Contents (53)
- CONTENTS
- THE SHOUT
- GOOSEBERRY SEASON
- AT SEA
- POEM
- KID
- NOT THE FURNITURE GAME
- ROBINSON IN TWO CITIES
- THE LOST LETTER OF THE LATE JUD FRY
- TO POVERTY
- (after Laycock)
- PARABLE OF THE DEAD DONKEY
- HITCHER
- TO HIS LOST LOVER
- MR. ROBINSON’S HOLIDAY
- THE DEAD SEA POEMS
- MAN WITH A GOLF BALL HEART
- I SAY I SAY I SAY
- WHITE CHRISTMAS
- BEFORE YOU CUT LOOSE,
- GOALKEEPER WITH A CIGARETTE
- A WEEK AND A FORTNIGHT
- DREAM HOLIDAY
- CHAPTER AND VERSE
- THE TWO OF US
- (after Laycock)
- FIVE ELEVEN NINETY NINE
- ROBINSON’S LIFE SENTENCE
- SONG OF THE WEST MEN
- TACHOGRAPH
- A GLORY
- THE TYRE
- THE WINNER
- FOR THE RECORD
- HOMECOMING
- 8 P.M. AND RAINING WHEN ROBINSON
- YOU’RE BEAUTIFUL
- ALL FOR ONE
- CHAINSAW VERSUS THE PAMPAS GRASS
- THE STRID
- THE TWANG
- THE STRAND
- SALVADOR
- THE GOLDEN TODDY
- BIRTHDAY
- THE NIGHT-WATCHMAN
- THE JAY
- THE SUMMERHOUSE
- THE ENGLISH
- WORKING FROM HOME
- THE BACK MAN
- ROBINSON’S RESIGNATION
- INCREDIBLE
They had a scheme to plant an apple there again
beginning with a pip, but he rejected it.
I SAY I SAY I SAY
Anyone here had a go at themselves
for a laugh? Anyone opened their wrists
with a blade in the bath? Those in the dark
at the back, listen hard. Those at the front
in the know, those of us who have, hands up,
let’s show that inch of lacerated skin
between the forearm and the fist. Let’s tell it
like it is: strong drink, a crimson tidemark
round the tub, a yard of lint, white towels
washed a dozen times, still pink. Tough luck.
A passion then for watches, bangles, cuffs.
A likely story: you were lashed by brambles
picking berries from the woods. Come clean, come good,
repeat with me the punch line “Just like blood”
when those at the back rush forward to say
how a little love goes a long long long way.
WHITE CHRISTMAS
For once it is a white Christmas,
so white the roads are impassable
and my wife is snowbound
in a town untroubled by tractor or snowplough.
In bed, awake, alone. She calls
and we pass on our presents by telephone.
Mine is a watch, the very one
I would have chosen. Hers is a song,
the one with the line Here come the hills of time
and it sits in its sleeve,
unsung and unopened. But the dog downstairs
is worrying, gnawing, howling,
so I walk her through clean snow
along the tow-path to the boat-house at a steady pace,
then to my parents’ place
where my mother is Marie Curie, in the kitchen
discovering radium, and my father is Fred Flintstone,
and a guest from the past has a look on her face meaning
lie and I’ll have your teeth for a necklace, boy,
your eyeballs for earrings,
your bullshit for breakfast,
and my two-year-old niece is baby Jesus,
passing between us with the fruit of the earth
and the light of the world—Christingle—a blood orange
spiked with a burning candle.
We eat, but the dog begs at the table,
drinks from the toilet, sings in the cellar.
Only baby Jesus wanders with me down the stairs
with a shank of meat to see her, to feed her.
Later, when I stand to leave
my father wants to shake me by the hand
but my arms are heavy, made of a base metal,
and the dog wants to take me down the black lane, back
to an empty house again. A car goes by
with my sister inside
and to wave goodnight
she lifts the arm of the sleeping infant Christ,
but I turn my wrist to notice the time. There and then
I’m the man in the joke, the man in a world of friends
where all the clocks are stopped,
synchronising his own watch.
BEFORE YOU CUT LOOSE,
put dogs on the list
of difficult things to lose. Those dogs ditched
on the North York Moors or the Sussex Downs