Contents (53)
- CONTENTS
- THE SHOUT
- GOOSEBERRY SEASON
- AT SEA
- POEM
- KID
- NOT THE FURNITURE GAME
- ROBINSON IN TWO CITIES
- THE LOST LETTER OF THE LATE JUD FRY
- TO POVERTY
- (after Laycock)
- PARABLE OF THE DEAD DONKEY
- HITCHER
- TO HIS LOST LOVER
- MR. ROBINSON’S HOLIDAY
- THE DEAD SEA POEMS
- MAN WITH A GOLF BALL HEART
- I SAY I SAY I SAY
- WHITE CHRISTMAS
- BEFORE YOU CUT LOOSE,
- GOALKEEPER WITH A CIGARETTE
- A WEEK AND A FORTNIGHT
- DREAM HOLIDAY
- CHAPTER AND VERSE
- THE TWO OF US
- (after Laycock)
- FIVE ELEVEN NINETY NINE
- ROBINSON’S LIFE SENTENCE
- SONG OF THE WEST MEN
- TACHOGRAPH
- A GLORY
- THE TYRE
- THE WINNER
- FOR THE RECORD
- HOMECOMING
- 8 P.M. AND RAINING WHEN ROBINSON
- YOU’RE BEAUTIFUL
- ALL FOR ONE
- CHAINSAW VERSUS THE PAMPAS GRASS
- THE STRID
- THE TWANG
- THE STRAND
- SALVADOR
- THE GOLDEN TODDY
- BIRTHDAY
- THE NIGHT-WATCHMAN
- THE JAY
- THE SUMMERHOUSE
- THE ENGLISH
- WORKING FROM HOME
- THE BACK MAN
- ROBINSON’S RESIGNATION
- INCREDIBLE
Corn in Egypt. I looked on
from the upstairs window like the midday moon.
Back below stairs on its hook, the chainsaw seethed.
I left it a year, to work back through its man-made dreams,
to try to forget.
The seamless urge to persist was as far as it got.
THE STRID
After tying the knot,
whatever possessed us to make for the Strid?
That crossing point
on the River Wharfe
which famously did
for the boy and his dog;
that tourist trap
where a catchment area comes to a head
in a bottleneck stream
above Bolton Abbey;
you in your dress of double cream,
me done up like a tailor’s dummy.
Surely it’s more of a lover’s leap:
two back-to-back rocks
hydraulically split
by the incompressible sap of the spine;
let it be known
that between two bodies made one
there’s more going on
than they’d have us believe.
Whatever possessed us, though?
Was it the pink champagne talking?
Or all for the sake of carrying on,
canoodling out of doors,
the fuck of the century under the stars?
Or the leather-soled shoes
with the man-made uppers,
bought on the never-never,
moulded and stitched
for the purpose of taking us
up and across, over the threshold
of water-cut rock and localised moss
in one giant stride,
bridegroom and bride?
A week goes by,
then the rain delivers:
you, like the death of a swan
in a bed of reeds,
me, like a fish gone wrong
a mile down river;
exhibits X and Y,
matching rings on swollen fingers,
and proof beyond doubt
of married life—
the coroner’s voice, proclaiming us
dead to the world, husband and wife.
THE TWANG
Well it was St. George’s Day in New York.
They’d dyed the Hudson with cochineal and chalk.
Bulldogs were arse-to-mouth in Central Park.
Midtown, balloons drifted up, red and white streamers
flowed like plasma and milk. The Mayor on a float on Fifth,
resplendent, sunlight detonating on his pearly suit.
The President followed, doing the Lambeth Walk.
It was an election year on both counts. In the Royal Oak
boiled beef was going for a song. Some Dubliner
played along, came out with cockney rhyming-slang,
told jokes against his own and spoke of cousins twice removed
from Islington, which made him one of us.
A paper dragon tripped down Lexington, its tongue
truly forked. Two hands thrust from its open throat:
in the left, a red rose; in the right, a collection box
for the National Trust. I mean the National Front.
THE STRAND
We were two-and-a-half thousand miles west
and still putting miles on the clock, driving
at night, the small wooden towns of the coast
coming up in the rain like cargo adrift
then falling away into dark. The road
followed the swell of the land, riding the waves,
then slowed in a town whose name I forget,
a place picked with a pin and an old map
by pricking the bent finger of Cape Cod.
This time we meant it. This time we’d drawn blood.