Chapters (92)
- Cover
- Also by Jeffery Deaver
- THE SKIN COLLECTOR
- Dedication
- Epigraph
- ITHE OUT-OF-PRINT BOOK
- CHAPTER 1
- CHAPTER 2
- CHAPTER 3
- CHAPTER 4
- CHAPTER 5
- CHAPTER 6
- CHAPTER 7
- CHAPTER 8
- CHAPTER 9
- CHAPTER 10
- CHAPTER 11
- CHAPTER 12
- CHAPTER 13
- CHAPTER 14
- CHAPTER 15
- CHAPTER 16
- IITHE UNDERGROUND MAN
- CHAPTER 17
- CHAPTER 18
- CHAPTER 19
- CHAPTER 20
- CHAPTER 21
- CHAPTER 22
- CHAPTER 23
- CHAPTER 24
- CHAPTER 25
- CHAPTER 26
- CHAPTER 27
- CHAPTER 28
- CHAPTER 29
- CHAPTER 30
- CHAPTER 31
- IIITHE RED CENTIPEDE
- CHAPTER 32
- CHAPTER 33
- CHAPTER 34
- CHAPTER 35
- CHAPTER 36
- CHAPTER 37
- CHAPTER 38
- CHAPTER 39
- CHAPTER 40
- CHAPTER 41
- CHAPTER 42
- CHAPTER 43
- CHAPTER 44
- CHAPTER 45
- CHAPTER 46
- CHAPTER 47
- CHAPTER 48
- CHAPTER 49
- CHAPTER 50
- IVTHE UNDERGROUND WOMAN
- CHAPTER 51
- CHAPTER 52
- CHAPTER 53
- CHAPTER 54
- CHAPTER 55
- CHAPTER 56
- CHAPTER 57
- CHAPTER 58
- CHAPTER 59
- CHAPTER 60
- CHAPTER 61
- CHAPTER 62
- CHAPTER 63
- CHAPTER 64
- CHAPTER 65
- CHAPTER 66
- CHAPTER 67
- CHAPTER 68
- CHAPTER 69
- CHAPTER 70
- CHAPTER 71
- CHAPTER 72
- CHAPTER 73
- CHAPTER 74
- VREUNION
- CHAPTER 75
- CHAPTER 76
- CHAPTER 77
- CHAPTER 78
- VISKIN AND BONE
- CHAPTER 79
- Acknowledgments
- About the Author
Amelia Sachs, the woman he’d come here to kill, was quite beautiful.
Since the weather was cold, it wasn’t conspicuous for this man to be wearing gloves, which was fortunate. The ones covering his hands were black wool, since leather gives a print nearly as distinctive as one’s own friction ridges. Traceable, in other words. But cloth? No.
He was now noting where Amelia’s purse sat – on the back of her chair. How trusting were people here. Had this been São Paulo or Mexico City, the purse would have been fixed to the back of her chair with a nylon tie, like the sort used to bind garbage bags and prisoners’ wrists.
The purse was latched but this didn’t trouble him. Several days ago he’d bought a bag just like hers and practiced, practiced, practiced slipping something inside silently (he’d studied sleight of hand for years). Finally he’d honed the technique sufficiently so that it took all of three seconds to open the bag, slip a small object inside and refix the clasp. He’d done this a hundred times.
He now reached into his pocket and palmed a bottle of an over-the-counter painkiller. It was identical in brand to those that Amelia Sachs preferred. (He’d learned this from her medicine cabinet.) She’d had osteoarthritis problems in the past and though she didn’t seem to be too troubled recently, he’d observed, she still popped the pills from time to time.
Ah, the trials our bodies put us through.
The capsules in this bottle looked identical to the ones she bought. There was one difference, however: Each of his pills consisted of compressed antimony.
Like arsenic, antimony is a basic element, a metalloid. The name is from the Greek for ‘banishing solitude’. Antimony had been used in the past to darken the eyebrows and lids of promiscuous women, including Jezebel in the Bible.
It’s a ubiquitous and useful element, employed frequently even today in industry. But antimony, Sb, atomic number 51, has also been the cause of thousands of excruciatingly painful deaths throughout history. Wolfgang Amadeus Mozart was perhaps the most famous victim. (The question remains: intentional or not? We’d have to ask Antonio Salieri.)
At a jab of pain from her reconstructed knee, which she’d feel sooner or later, Sachs would pop two pills.
And instead of relief she’d be hit with a fierce headache, vomiting, diarrhea, numb extremities.
She’d be dead in a few days – according to the media, yet another victim of Billy Haven, who’d managed to slip the tainted drugs into her purse before he and his terrorist relatives were stopped.
Although in truth the Stantons had nothing to do with this impending murder.