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Contents ( 107)
  1. Dedication
  2. Contents
  3. Introduction
  4. I
  5. SOME THINGS I BELIEVE
  6. Credo
  7. Telling Lies for a Living . . . And Why We Do It: The Newbery Medal Speech, 2009
  8. Four Bookshops
  9. The Pornography of Genre, or the Genre of Pornography
  10. Ghosts in the Machines: Some Hallowe’en Thoughts.
  11. How Dare You: On America, and Writing About It
  12. All Books Have Genders
  13. The PEN Awards and Charlie Hebdo
  14. II
  15. SOME PEOPLE I HAVE KNOWN
  16. These Are Not Our Faces
  17. Reflections: On Diana Wynne Jones
  18. Terry Pratchett: An Appreciation
  19. On Dave McKean
  20. How to Read Gene Wolfe
  21. Remembering Douglas Adams
  22. Harlan Ellison: The Beast That Shouted Love at the Heart of the World
  23. Banging the Drum for Harlan Ellison
  24. On Stephen King, for the Sunday Times
  25. Geoff Notkin: Meteorite Man
  26. Gumshoe: A Book Review
  27. SIMCITY
  28. Six to Six
  29. III
  30. INTRODUCTIONS AND MUSINGS: SCIENCE FICTION
  31. Fritz Leiber: The Short Stories
  32. Hothouse
  33. Ray Bradbury, Fahrenheit 451 and What Science Fiction Is and Does
  34. Of Time, and Gully Foyle: Alfred Bester and The Stars My Destination
  35. Samuel R. Delany and The Einstein Intersection
  36. On the Fortieth Anniversary of the Nebula Awards: A Speech, 2005
  37. IV
  38. FILMS AND MOVIES AND ME
  39. The Bride of Frankenstein
  40. MirrorMask: An Introduction
  41. MirrorMask: A Sundance Diary
  42. The Nature of the Infection: Some Thoughts on Doctor Who
  43. On Comics and Films: 2006
  44. V
  45. ON COMICS AND SOME OF THE PEOPLE WHO MAKE THEM
  46. Good Comics and Tulips: A Speech
  47. “But What Has That to Do with Bacchus?” Eddie Campbell and Deadface
  48. Confessions: On Astro City and Kurt Busiek
  49. Batman: Cover to Cover
  50. Bone: An Introduction, and Some Subsequent Thoughts
  51. Jack Kirby: King of Comics
  52. The Simon and Kirby Superheroes
  53. The Spirit of Seventy-Five
  54. The Best of the Spirit
  55. Will Eisner: New York Stories
  56. The Keynote Speech for the 2003 Eisner Awards
  57. 2004 Harvey Awards Speech
  58. The Best American Comics, 2010
  59. VI
  60. INTRODUCTIONS AND CONTRADICTIONS
  61. Some Strangeness in the Proportion: The Exquisite Beauties of Edgar Allan Poe
  62. On The New Annotated Dracula
  63. Rudyard Kipling’s Tales of Horror and Fantasy
  64. The Mystery of G. K. Chesterton’s Father Brown
  65. Concerning Dreams and Nightmares: The Dream Stories of H. P. Lovecraft
  66. On The 13 Clocks by James Thurber
  67. Votan and Other Novels by John James
  68. On Viriconium: Some Notes Toward an Introduction
  69. So Long, and Thanks for All the Fish: An Introduction
  70. Dogsbody by Diana Wynne Jones
  71. Voice of the Fire by Alan Moore
  72. Art and Artifice by Jim Steinmeyer
  73. The Moth: An Introduction
  74. VII
  75. MUSIC AND THE PEOPLE WHO MAKE IT
  76. Hi, By the Way: Tori Amos
  77. Curious Wine: Tori Amos II
  78. Flood: Twenty-Fifth Anniversary Edition, They Might Be Giants
  79. Lou Reed, in Memoriam: “The Soundtrack to My Life”
  80. Waiting for the Man: Lou Reed
  81. Afterword Afterword: Evelyn Evelyn
  82. Who Killed Amanda Palmer
  83. VIII
  84. ON STARDUST AND FAIRY TALES
  85. Once Upon a Time
  86. Several Things About Charles Vess
  87. The King of Elfland’s Daughter, Lord Dunsany
  88. Lud-in-the-Mist
  89. The Thing of It Is: Jonathan Strange & Mr. Norrell
  90. On Richard Dadd’s The Fairy-Feller’s Master-Stroke
  91. IX
  92. MAKE GOOD ART
  93. Make Good Art
  94. X
  95. THE VIEW FROM THE CHEAP SEATS: REAL THINGS
  96. The View from the Cheap Seats
  97. A Wilderness of Mirrors
  98. The Dresden Dolls: Hallowe’en 2010
  99. Eight Views of Mount Fuji: Beloved Demons and Anthony Martignetti
  100. So Many Ways to Die in Syria Now: May 2014
  101. A Slip of the Keyboard: Terry Pratchett
  102. Credits
  103. Index
  104. About the Author
  105. Also by Neil Gaiman
  106. Copyright
  107. About the Publisher

The problems of failure are problems of discouragement, of hopelessness, of hunger. You want everything to happen and you want it now, and things go wrong. My first book—a piece of journalism I had done for the money, and which had already bought me an electric typewriter from the advance—should have been a bestseller. It should have paid me a lot of money. If the publisher hadn’t gone into involuntary liquidation between the first print run selling out and the second printing, and before any royalties could be paid, it would have done.

And I shrugged, and I still had my electric typewriter and enough money to pay the rent for a couple of months, and I decided that I would do my best in future not to write books just for the money. If you didn’t get the money, then you didn’t have anything. If I did work I was proud of, and I didn’t get the money, at least I’d have the work.

Every now and again, I forget that rule, and whenever I do, the universe kicks me hard and reminds me. I don’t know that it’s an issue for anybody but me, but it’s true that nothing I did where the only reason for doing it was the money was ever worth it, except as bitter experience. Usually I didn’t wind up getting the money, either. The things I did because I was excited, and wanted to see them exist in reality, have never let me down, and I’ve never regretted the time I spent on any of them.

The problems of failure are hard.

The problems of success can be harder, because nobody warns you about them.

The first problem of any kind of even limited success is the unshakable conviction that you are getting away with something, and that any moment now they will discover you. It’s Imposter Syndrome, something my wife, Amanda, christened the Fraud Police.

In my case, I was convinced that there would be a knock on the door, and a man with a clipboard (I don’t know why he carried a clipboard, in my head, but he did) would be there, to tell me it was all over, and they had caught up with me, and now I would have to go and get a real job, one that didn’t consist of making things up and writing them down, and reading books I wanted to read. And then I would go away quietly and get the kind of job where you don’t get to make things up anymore.

The problems of success. They’re real, and with luck you’ll experience them. The point where you stop saying yes to everything, because now the bottles you threw in the ocean are all coming back, and have to learn to say no.

I watched my peers, and my friends, and the ones who were older than me, and watched how miserable some of them were: I’d listen to them telling me that they couldn’t envisage a world where they did what they had always wanted to do anymore, because now they had to earn a certain amount every month just to keep where they were. They couldn’t go and do the things that mattered, and that they had really wanted to do; and that seemed as a big a tragedy as any problem of failure.