Contents (53)
- CONTENTS
- THE SHOUT
- GOOSEBERRY SEASON
- AT SEA
- POEM
- KID
- NOT THE FURNITURE GAME
- ROBINSON IN TWO CITIES
- THE LOST LETTER OF THE LATE JUD FRY
- TO POVERTY
- (after Laycock)
- PARABLE OF THE DEAD DONKEY
- HITCHER
- TO HIS LOST LOVER
- MR. ROBINSON’S HOLIDAY
- THE DEAD SEA POEMS
- MAN WITH A GOLF BALL HEART
- I SAY I SAY I SAY
- WHITE CHRISTMAS
- BEFORE YOU CUT LOOSE,
- GOALKEEPER WITH A CIGARETTE
- A WEEK AND A FORTNIGHT
- DREAM HOLIDAY
- CHAPTER AND VERSE
- THE TWO OF US
- (after Laycock)
- FIVE ELEVEN NINETY NINE
- ROBINSON’S LIFE SENTENCE
- SONG OF THE WEST MEN
- TACHOGRAPH
- A GLORY
- THE TYRE
- THE WINNER
- FOR THE RECORD
- HOMECOMING
- 8 P.M. AND RAINING WHEN ROBINSON
- YOU’RE BEAUTIFUL
- ALL FOR ONE
- CHAINSAW VERSUS THE PAMPAS GRASS
- THE STRID
- THE TWANG
- THE STRAND
- SALVADOR
- THE GOLDEN TODDY
- BIRTHDAY
- THE NIGHT-WATCHMAN
- THE JAY
- THE SUMMERHOUSE
- THE ENGLISH
- WORKING FROM HOME
- THE BACK MAN
- ROBINSON’S RESIGNATION
- INCREDIBLE
who peeled the bedspread from his bed and caught
a strange impression in the cotton sheet,
a new expression buried in the pillow-case
beside his wife, and stood
a lifelong minute on the ocean-floor of outer space,
lead-limbed, ashen-faced.
THE JAY
I was pegging out your lime-green dress;
you were hoping the last of the sun
might sip the last few beads of drip-dry water
from its lime-green hem.
I had a blister-stigmata the size of an eye
in the palm of my hand
from twisting the point of a screw
into the meat of the house. Those days. Those times.
The baby bird was crossing the gravel path
in the style of a rowing boat crossing dry land.
Struck with terror when I held it tight
in the gardening gloves of humankind, we saw for ourselves
the mouse-fur face and black moustache,
the squab of breast-meat under its throat,
the buff-brown coat and blue lapels,
the painted inside of its mouth,
the raw, umbilical flute of its tongue
sucking hard at the sky for a taste of air.
Setting it free, it managed no more than a butterfly stroke
to the shade of an evergreen tree, where we let it be.
They say now that the basis of life
in the form of essential carbon deposits
could have fallen to earth as a meteorite, or comet,
and that lightning strikes from banks of static
delivered the spark that set life spinning.
But this three-letter bird was death, death thrown in from above,
death as a crash-brained, bone-smashed, cross-feathered bullet,
so we could neither kill it nor love it.
THE SUMMERHOUSE
With the right tools it was less than a day’s work.
It wasn’t our trade, but a wire-brush was the thing
for fettling mould and moss from bevelled window frames.
Sandpaper took back old wood to its true grain.
Winter pressed its handshake, even through thick gloves.
From the boozy warmth of the boiler-room I lugged
a litre tin of Weatherseal, and popped the lid.
Strange brew. Varnish or paint? Water-based, it had a tone
or shade, but carried solvent on its breath
and held the stars and planets of a pinhole universe
suspended in its depth. Some gemstone in its liquid state—
it fumed when ruffled with a garden cane.
Winter stood on the toe-end of leather boots.
And as the substance in the tin went down it lost its shine,
and from its lower reaches came a sluggishness—
a thick, begrudging treacle, and the colour brown.
Some change in temperature was the root cause.
Rifles stamped their feet and clapped their hands together
over on the firing-range. It was going dark
but unconcerned we dipped the brushes for a second coat.
It was time-travel, of a sort. Having given our all
to this chapel of sun-loungers and soft drinks,
to the obvious glory of ultraviolet light, we found ourselves
standing instead by a wooden shed, painted with mud and shit.
THE ENGLISH
They are a gentleman farmer, living