Contents (53)
- CONTENTS
- THE SHOUT
- GOOSEBERRY SEASON
- AT SEA
- POEM
- KID
- NOT THE FURNITURE GAME
- ROBINSON IN TWO CITIES
- THE LOST LETTER OF THE LATE JUD FRY
- TO POVERTY
- (after Laycock)
- PARABLE OF THE DEAD DONKEY
- HITCHER
- TO HIS LOST LOVER
- MR. ROBINSON’S HOLIDAY
- THE DEAD SEA POEMS
- MAN WITH A GOLF BALL HEART
- I SAY I SAY I SAY
- WHITE CHRISTMAS
- BEFORE YOU CUT LOOSE,
- GOALKEEPER WITH A CIGARETTE
- A WEEK AND A FORTNIGHT
- DREAM HOLIDAY
- CHAPTER AND VERSE
- THE TWO OF US
- (after Laycock)
- FIVE ELEVEN NINETY NINE
- ROBINSON’S LIFE SENTENCE
- SONG OF THE WEST MEN
- TACHOGRAPH
- A GLORY
- THE TYRE
- THE WINNER
- FOR THE RECORD
- HOMECOMING
- 8 P.M. AND RAINING WHEN ROBINSON
- YOU’RE BEAUTIFUL
- ALL FOR ONE
- CHAINSAW VERSUS THE PAMPAS GRASS
- THE STRID
- THE TWANG
- THE STRAND
- SALVADOR
- THE GOLDEN TODDY
- BIRTHDAY
- THE NIGHT-WATCHMAN
- THE JAY
- THE SUMMERHOUSE
- THE ENGLISH
- WORKING FROM HOME
- THE BACK MAN
- ROBINSON’S RESIGNATION
- INCREDIBLE
of any kind. But on the other hand
the things we’re up against: clay, fibro, lime,
the silicates and tungstates, certain salts
and sodas, borax, alum; more than five,
not counting water and things of that kind.
Scissors cut paper and paper wraps rock,
rock blunts the scissors but water, water
swamps and dulls and rusts and dampens the lot.
Nothing else for it. The tightest of men
makes a move for his wallet, goes through it
for fivers, tenners and twenty-pound notes
and lets them drift to the little that’s left
of the incandescence, like petals, picked
for the purpose of proving love, or not.
Another takes a last look through a deck
of snapshots, passport-size, in black and white,
then deals that pack of thirteen photographs
to the fire, the way some poker player
sits and tosses cards into a cocked hat.
And each image burns with a true colour.
Another burns a book of stamps, a cheque,
a calling-card, goes through his pockets, finds
and flings a ticket stub, a serviette,
a driving licence, birth certificate.
Another pulls a hip flask from his side,
empties it out on a mound of briquette;
the liquid vaporizes into scent:
angelica, wormwood, star-anise, mint.
He turns to us and tells us what it is
or what it was, and then pockets the flask.
Another strips his friend of his flat cap,
prizes it from him like a bottle top,
then slings it, frisbee-style, into the ash.
Another man decapitates himself
or so it looks from here, beheads himself
it seems, unzips the detachable hood
from his coat for the sake of the lost cause,
looks for a naked flame, and on it goes.
And on it goes: a pair of gloves, a scarf,
a balaclava lifted from a face.
The act of keeping warm by burning clothes—
like eating your own hand to stay alive
or tapping your arm for a quart of blood
to survive. Tell that to the starving, though,
and the dry, those of us feeling the cold
tonight. We follow suit, burn every stitch
for one last wave of heat, pixel of light.
Unbuttoned but thankfully out of sight
except in the eye of the moon, silent
except for the padding of feet, bare feet,
we turn to go, then go together, home
in numbers, then in pairs and then alone
to houses ransacked and reduced to stone,
uncurtained windows, doors without doors,
to rooms that are skeletal, stripped, unmade,
to beds without cover, lamps without shade.
At dawn, through living daylight, half asleep,
we drift back to the place, which brings to mind
a crater punched home by a meteorite
or else a launch-pad or a testing-site.
Kicking through the feather-bed of ashes
someone flushes out a half-baked apple.
Softened, burnt and blistered on the skin, but
hardly touched within. Inedible thing,
the flesh gone muddy, foul, the core and pips
that no one cares to eat still fresh, still ripe,
and him who found it heads off down the slope