Chapters (92)
- Cover
- Also by Jeffery Deaver
- THE SKIN COLLECTOR
- Dedication
- Epigraph
- ITHE OUT-OF-PRINT BOOK
- CHAPTER 1
- CHAPTER 2
- CHAPTER 3
- CHAPTER 4
- CHAPTER 5
- CHAPTER 6
- CHAPTER 7
- CHAPTER 8
- CHAPTER 9
- CHAPTER 10
- CHAPTER 11
- CHAPTER 12
- CHAPTER 13
- CHAPTER 14
- CHAPTER 15
- CHAPTER 16
- IITHE UNDERGROUND MAN
- CHAPTER 17
- CHAPTER 18
- CHAPTER 19
- CHAPTER 20
- CHAPTER 21
- CHAPTER 22
- CHAPTER 23
- CHAPTER 24
- CHAPTER 25
- CHAPTER 26
- CHAPTER 27
- CHAPTER 28
- CHAPTER 29
- CHAPTER 30
- CHAPTER 31
- IIITHE RED CENTIPEDE
- CHAPTER 32
- CHAPTER 33
- CHAPTER 34
- CHAPTER 35
- CHAPTER 36
- CHAPTER 37
- CHAPTER 38
- CHAPTER 39
- CHAPTER 40
- CHAPTER 41
- CHAPTER 42
- CHAPTER 43
- CHAPTER 44
- CHAPTER 45
- CHAPTER 46
- CHAPTER 47
- CHAPTER 48
- CHAPTER 49
- CHAPTER 50
- IVTHE UNDERGROUND WOMAN
- CHAPTER 51
- CHAPTER 52
- CHAPTER 53
- CHAPTER 54
- CHAPTER 55
- CHAPTER 56
- CHAPTER 57
- CHAPTER 58
- CHAPTER 59
- CHAPTER 60
- CHAPTER 61
- CHAPTER 62
- CHAPTER 63
- CHAPTER 64
- CHAPTER 65
- CHAPTER 66
- CHAPTER 67
- CHAPTER 68
- CHAPTER 69
- CHAPTER 70
- CHAPTER 71
- CHAPTER 72
- CHAPTER 73
- CHAPTER 74
- VREUNION
- CHAPTER 75
- CHAPTER 76
- CHAPTER 77
- CHAPTER 78
- VISKIN AND BONE
- CHAPTER 79
- Acknowledgments
- About the Author
He watered the plants and spent just a few minutes finishing a sketch of one of them, an interesting configuration of leaves and twigs. Even as someone who’d drawn all his life, Billy sometimes wondered where the urge came from. Sometimes he just had to take out a pencil or crayon and transfer something from life, which would fade, into something that would not. That would last forever.
He’d sketched Lovely Girl a thousand times.
The pencil now drooped in his hand and he left a sketch of a branch half-finished, tossing the pad aside.
Lovely Girl …
He couldn’t think of her without hearing his uncle’s somber voice, the deep baritone: ‘Billy. There’s something I have to tell you.’ His uncle had gripped him by the shoulders and looked down into his eyes. ‘Something’s happened.’
And, with those simple, horrific words, he’d learned she was gone.
Billy’s parents too were gone – though their deaths had been years ago and he’d come to some terms with the loss.
Lovely Girl’s? No, never.
She was going to be his companion forever. She was going to be his wife, the mother of his children. She was going to be the one to save him from the past, from all the bad, from the Oleander Room.
Gone, just like that.
But today he wasn’t thinking so much of the terrible news, wasn’t thinking of the unfairness of what had happened, though what had happened was unfair.
And he wasn’t thinking of the cruelty, though what had happened was cruel.
No, at the moment, having just finished inking Chloe, Billy was thinking that he was on the road to the end of pain.
The Modification was under way.
Billy sat at the rickety table in the kitchen area of the basement apartment and removed from his shirt pocket the pages of the book he’d found that morning.
He’d found out about the volume weeks ago and knew he needed a copy to complete his planning for the Modification. It was out of print, though he’d found a few copies he could buy online through secondhand-book sellers. But he couldn’t very well order one with a credit card and have it shipped to his home. So Billy had been searching through used-book shops and libraries. There were two copies in the New York Public Library but they weren’t where they should have been in the stacks, in either the Mid-Manhattan branch or a satellite branch in Queens.
But he’d tried once more, earlier today, returning on a whim to the library on Fifth Avenue.
And there it was, reshelved and Dewey Decimaled into place. He’d pulled the book down from the shelf and stood in the shadows, skimming.