Contents (53)
- CONTENTS
- THE SHOUT
- GOOSEBERRY SEASON
- AT SEA
- POEM
- KID
- NOT THE FURNITURE GAME
- ROBINSON IN TWO CITIES
- THE LOST LETTER OF THE LATE JUD FRY
- TO POVERTY
- (after Laycock)
- PARABLE OF THE DEAD DONKEY
- HITCHER
- TO HIS LOST LOVER
- MR. ROBINSON’S HOLIDAY
- THE DEAD SEA POEMS
- MAN WITH A GOLF BALL HEART
- I SAY I SAY I SAY
- WHITE CHRISTMAS
- BEFORE YOU CUT LOOSE,
- GOALKEEPER WITH A CIGARETTE
- A WEEK AND A FORTNIGHT
- DREAM HOLIDAY
- CHAPTER AND VERSE
- THE TWO OF US
- (after Laycock)
- FIVE ELEVEN NINETY NINE
- ROBINSON’S LIFE SENTENCE
- SONG OF THE WEST MEN
- TACHOGRAPH
- A GLORY
- THE TYRE
- THE WINNER
- FOR THE RECORD
- HOMECOMING
- 8 P.M. AND RAINING WHEN ROBINSON
- YOU’RE BEAUTIFUL
- ALL FOR ONE
- CHAINSAW VERSUS THE PAMPAS GRASS
- THE STRID
- THE TWANG
- THE STRAND
- SALVADOR
- THE GOLDEN TODDY
- BIRTHDAY
- THE NIGHT-WATCHMAN
- THE JAY
- THE SUMMERHOUSE
- THE ENGLISH
- WORKING FROM HOME
- THE BACK MAN
- ROBINSON’S RESIGNATION
- INCREDIBLE
easing up for the lollipop lady,
not inhabiting the divine sepulchre,
not crowing over Arctic adventure,
not standing gob-smacked beneath ancient sculpture,
not kneeling empty-handed, open-mouthed
at the altar, but in the barber’s chair
or tattoo parlour, in a sleepy trance,
catching in the mirror the startled face
of some scissor-hand, some needle-finger.
ROBINSON’S RESIGNATION
Because I am done with this thing called work,
the paper-clips and staples of it all.
The customers and their huge excuses,
their incredulous lies and their beautiful
foul-mouthed daughters. I am swimming with it,
right up to here with it. And I am bored,
bored like the man who married a mermaid.
And I am through with the business of work.
In meetings, with the minutes, I have dreamed
and doodled, drifted away then undressed
and dressed almost every single woman,
every button, every zip and buckle.
For eighteen months in this diving-helmet
I have lived with the stench of my own breath.
So I am finished with the whole affair.
As for this friendship thing, I couldn’t give
a weeping fig for those so-called brothers
who are all voltage, no current. I have
emptied my locker. I should like to leave
and to fold things now like a pair of gloves
or two clean socks, one into the other.
This is my final word. Nothing will follow.
INCREDIBLE
After the first phase, after the great fall
between floorboards into the room below,
the soft landing, then standing one inch tall
within the high temple of table legs
or one inch long inside a matchbox bed …
And after the well-documented wars:
the tom-cat in its desert camouflage,
the spider in its chariot of limbs,
the sparrow in its single-seater plane …
After that, a new dominion of scale.
The earthrise of a final, human smile.
The pure inconsequence of nakedness,
the obsolescence of flesh and bone.
Every atom ballooned. Those molecules
that rose as billiard balls went by as moons.
Neutrinos dawned and bloomed, each needle’s eye
became the next cathedral door, flung wide.
So yardsticks, like pit-props, buckled and failed.
Lifetimes went past. With the critical mass
of hardly more than the thought of a thought
I kept on, headlong, to vanishing point.
I looked for an end, for some dimension
to hold hard and resist. But I still exist.
A NOTE ABOUT THE AUTHOR
Simon Armitage is Professor of Poetry at the University of Sheffield, United Kingdom, and has written extensively for radio and television. His previous titles include Kid, Book of Matches, The Dead Sea Poems, CloudCuckooLand, Killing Time, The Universal Home Doctor, Homer’s Odyssey, Tyrannosaurus Rex Versus the Corduroy Kid, and Seeing Stars. His many honors include a Forward Poetry Prize, and the Sunday Times Young Writer of the Year Award. His acclaimed translation of Sir Gawain and the Green Knight was published in 2007, and in 2010 he received the CBE for services to poetry.
ALSO BY SIMON ARMITAGE
POETRY
Zoom!
Xanadu
Kid
Book of Matches
The Dead Sea Poems