterton’s Father Brown
  65. Concerning Dreams and Nightmares: The Dream Stories of H. P. Lovecraft
  66. On The 13 Clocks by James Thurber
  67. Votan and Other Novels by John James
  68. On Viriconium: Some Notes Toward an Introduction
  69. So Long, and Thanks for All the Fish: An Introduction
  70. Dogsbody by Diana Wynne Jones
  71. Voice of the Fire by Alan Moore
  72. Art and Artifice by Jim Steinmeyer
  73. The Moth: An Introduction
  74. VII
  75. MUSIC AND THE PEOPLE WHO MAKE IT
  76. Hi, By the Way: Tori Amos
  77. Curious Wine: Tori Amos II
  78. Flood: Twenty-Fifth Anniversary Edition, They Might Be Giants
  79. Lou Reed, in Memoriam: “The Soundtrack to My Life”
  80. Waiting for the Man: Lou Reed
  81. Afterword Afterword: Evelyn Evelyn
  82. Who Killed Amanda Palmer
  83. VIII
  84. ON STARDUST AND FAIRY TALES
  85. Once Upon a Time
  86. Several Things About Charles Vess
  87. The King of Elfland’s Daughter, Lord Dunsany
  88. Lud-in-the-Mist
  89. The Thing of It Is: Jonathan Strange & Mr. Norrell
  90. On Richard Dadd’s The Fairy-Feller’s Master-Stroke
  91. IX
  92. MAKE GOOD ART
  93. Make Good Art
  94. X
  95. THE VIEW FROM THE CHEAP SEATS: REAL THINGS
  96. The View from the Cheap Seats
  97. A Wilderness of Mirrors
  98. The Dresden Dolls: Hallowe’en 2010
  99. Eight Views of Mount Fuji: Beloved Demons and Anthony Martignetti
  100. So Many Ways to Die in Syria Now: May 2014
  101. A Slip of the Keyboard: Terry Pratchett
  102. Credits
  103. Index
  104. About the Author
  105. Also by Neil Gaiman
  106. Copyright
  107. About the Publisher

We leave behind two things that matter, Stephen Sondheim said, in a musical I love and Amanda doesn’t, and those two things are children and art.

Anthony’s children are scattered: they are the people whose lives he has influenced and helped to shape. I count my wife as one of his children. Anthony’s art is here, in these pages, waiting for you, as fresh, as sharp, as painful a hundred years from now when I’m dead and Anthony’s dead and Amanda’s dead and everyone we know is dust and ash and bones in the ground.

This book is a gift, and, as I said, it is the tales that accompany the gift that matter: the stories that show us the joy of event, of the shaping of memories, and the joy of a life lived, as all lives are lived, both in the light and in the darkness.

These pages are gifts, from Anthony to you, and they hold the tales that accompany the gifts, from someone who has walked into the darkness and now stands in the light, ready to tell you his stories.

This was my introduction to C. Anthony Martignetti’s book Beloved Demons. Anthony died of leukemia in June 2015, at home, surrounded by his loved ones. We were there, his friends and family, around his bed. I was holding Amanda’s pregnant belly as he left us, and feeling the movements of the baby we would name after Anthony.

So Many Ways to Die in Syria Now: May 2014

We are in a metal shed in Azraq refugee camp, Jordan, sitting on a low mattress, talking to a couple who have been here since the camp opened two weeks ago. Abu Hani* is a good-looking man in his late forties who looks beaten, like an abused dog. He hangs back. His wife, Yalda, talks more than he does.

There is a water jug on the floor. It is the only water they have. We have managed to knock it over twice, and each time we apologize and feel awful, as in order to refill it there is a five-minute walk to the four taps embedded in concrete at the corner of the block. The desert air dries out the thin carpet in moments.

The couple are telling us why they left Syria. Abu Hani once owned a small supermarket, but the “officials” who ran his town trashed it, mixed detergent into the grains and pulses, and took his stock. He spent his savings restocking the shop, but when he opened again they closed him down permanently. People were killed. On the local news they would show bodies that had been found, so people could identify their relatives: one time he saw a cousin’s severed head on there.

Mostly their relatives just vanished. Yalda’s brothers and cousin were on their way to deliver blood for a transfusion to their infant nephew who was having an open-heart operation when they were stopped at a roadblock, and interrogated about the blood. The three men did not arrive at the hospital and were never seen again. I did not want to ask what happened to the nephew. Her mother, Yalda tells us, has lost her mind: she goes from police station to hospital to police station, asking about her sons—the police got so tired of this they wrote “deceased” next to their names, to make her stop coming and asking.