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Chapters (92)
  1. Cover
  2. Also by Jeffery Deaver
  3. THE SKIN COLLECTOR
  4. Dedication
  5. Epigraph
  6. ITHE OUT-OF-PRINT BOOK
  7. CHAPTER 1
  8. CHAPTER 2
  9. CHAPTER 3
  10. CHAPTER 4
  11. CHAPTER 5
  12. CHAPTER 6
  13. CHAPTER 7
  14. CHAPTER 8
  15. CHAPTER 9
  16. CHAPTER 10
  17. CHAPTER 11
  18. CHAPTER 12
  19. CHAPTER 13
  20. CHAPTER 14
  21. CHAPTER 15
  22. CHAPTER 16
  23. IITHE UNDERGROUND MAN
  24. CHAPTER 17
  25. CHAPTER 18
  26. CHAPTER 19
  27. CHAPTER 20
  28. CHAPTER 21
  29. CHAPTER 22
  30. CHAPTER 23
  31. CHAPTER 24
  32. CHAPTER 25
  33. CHAPTER 26
  34. CHAPTER 27
  35. CHAPTER 28
  36. CHAPTER 29
  37. CHAPTER 30
  38. CHAPTER 31
  39. IIITHE RED CENTIPEDE
  40. CHAPTER 32
  41. CHAPTER 33
  42. CHAPTER 34
  43. CHAPTER 35
  44. CHAPTER 36
  45. CHAPTER 37
  46. CHAPTER 38
  47. CHAPTER 39
  48. CHAPTER 40
  49. CHAPTER 41
  50. CHAPTER 42
  51. CHAPTER 43
  52. CHAPTER 44
  53. CHAPTER 45
  54. CHAPTER 46
  55. CHAPTER 47
  56. CHAPTER 48
  57. CHAPTER 49
  58. CHAPTER 50
  59. IVTHE UNDERGROUND WOMAN
  60. CHAPTER 51
  61. CHAPTER 52
  62. CHAPTER 53
  63. CHAPTER 54
  64. CHAPTER 55
  65. CHAPTER 56
  66. CHAPTER 57
  67. CHAPTER 58
  68. CHAPTER 59
  69. CHAPTER 60
  70. CHAPTER 61
  71. CHAPTER 62
  72. CHAPTER 63
  73. CHAPTER 64
  74. CHAPTER 65
  75. CHAPTER 66
  76. CHAPTER 67
  77. CHAPTER 68
  78. CHAPTER 69
  79. CHAPTER 70
  80. CHAPTER 71
  81. CHAPTER 72
  82. CHAPTER 73
  83. CHAPTER 74
  84. VREUNION
  85. CHAPTER 75
  86. CHAPTER 76
  87. CHAPTER 77
  88. CHAPTER 78
  89. VISKIN AND BONE
  90. CHAPTER 79
  91. Acknowledgments
  92. About the Author

‘That means it’s from a mass-produced commercial hardcover – not paperback because they’re printed on newsprint. And it’s commercial because more expensive, limited-edition books are printed on low-acid or acid-free paper.

‘Add that to your team’s to-do list, Lon. Find the book. I’m leaning toward nonfiction, the aforementioned years. Possibly true crime. And each chapter devoted to a different subject, since he sliced out only what he needed. Have your people start talking to editors, bookstores, crime book collectors … and true crime writers themselves. How many could there be?’

‘Yeah, yeah, in all the free time they have when they’re not browsing for the trillion quotations featuring the words “the second”.’

‘Oh, and by the way, make it a priority. If our unsub went to enough trouble to find a copy of the book, cut out the pages and carry them around with him, I really want to know what’s in it.’

The big detective was looking at the picture of the tattoo once more. He said to Cooper, ‘Print out a picture of that, willya, Mel? I’ll start hitting those tattoo parlors – is that what they still call ’em? Probably “studio” now. And get me a list of the big ones.’

Rhyme watched Cooper print out the picture then go online with the NYC business licensing agency. He downloaded a list of what seemed to be about thirty tattoo businesses. Cooper handed it to the detective.

‘That many?’ Sellitto grumbled. ‘Wonderful. I just can’t really get outside enough on these fine fall days.’ He tossed the list and the photo of the tattoo into his briefcase. Then pulled on his Burberry and dug his wadded gloves from the pocket. Without a farewell he stalked out of the room. Rhyme once again heard the wind briefly as the door opened and slammed shut.

‘And, rookie, how’re we coming on the marble?’

The young officer turned to a nearby computer. He read through the screen. ‘Still going through blasting permits. They’re blowing up a lot of stuff in the city at the moment.’

‘Keep at it.’

‘You bet. I’ll have some answers soon.’ He turned his gaze to Rhyme. ‘Hopefully.’

‘Hopefully?’ Rhyme frowned.

‘Yep. I’m filled with hope that I don’t get any more damn grammar lessons from you, Lincoln.’

237 Elizabeth Street