Chapters (92)
- Cover
- Also by Jeffery Deaver
- THE SKIN COLLECTOR
- Dedication
- Epigraph
- ITHE OUT-OF-PRINT BOOK
- CHAPTER 1
- CHAPTER 2
- CHAPTER 3
- CHAPTER 4
- CHAPTER 5
- CHAPTER 6
- CHAPTER 7
- CHAPTER 8
- CHAPTER 9
- CHAPTER 10
- CHAPTER 11
- CHAPTER 12
- CHAPTER 13
- CHAPTER 14
- CHAPTER 15
- CHAPTER 16
- IITHE UNDERGROUND MAN
- CHAPTER 17
- CHAPTER 18
- CHAPTER 19
- CHAPTER 20
- CHAPTER 21
- CHAPTER 22
- CHAPTER 23
- CHAPTER 24
- CHAPTER 25
- CHAPTER 26
- CHAPTER 27
- CHAPTER 28
- CHAPTER 29
- CHAPTER 30
- CHAPTER 31
- IIITHE RED CENTIPEDE
- CHAPTER 32
- CHAPTER 33
- CHAPTER 34
- CHAPTER 35
- CHAPTER 36
- CHAPTER 37
- CHAPTER 38
- CHAPTER 39
- CHAPTER 40
- CHAPTER 41
- CHAPTER 42
- CHAPTER 43
- CHAPTER 44
- CHAPTER 45
- CHAPTER 46
- CHAPTER 47
- CHAPTER 48
- CHAPTER 49
- CHAPTER 50
- IVTHE UNDERGROUND WOMAN
- CHAPTER 51
- CHAPTER 52
- CHAPTER 53
- CHAPTER 54
- CHAPTER 55
- CHAPTER 56
- CHAPTER 57
- CHAPTER 58
- CHAPTER 59
- CHAPTER 60
- CHAPTER 61
- CHAPTER 62
- CHAPTER 63
- CHAPTER 64
- CHAPTER 65
- CHAPTER 66
- CHAPTER 67
- CHAPTER 68
- CHAPTER 69
- CHAPTER 70
- CHAPTER 71
- CHAPTER 72
- CHAPTER 73
- CHAPTER 74
- VREUNION
- CHAPTER 75
- CHAPTER 76
- CHAPTER 77
- CHAPTER 78
- VISKIN AND BONE
- CHAPTER 79
- Acknowledgments
- About the Author
‘Oh, that? The “he”?’ Gordon shrugged. ‘I never did very … well in school. Thought I was going to say “good”, didn’t you? Couple years at Hunter but got bored, you know. But when I started inking, I’d do a lot of text. Bible verses, passages from books, poems. So I learned writing from famous authors. Spelling, grammar. I mean, dude, it was pretty interesting. Typography too. The same passage in one font has a whole different impact when it’s printed in another.
‘Sometimes a couple’d come in and they’d want to ink wedding vows on their arms or ankles. Or crappy love poems they’d written, like I mentioned. I’d say, okay, dudes, you sure you want to go through life with “Jimmy I love you you’re heart and mine for ever” on your biceps. That’s Jimmy no comma, you no period or semicolon, Y-O-U apostrophe R-E, and for ever two words. They’d say, “Huh.” I’d edit anyway when I inked them. They’ll have kids and have to go to a PTA meeting, meet the English teacher. After all, not like you can use White-Out, right?’
‘And cut and paste would be really bad,’ Pulaski joked, drawing smiles.
But not from Gordon. ‘Oh, there’s a version of scarification where people actually cut strips of skin out of their body.’
Rhyme then heard a click in the front door latch and the door open – or, more accurately, the wind howl and the sleet clatter from the sky.
The door closed.
After that footsteps and a light, airy laugh.
He knew who had come to visit and shot a glance to Sachs, who quickly rose and turned around the whiteboard that contained the crime scene pictures of Chloe Moore and switched the high-def screens away from the images TT Gordon had been examining.
A moment later Pam Willoughby stepped into the room. The pretty, slim nineteen year old was enwrapped in a brown overcoat trimmed in faux fur. Her long, dark hair was tucked up under a burgundy stocking cap, and her outer garments were dusted with dots of sleet or snow, melting fast. She waved hello to everyone.
Accompanying her was her boyfriend, Seth McGuinn, a handsome, dark-haired man of about twenty-five. She introduced him to Pulaski and Mel Cooper, neither of whom he’d met.
Seth’s dark-brown eyes, which matched Pam’s, blinked when they turned to TT Gordon, who greeted the couple pleasantly. Pam had a similar reaction. Rhyme had seen athletic Seth in a T-shirt and jogging shorts, when he and Pam had been going to the park several weeks ago, and noted he’d sported no tattoos. Pam had none either, visible at least. The young couple now tried, unsuccessfully, to hide their surprise at Rhyme’s quirky visitor.
Pam detached herself from Seth’s arm, kissed Rhyme on the cheek and hugged Thom. Seth shook everyone’s hand.