Contents ( 107)
- Dedication
- Contents
- Introduction
- I
- SOME THINGS I BELIEVE
- Credo
- Telling Lies for a Living . . . And Why We Do It: The Newbery Medal Speech, 2009
- Four Bookshops
- The Pornography of Genre, or the Genre of Pornography
- Ghosts in the Machines: Some Hallowe’en Thoughts.
- How Dare You: On America, and Writing About It
- All Books Have Genders
- The PEN Awards and Charlie Hebdo
- II
- SOME PEOPLE I HAVE KNOWN
- These Are Not Our Faces
- Reflections: On Diana Wynne Jones
- Terry Pratchett: An Appreciation
- On Dave McKean
- How to Read Gene Wolfe
- Remembering Douglas Adams
- Harlan Ellison: The Beast That Shouted Love at the Heart of the World
- Banging the Drum for Harlan Ellison
- On Stephen King, for the Sunday Times
- Geoff Notkin: Meteorite Man
- Gumshoe: A Book Review
- SIMCITY
- Six to Six
- III
- INTRODUCTIONS AND MUSINGS: SCIENCE FICTION
- Fritz Leiber: The Short Stories
- Hothouse
- Ray Bradbury, Fahrenheit 451 and What Science Fiction Is and Does
- Of Time, and Gully Foyle: Alfred Bester and The Stars My Destination
- Samuel R. Delany and The Einstein Intersection
- On the Fortieth Anniversary of the Nebula Awards: A Speech, 2005
- IV
- FILMS AND MOVIES AND ME
- The Bride of Frankenstein
- MirrorMask: An Introduction
- MirrorMask: A Sundance Diary
- The Nature of the Infection: Some Thoughts on Doctor Who
- On Comics and Films: 2006
- V
- ON COMICS AND SOME OF THE PEOPLE WHO MAKE THEM
- Good Comics and Tulips: A Speech
- “But What Has That to Do with Bacchus?” Eddie Campbell and Deadface
- Confessions: On Astro City and Kurt Busiek
- Batman: Cover to Cover
- Bone: An Introduction, and Some Subsequent Thoughts
- Jack Kirby: King of Comics
- The Simon and Kirby Superheroes
- The Spirit of Seventy-Five
- The Best of the Spirit
- Will Eisner: New York Stories
- The Keynote Speech for the 2003 Eisner Awards
- 2004 Harvey Awards Speech
- The Best American Comics, 2010
- VI
- INTRODUCTIONS AND CONTRADICTIONS
- Some Strangeness in the Proportion: The Exquisite Beauties of Edgar Allan Poe
- On The New Annotated Dracula
- Rudyard Kipling’s Tales of Horror and Fantasy
- The Mystery of G. K. Chesterton’s Father Brown
- Concerning Dreams and Nightmares: The Dream Stories of H. P. Lovecraft
- On The 13 Clocks by James Thurber
- Votan and Other Novels by John James
- On Viriconium: Some Notes Toward an Introduction
- So Long, and Thanks for All the Fish: An Introduction
- Dogsbody by Diana Wynne Jones
- Voice of the Fire by Alan Moore
- Art and Artifice by Jim Steinmeyer
- The Moth: An Introduction
- VII
- MUSIC AND THE PEOPLE WHO MAKE IT
- Hi, By the Way: Tori Amos
- Curious Wine: Tori Amos II
- Flood: Twenty-Fifth Anniversary Edition, They Might Be Giants
- Lou Reed, in Memoriam: “The Soundtrack to My Life”
- Waiting for the Man: Lou Reed
- Afterword Afterword: Evelyn Evelyn
- Who Killed Amanda Palmer
- VIII
- ON STARDUST AND FAIRY TALES
- Once Upon a Time
- Several Things About Charles Vess
- The King of Elfland’s Daughter, Lord Dunsany
- Lud-in-the-Mist
- The Thing of It Is: Jonathan Strange & Mr. Norrell
- On Richard Dadd’s The Fairy-Feller’s Master-Stroke
- IX
- MAKE GOOD ART
- Make Good Art
- X
- THE VIEW FROM THE CHEAP SEATS: REAL THINGS
- The View from the Cheap Seats
- A Wilderness of Mirrors
- The Dresden Dolls: Hallowe’en 2010
- Eight Views of Mount Fuji: Beloved Demons and Anthony Martignetti
- So Many Ways to Die in Syria Now: May 2014
- A Slip of the Keyboard: Terry Pratchett
- Credits
- Index
- About the Author
- Also by Neil Gaiman
- Copyright
- About the Publisher
Amanda Palmer said, “Funny, that.”
I HAVE BEEN backstage at an Evelyn Evelyn concert. It starts out with Amanda Palmer and Jason Webley, who are two very different people.
Then they strip down. Jason shaves and puts on a bra. They make up. They put on black wigs and they clamber into a striped costume which has room for both of them. They pull it up. They put it on.
Evelyn Evelyn whisper to each other. The left-hand Evelyn seems slightly more masculine than the right-hand Evelyn. They do not meet your eyes. They are a unit. You watch them as they move, like one person. They are reluctant to walk out onto the stage.
They play two-handed piano. One of the Neville twins plays the right hand, the other plays the left hand. The same with accordion, ukulele, guitar. They play two kazoos, for they have two mouths. Only one twin needs play the snare drum and cymbals.
They sing. They relate to each other in a way they do not relate to the audience.
Amanda Palmer sings to, and talks to, and cares about, and interacts with, her audience. Jason Webley is famous for getting his audiences magically drunk without even using alcohol.
The twins exist only for each other—they play to each other, disagree, make up, care for each other, and whisper, always whisper.
They are aware of the audience. They respond to applause. But they are not on that stage for us.
AND PEOPLE ASK, as I once asked, whether Amanda Palmer and Jason Webley are actually Evelyn Evelyn.
And they are not. They are something other, Eva and Lynn Neville, something that exists in a make-believe space inhabited by puppets and dreams. They are no more Jason and Amanda than the Haitian Loa, Baron Samedi, Mistress Erzulie and the rest, are really the horses that they ride. No more than Father Christmas was only ever your dad.
CYNTHIA VON BUHLER here illustrates the life of the twins.
She brings delicacy and charm to a story that contains tragedy and darkness. Her illustrations have all the simplicity of great children’s illustrations, but tell a story that could only exist because adults are foolish and confused and sometimes evil. She lets the Neville sisters and their story move beyond Amanda and Jason and their music and out into the world.
Their story is hard and strange, and they have had more than their share of bad luck and tragedy. But then, the same can be said of most of us. It is one of the secrets of being human. It’s not the pain that you suffer: it’s how you take the pain and move on. In the case of the Neville sisters, they make art. And so do Amanda Palmer and Jason Webley, and so does Cynthia von Buhler.
This is the secret of Evelyn Evelyn. You can be them too. Start reading, and you will see through their eyes, and learn to whisper secrets to yourself in the dark.