Chapters (81)
- Cover
- Dedication
- Epigraph
- Spring 2019
- Chapter 1
- Chapter 2
- Chapter 3
- Chapter 4
- Chapter 5
- Chapter 6
- Chapter 7
- Chapter 8
- Chapter 9
- Summer 2019
- Chapter 10
- Chapter 11
- Chapter 12
- Chapter 13
- Chapter 14
- Chapter 15
- Chapter 16
- Chapter 17
- Chapter 18
- Chapter 19
- Chapter 20
- Autumn 2019
- Chapter 21
- Chapter 22
- Chapter 23
- Chapter 24
- Chapter 25
- Chapter 26
- Chapter 27
- Chapter 28
- Chapter 29
- Chapter 30
- Chapter 31
- Winter 2020
- Chapter 32
- Chapter 33
- Chapter 34
- Chapter 35
- Chapter 36
- Chapter 37
- Chapter 38
- Chapter 39
- Chapter 40
- Chapter 41
- Chapter 42
- Chapter 43
- Chapter 44
- Chapter 45
- Chapter 46
- Chapter 47
- Chapter 48
- Chapter 49
- Chapter 50
- Chapter 51
- Chapter 52
- Chapter 53
- Chapter 54
- Chapter 55
- Spring 2020
- Chapter 56
- Chapter 57
- Chapter 58
- Chapter 59
- Chapter 60
- Chapter 61
- Chapter 62
- Chapter 63
- Chapter 64
- Chapter 65
- Chapter 66
- Chapter 67
- Chapter 68
- Chapter 69
- Chapter 70
- Acknowledgments
- Reading Group Guide
- Copyright
First, I had to attend to Maggie. The gun shot had startled her, and she was sobbing uncontrollably. Her wails came in stereo: from the monitor under Max’s body, and directly from the nursery. With the gun in my waistband, I hurried to her, picked her up, and rocked her gently. My presence calmed her, and soon enough, she nuzzled into my neck and fell asleep. I placed her tenderly back in her crib. Then I went to dispose of her mother’s body.
With an eye on Max, I pocketed the shell casing and wiped up the tiny pool of Freya’s blood with a paper towel. I was entirely sober now, adrenaline coursing through my system, allowing me to do what had to be done. I scooped Freya into my arms and carried her to the studio. She was such a tiny woman, but she felt remarkably heavy. I stumbled inside and went straight to the kiln room with my lifeless cargo, setting her down on the concrete floor. Freya had taught me to fire the gas kiln. It was not as simple as an electric kiln, but she insisted the results were better, especially when doing salt or soda firing. With the shelves removed, the receptacle was the perfect size for my petite victim. Max would have required dismembering; I shuddered at the thought.
I took the diamond rings from Freya’s fingers, the phone from her pocket, and placed her gently inside. Then I sealed the kiln and cranked the heat to the max, cone 10. Eventually it would reach 2,300 degrees Fahrenheit, significantly hotter than a cremation oven. Within a few hours, all that would be left of the gorgeous woman who had hurt so many people, who’d destroyed so many lives, would be a dusting of ash.
A wave of nausea hit me then, and I hurried outside to vomit behind a juniper bush. Tears streamed down my cheeks, but there was no time to fall apart. Wiping my mouth on my sleeve, I went back to the studio to turn off the lights and close the door. Freya had always insisted that all firings be monitored; gas kilns could be dangerous. But I couldn’t hang around, for obvious reasons. And the top of the line appliance had a thermocouple safety shut-off valve that would kick in eventually. I crept up to the house and peered through a kitchen window. Max was awake now, sitting on the floor with his head in his hands. He had been out for over fifteen minutes; this could be a serious brain injury. But if anyone knew how to deal with a concussion, it was Max. He’d call paramedics if he needed them. He’d summon me to look after Maggie, if he couldn’t cope. And he would wonder where his wife went.
But he would never know the truth. No one would.
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