Contents (53)
- CONTENTS
- THE SHOUT
- GOOSEBERRY SEASON
- AT SEA
- POEM
- KID
- NOT THE FURNITURE GAME
- ROBINSON IN TWO CITIES
- THE LOST LETTER OF THE LATE JUD FRY
- TO POVERTY
- (after Laycock)
- PARABLE OF THE DEAD DONKEY
- HITCHER
- TO HIS LOST LOVER
- MR. ROBINSON’S HOLIDAY
- THE DEAD SEA POEMS
- MAN WITH A GOLF BALL HEART
- I SAY I SAY I SAY
- WHITE CHRISTMAS
- BEFORE YOU CUT LOOSE,
- GOALKEEPER WITH A CIGARETTE
- A WEEK AND A FORTNIGHT
- DREAM HOLIDAY
- CHAPTER AND VERSE
- THE TWO OF US
- (after Laycock)
- FIVE ELEVEN NINETY NINE
- ROBINSON’S LIFE SENTENCE
- SONG OF THE WEST MEN
- TACHOGRAPH
- A GLORY
- THE TYRE
- THE WINNER
- FOR THE RECORD
- HOMECOMING
- 8 P.M. AND RAINING WHEN ROBINSON
- YOU’RE BEAUTIFUL
- ALL FOR ONE
- CHAINSAW VERSUS THE PAMPAS GRASS
- THE STRID
- THE TWANG
- THE STRAND
- SALVADOR
- THE GOLDEN TODDY
- BIRTHDAY
- THE NIGHT-WATCHMAN
- THE JAY
- THE SUMMERHOUSE
- THE ENGLISH
- WORKING FROM HOME
- THE BACK MAN
- ROBINSON’S RESIGNATION
- INCREDIBLE
on reduced means, a cricketer’s widow
sowing a kitchen garden with sweet peas.
A lighthouse-keeper counting aeroplanes.
Old blackout curtains staunch the break of day.
Regard the way they dwell, the harking back:
how the women at home went soldiering on
with pillows for husbands, fingers for sons,
how man after man emerged at dawn
from his house, in his socks, then laced his boots
on the step, locked up, then steadied himself
to post a key back through the letterbox.
The afternoon naps, the quaint hours they keep.
But since you ask them, that is how they sleep.
WORKING FROM HOME
When the tree-cutter came with his pint-size mate,
I sat in the house but couldn’t think.
For an hour he lurked in the undergrowth,
trimming the lower limbs, exposing the trunks.
I moved upstairs but there he was, countersunk eyes
and as bald as a spoon, emergent in orange rays,
head popping out through leafage or fir,
a fairy light in the tree of heaven,
a marker-buoy in the new plantation of silver pine.
Or traversing, bough to bough, from one dead elm
to the next, or holding on by his legs only,
or acrobranching the canopy. At lunch,
he pulled the wooden ladder up behind,
perched in the crown of a laurel, and smoked.
He nursed the petrol-driven chainsaw like a false arm.
The dwarf swept berries and beech-nuts into a cloth bag.
I was dodging between rooms now, hiding from view.
Down below they cranked up the chipping machine,
fed timber and brushwood into the hopper.
Through a gap in the curtains I looked, saw into its maw—
steel teeth crunching fishbone twigs,
chomping thick wood, gagging on lumber and stumps.
Sawdust rained into the caged truck.
Birds were flying into the arms of a scarecrow
on Pole Moor, or leaving for Spain. I sat on the steps
between ground-floor and upstairs, thought of his face
at the bathroom window watching me shave,
his lips in the letterbox, wanting to speak.
THE BACK MAN
Five strong, we were, not including the guide,
five of us walking a well-trodden path
through the reserve, from the camp to the stream
and the flooded forest on the far side.
Dragonflies motored past like fish on the wing.
Beetles lifted their solar-panelled shells.
A bird, invisible, ran through its scale
like a thumbnail strummed on a metal comb.
The branches of trees were shelves in a shop
selling insect brooches and snakeskin belts
and miniature frogs with enamelled heads.
The monkeys fancied themselves as soft toys.
Blue orchids offered themselves without shame.
Late afternoon, and the heat in the shade
was stale and gross, a queasy, airless warmth,
centuries old. I was the last in line,
the back man, when from out of nowhere
it broke, I mean flew at me from behind
and I saw in my mind’s eye the carved mask
of its face, the famous robe of black fur,
the pins and amulets of claws and feet,