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Chapters (92)
  1. Cover
  2. Also by Jeffery Deaver
  3. THE SKIN COLLECTOR
  4. Dedication
  5. Epigraph
  6. ITHE OUT-OF-PRINT BOOK
  7. CHAPTER 1
  8. CHAPTER 2
  9. CHAPTER 3
  10. CHAPTER 4
  11. CHAPTER 5
  12. CHAPTER 6
  13. CHAPTER 7
  14. CHAPTER 8
  15. CHAPTER 9
  16. CHAPTER 10
  17. CHAPTER 11
  18. CHAPTER 12
  19. CHAPTER 13
  20. CHAPTER 14
  21. CHAPTER 15
  22. CHAPTER 16
  23. IITHE UNDERGROUND MAN
  24. CHAPTER 17
  25. CHAPTER 18
  26. CHAPTER 19
  27. CHAPTER 20
  28. CHAPTER 21
  29. CHAPTER 22
  30. CHAPTER 23
  31. CHAPTER 24
  32. CHAPTER 25
  33. CHAPTER 26
  34. CHAPTER 27
  35. CHAPTER 28
  36. CHAPTER 29
  37. CHAPTER 30
  38. CHAPTER 31
  39. IIITHE RED CENTIPEDE
  40. CHAPTER 32
  41. CHAPTER 33
  42. CHAPTER 34
  43. CHAPTER 35
  44. CHAPTER 36
  45. CHAPTER 37
  46. CHAPTER 38
  47. CHAPTER 39
  48. CHAPTER 40
  49. CHAPTER 41
  50. CHAPTER 42
  51. CHAPTER 43
  52. CHAPTER 44
  53. CHAPTER 45
  54. CHAPTER 46
  55. CHAPTER 47
  56. CHAPTER 48
  57. CHAPTER 49
  58. CHAPTER 50
  59. IVTHE UNDERGROUND WOMAN
  60. CHAPTER 51
  61. CHAPTER 52
  62. CHAPTER 53
  63. CHAPTER 54
  64. CHAPTER 55
  65. CHAPTER 56
  66. CHAPTER 57
  67. CHAPTER 58
  68. CHAPTER 59
  69. CHAPTER 60
  70. CHAPTER 61
  71. CHAPTER 62
  72. CHAPTER 63
  73. CHAPTER 64
  74. CHAPTER 65
  75. CHAPTER 66
  76. CHAPTER 67
  77. CHAPTER 68
  78. CHAPTER 69
  79. CHAPTER 70
  80. CHAPTER 71
  81. CHAPTER 72
  82. CHAPTER 73
  83. CHAPTER 74
  84. VREUNION
  85. CHAPTER 75
  86. CHAPTER 76
  87. CHAPTER 77
  88. CHAPTER 78
  89. VISKIN AND BONE
  90. CHAPTER 79
  91. Acknowledgments
  92. About the Author

‘They did. But what in life doesn’t, if it’s important?’

Sex, dinner and collaring a prick of a criminal, Sellitto thought. Most of the time those didn’t hurt. But he shrugged. ‘What I was going to ask was, you draw them yourself? Design them, I mean.’

‘No. I went to an artist in Boston. The best on the East Coast. I just wanted Quetzalcoatl. Mexican god.’ Her finger touched the snake on her chest. ‘And we talked for a couple of days and she got to know me. She did the plumed serpent and recommended the constellations. I got Dorothy’s shoes too. She smiled. Sellitto smiled. ‘I don’t mean to be overly political, except I do. See, that’s how women artists handle an inking. A man goes into a male artist and says I want a chain, a death’s-head, a flag. And out he comes with a chain, a death’s-head or a flag. Women take a different approach. Less impulsive, less instant, more thoughtful.’

Sellitto muttered, ‘Kinda like life in general. Men and women, I mean.’ The questions about Unsub 11-5 still needed to be answered. But he now asked, ‘Hey, just curious, you know. How’d you get into this business?’

‘You mean, aside from the skin art, I seem like a schoolteacher?’

‘Yeah.’

‘I was a schoolteacher.’ Thomson let the pause linger. Timing. ‘Middle school. Now, there’s a DMZ for you. You know, a no-man’s-land between the hormones to the south and the attitudes to the north.’

‘I got a kid. A boy. He’s outta college now. But he had to get to that age, you know.’

She nodded. ‘It wasn’t flying for me. I went to get a work at a parlor in town and, hard to explain, it set me free. I quit the school and opened a shop. Now I do skin art and canvas painting too. Shows in SoHo, uptown too. Couldn’t’ve done it, though, if I hadn’t gotten inked in the first place.’

‘Impressive.’

‘Thanks. Now you were asking about the American Eagle machine.’

Thomson’s was the one shop in the Tri-State area that sold parts and needles for that model. She also had a used model for sale. To Sellitto it looked gnarly, dangerous. Like a ray gun from some weird science-fiction flick.

‘Can I ask? Why’re you interested?’

The detective debated. He decided he owed it to her to tell all. Maybe it was that she was so devoted to the art. Or that she had a really incredible chest. He told her what 11-5 was doing.