Chapters (92)
- Cover
- Also by Jeffery Deaver
- THE SKIN COLLECTOR
- Dedication
- Epigraph
- ITHE OUT-OF-PRINT BOOK
- CHAPTER 1
- CHAPTER 2
- CHAPTER 3
- CHAPTER 4
- CHAPTER 5
- CHAPTER 6
- CHAPTER 7
- CHAPTER 8
- CHAPTER 9
- CHAPTER 10
- CHAPTER 11
- CHAPTER 12
- CHAPTER 13
- CHAPTER 14
- CHAPTER 15
- CHAPTER 16
- IITHE UNDERGROUND MAN
- CHAPTER 17
- CHAPTER 18
- CHAPTER 19
- CHAPTER 20
- CHAPTER 21
- CHAPTER 22
- CHAPTER 23
- CHAPTER 24
- CHAPTER 25
- CHAPTER 26
- CHAPTER 27
- CHAPTER 28
- CHAPTER 29
- CHAPTER 30
- CHAPTER 31
- IIITHE RED CENTIPEDE
- CHAPTER 32
- CHAPTER 33
- CHAPTER 34
- CHAPTER 35
- CHAPTER 36
- CHAPTER 37
- CHAPTER 38
- CHAPTER 39
- CHAPTER 40
- CHAPTER 41
- CHAPTER 42
- CHAPTER 43
- CHAPTER 44
- CHAPTER 45
- CHAPTER 46
- CHAPTER 47
- CHAPTER 48
- CHAPTER 49
- CHAPTER 50
- IVTHE UNDERGROUND WOMAN
- CHAPTER 51
- CHAPTER 52
- CHAPTER 53
- CHAPTER 54
- CHAPTER 55
- CHAPTER 56
- CHAPTER 57
- CHAPTER 58
- CHAPTER 59
- CHAPTER 60
- CHAPTER 61
- CHAPTER 62
- CHAPTER 63
- CHAPTER 64
- CHAPTER 65
- CHAPTER 66
- CHAPTER 67
- CHAPTER 68
- CHAPTER 69
- CHAPTER 70
- CHAPTER 71
- CHAPTER 72
- CHAPTER 73
- CHAPTER 74
- VREUNION
- CHAPTER 75
- CHAPTER 76
- CHAPTER 77
- CHAPTER 78
- VISKIN AND BONE
- CHAPTER 79
- Acknowledgments
- About the Author
He sent and answered several emails, to and from tattoo artist TT Gordon, whom Rhyme had taken a liking to. The man was coming over to hang out with the dude in a wheelchair next week. They’d talk about grammar and Samoan culture and life in hipster New York. And who knew what other topics, and projects, might arise?
Mt. Everest and falcons perhaps.
He cocked his head. A crunch of feet on the ice outside. Then a click, the front-door lock, more footsteps.
Rhyme took another sip. The sound told the story. Sachs, however, didn’t interpret the sonic evidence and remained wary … until Pam Willoughby turned the corner and paused in the archway.
‘Hey.’ The teen nodded to everyone, unwrapping an impressive scarf from her neck. The day was wind- and sleet-free but must’ve been cold. Her pretty nose was pink and her shoulders hunched.
Amelia Sachs’s shoulders, on the other hand, sagged but she managed a smile. She’d be recalling that Pam was going to borrow her foster father’s car to pick up the last of her possessions in the bedroom upstairs.
Silence for a moment. Sachs seemed to take a deep breath. ‘How’s it going?’
‘Okay. Good. Play opens officially next week. Busy. Victorian costumes. They weigh a ton. The dresses.’
Small talk. Pointless talk.
Silence. Sachs said, ‘I’ll help you get your things.’ Nodding toward the stairs.
Pam glanced around the parlor, avoiding eyes. ‘Well, actually, I mean, do you think it’d be okay if I moved back? Just for a while, till I can find someplace new? Didn’t really want to go back to my place in the Heights. Just, you know, everything that happened there. And the Olivettis – they’re great. Only.’ She looked at the floor. Then up. ‘Would that be okay?’
Sachs strode forward and hugged her hard. ‘That’s a question you never need to ask.’
Thom said, ‘You’ve got some things outside to bring in?’
‘In the car. Yeah, I could use some help, sure.’
Thom suited up, donning his own scarf and a faux-fur Russian Cossack hat. He followed Pam out to the car.
Sachs pulled on her coat and gloves and followed. She got as far as the arched doorway separating the parlor from the hall. She turned to Rhyme. ‘Wait a minute.’
‘Wait?’ he asked.
She walked closer, tilted her head as if she were gazing at a gangbanger she’d just collared, and looked down. In a soft voice: ‘Thom changed the locks last week. After Billy broke in.’
Rhyme shrugged. A sip of single malt. ‘Uhm.’
‘Well?’
‘Well what?’ he muttered.
‘Pam didn’t knock just now. She let herself in. That means she had one of the new keys.’
‘New keys?’
‘Why are you repeating what I say? How did Pam get a new key? She hasn’t been here for over a week.’
‘Hm. I don’t know. That’s a mystery.’