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Contents ( 107)
  1. Dedication
  2. Contents
  3. Introduction
  4. I
  5. SOME THINGS I BELIEVE
  6. Credo
  7. Telling Lies for a Living . . . And Why We Do It: The Newbery Medal Speech, 2009
  8. Four Bookshops
  9. The Pornography of Genre, or the Genre of Pornography
  10. Ghosts in the Machines: Some Hallowe’en Thoughts.
  11. How Dare You: On America, and Writing About It
  12. All Books Have Genders
  13. The PEN Awards and Charlie Hebdo
  14. II
  15. SOME PEOPLE I HAVE KNOWN
  16. These Are Not Our Faces
  17. Reflections: On Diana Wynne Jones
  18. Terry Pratchett: An Appreciation
  19. On Dave McKean
  20. How to Read Gene Wolfe
  21. Remembering Douglas Adams
  22. Harlan Ellison: The Beast That Shouted Love at the Heart of the World
  23. Banging the Drum for Harlan Ellison
  24. On Stephen King, for the Sunday Times
  25. Geoff Notkin: Meteorite Man
  26. Gumshoe: A Book Review
  27. SIMCITY
  28. Six to Six
  29. III
  30. INTRODUCTIONS AND MUSINGS: SCIENCE FICTION
  31. Fritz Leiber: The Short Stories
  32. Hothouse
  33. Ray Bradbury, Fahrenheit 451 and What Science Fiction Is and Does
  34. Of Time, and Gully Foyle: Alfred Bester and The Stars My Destination
  35. Samuel R. Delany and The Einstein Intersection
  36. On the Fortieth Anniversary of the Nebula Awards: A Speech, 2005
  37. IV
  38. FILMS AND MOVIES AND ME
  39. The Bride of Frankenstein
  40. MirrorMask: An Introduction
  41. MirrorMask: A Sundance Diary
  42. The Nature of the Infection: Some Thoughts on Doctor Who
  43. On Comics and Films: 2006
  44. V
  45. ON COMICS AND SOME OF THE PEOPLE WHO MAKE THEM
  46. Good Comics and Tulips: A Speech
  47. “But What Has That to Do with Bacchus?” Eddie Campbell and Deadface
  48. Confessions: On Astro City and Kurt Busiek
  49. Batman: Cover to Cover
  50. Bone: An Introduction, and Some Subsequent Thoughts
  51. Jack Kirby: King of Comics
  52. The Simon and Kirby Superheroes
  53. The Spirit of Seventy-Five
  54. The Best of the Spirit
  55. Will Eisner: New York Stories
  56. The Keynote Speech for the 2003 Eisner Awards
  57. 2004 Harvey Awards Speech
  58. The Best American Comics, 2010
  59. VI
  60. INTRODUCTIONS AND CONTRADICTIONS
  61. Some Strangeness in the Proportion: The Exquisite Beauties of Edgar Allan Poe
  62. On The New Annotated Dracula
  63. Rudyard Kipling’s Tales of Horror and Fantasy
  64. The Mystery of G. K. Chesterton’s Father Brown
  65. Concerning Dreams and Nightmares: The Dream Stories of H. P. Lovecraft
  66. On The 13 Clocks by James Thurber
  67. Votan and Other Novels by John James
  68. On Viriconium: Some Notes Toward an Introduction
  69. So Long, and Thanks for All the Fish: An Introduction
  70. Dogsbody by Diana Wynne Jones
  71. Voice of the Fire by Alan Moore
  72. Art and Artifice by Jim Steinmeyer
  73. The Moth: An Introduction
  74. VII
  75. MUSIC AND THE PEOPLE WHO MAKE IT
  76. Hi, By the Way: Tori Amos
  77. Curious Wine: Tori Amos II
  78. Flood: Twenty-Fifth Anniversary Edition, They Might Be Giants
  79. Lou Reed, in Memoriam: “The Soundtrack to My Life”
  80. Waiting for the Man: Lou Reed
  81. Afterword Afterword: Evelyn Evelyn
  82. Who Killed Amanda Palmer
  83. VIII
  84. ON STARDUST AND FAIRY TALES
  85. Once Upon a Time
  86. Several Things About Charles Vess
  87. The King of Elfland’s Daughter, Lord Dunsany
  88. Lud-in-the-Mist
  89. The Thing of It Is: Jonathan Strange & Mr. Norrell
  90. On Richard Dadd’s The Fairy-Feller’s Master-Stroke
  91. IX
  92. MAKE GOOD ART
  93. Make Good Art
  94. X
  95. THE VIEW FROM THE CHEAP SEATS: REAL THINGS
  96. The View from the Cheap Seats
  97. A Wilderness of Mirrors
  98. The Dresden Dolls: Hallowe’en 2010
  99. Eight Views of Mount Fuji: Beloved Demons and Anthony Martignetti
  100. So Many Ways to Die in Syria Now: May 2014
  101. A Slip of the Keyboard: Terry Pratchett
  102. Credits
  103. Index
  104. About the Author
  105. Also by Neil Gaiman
  106. Copyright
  107. About the Publisher

Amanda Palmer said, “Funny, that.”

I HAVE BEEN backstage at an Evelyn Evelyn concert. It starts out with Amanda Palmer and Jason Webley, who are two very different people.

Then they strip down. Jason shaves and puts on a bra. They make up. They put on black wigs and they clamber into a striped costume which has room for both of them. They pull it up. They put it on.

Evelyn Evelyn whisper to each other. The left-hand Evelyn seems slightly more masculine than the right-hand Evelyn. They do not meet your eyes. They are a unit. You watch them as they move, like one person. They are reluctant to walk out onto the stage.

They play two-handed piano. One of the Neville twins plays the right hand, the other plays the left hand. The same with accordion, ukulele, guitar. They play two kazoos, for they have two mouths. Only one twin needs play the snare drum and cymbals.

They sing. They relate to each other in a way they do not relate to the audience.

Amanda Palmer sings to, and talks to, and cares about, and interacts with, her audience. Jason Webley is famous for getting his audiences magically drunk without even using alcohol.

The twins exist only for each other—they play to each other, disagree, make up, care for each other, and whisper, always whisper.

They are aware of the audience. They respond to applause. But they are not on that stage for us.

AND PEOPLE ASK, as I once asked, whether Amanda Palmer and Jason Webley are actually Evelyn Evelyn.

And they are not. They are something other, Eva and Lynn Neville, something that exists in a make-believe space inhabited by puppets and dreams. They are no more Jason and Amanda than the Haitian Loa, Baron Samedi, Mistress Erzulie and the rest, are really the horses that they ride. No more than Father Christmas was only ever your dad.

CYNTHIA VON BUHLER here illustrates the life of the twins.

She brings delicacy and charm to a story that contains tragedy and darkness. Her illustrations have all the simplicity of great children’s illustrations, but tell a story that could only exist because adults are foolish and confused and sometimes evil. She lets the Neville sisters and their story move beyond Amanda and Jason and their music and out into the world.

Their story is hard and strange, and they have had more than their share of bad luck and tragedy. But then, the same can be said of most of us. It is one of the secrets of being human. It’s not the pain that you suffer: it’s how you take the pain and move on. In the case of the Neville sisters, they make art. And so do Amanda Palmer and Jason Webley, and so does Cynthia von Buhler.

This is the secret of Evelyn Evelyn. You can be them too. Start reading, and you will see through their eyes, and learn to whisper secrets to yourself in the dark.