Back The Swap Save as PDF
Chapters (81)
  1. Cover
  2. Dedication
  3. Epigraph
  4. Spring 2019
  5. Chapter 1
  6. Chapter 2
  7. Chapter 3
  8. Chapter 4
  9. Chapter 5
  10. Chapter 6
  11. Chapter 7
  12. Chapter 8
  13. Chapter 9
  14. Summer 2019
  15. Chapter 10
  16. Chapter 11
  17. Chapter 12
  18. Chapter 13
  19. Chapter 14
  20. Chapter 15
  21. Chapter 16
  22. Chapter 17
  23. Chapter 18
  24. Chapter 19
  25. Chapter 20
  26. Autumn 2019
  27. Chapter 21
  28. Chapter 22
  29. Chapter 23
  30. Chapter 24
  31. Chapter 25
  32. Chapter 26
  33. Chapter 27
  34. Chapter 28
  35. Chapter 29
  36. Chapter 30
  37. Chapter 31
  38. Winter 2020
  39. Chapter 32
  40. Chapter 33
  41. Chapter 34
  42. Chapter 35
  43. Chapter 36
  44. Chapter 37
  45. Chapter 38
  46. Chapter 39
  47. Chapter 40
  48. Chapter 41
  49. Chapter 42
  50. Chapter 43
  51. Chapter 44
  52. Chapter 45
  53. Chapter 46
  54. Chapter 47
  55. Chapter 48
  56. Chapter 49
  57. Chapter 50
  58. Chapter 51
  59. Chapter 52
  60. Chapter 53
  61. Chapter 54
  62. Chapter 55
  63. Spring 2020
  64. Chapter 56
  65. Chapter 57
  66. Chapter 58
  67. Chapter 59
  68. Chapter 60
  69. Chapter 61
  70. Chapter 62
  71. Chapter 63
  72. Chapter 64
  73. Chapter 65
  74. Chapter 66
  75. Chapter 67
  76. Chapter 68
  77. Chapter 69
  78. Chapter 70
  79. Acknowledgments
  80. Reading Group Guide
  81. Copyright

I wasn’t sure why Thompson Ingleby wanted to help me. I’d never been very nice to him. On the other hand, I’d never been overtly mean to him, either, and maybe, in Thompson’s world, that was enough.

“Thanks.” I grabbed my prints and left.

Chapter 33

33

For an outcast like me, social media was a fresh kind of hell—somewhere between livestreaming your Brazilian wax and being disemboweled and having your entrails set on fire in front of you. By avoiding Facebook, Instagram, and Snapchat, I could almost enjoy my complete lack of a social life. During my previous sojourn onto social media, I had realized its sole purpose was to make me feel bad about all the fun and frivolity I was missing out on, all the typical teen experiences I would never have. Though I hated fun and frivolity, and didn’t even want those clichéd experiences, seeing my peers drinking and partying and declaring their undying love for one another with hashtags—#BFF #timeofmylife #memories—made me want to hurl.

But this Instagram page would be faceless. It would be about my photography only. I might actually enjoy having a bunch of strangers fawn over my work. Freya said it was the best feeling in the world . . . until it became the worst. It was all fake, she had said, and the people who adored you one minute would turn on you the next. There were bullies out there, empowered by the anonymity of the internet. Depression, anxiety, and negative body image were just some of the side effects of a diet of social media. But that wouldn’t happen to me. Because this wasn’t about me. It was about sharing my art with the world.

The name I chose was “Hawkeye 61.” (Actually, I had to use The_Hawkeye_61 because someone already had the other label.) The moniker was derived from the town of Hawking combined with my eye for photography, and the fact that I was six foot one. I had always related to hawks. They were loners, watching, circling, waiting to strike. Over the next few days, I uploaded some of my favorite photos—of Eckhart, of nature, of the pig and the goat. I DM’d Thompson Ingleby and he worked his magic. Within the first few days, I had over four hundred followers.

I had conditioned myself to view social media platforms as evil, but I was beginning to see the beauty in them. Instagram didn’t care if you hadn’t grown since the ninth grade like Thompson, or if you had grown to a near-freakish height like me. It only cared about the facade, the pretense you chose to share with the world. And that worked well for me. My talent was being appreciated without the distraction of my unfortunate physicality. My confidence bloomed.