Contents (53)
- CONTENTS
- THE SHOUT
- GOOSEBERRY SEASON
- AT SEA
- POEM
- KID
- NOT THE FURNITURE GAME
- ROBINSON IN TWO CITIES
- THE LOST LETTER OF THE LATE JUD FRY
- TO POVERTY
- (after Laycock)
- PARABLE OF THE DEAD DONKEY
- HITCHER
- TO HIS LOST LOVER
- MR. ROBINSON’S HOLIDAY
- THE DEAD SEA POEMS
- MAN WITH A GOLF BALL HEART
- I SAY I SAY I SAY
- WHITE CHRISTMAS
- BEFORE YOU CUT LOOSE,
- GOALKEEPER WITH A CIGARETTE
- A WEEK AND A FORTNIGHT
- DREAM HOLIDAY
- CHAPTER AND VERSE
- THE TWO OF US
- (after Laycock)
- FIVE ELEVEN NINETY NINE
- ROBINSON’S LIFE SENTENCE
- SONG OF THE WEST MEN
- TACHOGRAPH
- A GLORY
- THE TYRE
- THE WINNER
- FOR THE RECORD
- HOMECOMING
- 8 P.M. AND RAINING WHEN ROBINSON
- YOU’RE BEAUTIFUL
- ALL FOR ONE
- CHAINSAW VERSUS THE PAMPAS GRASS
- THE STRID
- THE TWANG
- THE STRAND
- SALVADOR
- THE GOLDEN TODDY
- BIRTHDAY
- THE NIGHT-WATCHMAN
- THE JAY
- THE SUMMERHOUSE
- THE ENGLISH
- WORKING FROM HOME
- THE BACK MAN
- ROBINSON’S RESIGNATION
- INCREDIBLE
before saying something in haste
which at leisure I might come to repent.
But my mouth still feels
like a car with its wheels stolen, propped up
on bricks, and I’m unhappy about the way
they stitched the tip of my tongue
to my cheek.
HOMECOMING
Think, two things on their own and both at once.
The first, that exercise in trust, where those in front
stand with their arms spread wide and free-fall
backwards, blind, and those behind take all the weight.
The second, one canary-yellow cotton jacket
on a cloakroom floor, uncoupled from its hook,
becoming scuffed and blackened underfoot. Back home
the very model of a model of a mother, yours, puts
two and two together, makes a proper fist of it
and points the finger. Temper, temper. Questions
in the house. You seeing red. Blue murder. Bed.
Then midnight when you slip the latch and sneak
no further than the call-box at the corner of the street;
I’m waiting by the phone, although it doesn’t ring
because it’s sixteen years or so before we’ll meet.
Retrace that walk towards the garden gate; in silhouette
a father figure waits there, wants to set things straight.
These ribs are pleats or seams. These arms are sleeves.
These fingertips are buttons, or these hands can fold
into a clasp, or else these fingers make a zip
or buckle, you say which. Step backwards into it
and try the same canary-yellow cotton jacket, there,
like this, for size again. It still fits.
8 P.M. AND RAINING WHEN ROBINSON
arrives by bus in a town whose name
he would not care to mention,
sets his baggage down,
hails a taxi and pays a fiver, his heart
in his mouth, Robinson
saying, “There’s a road goes east, take it
for one mile then drop me. If there’s change, you keep it.”
No names,
then, “Hey, you’re Robinson,
I saw that piece in the Racing Post …” One mention
of himself and Robinson’s heart
takes off with itself like a horse in a hailstorm, down
to the car park under the covered market, down
to that glove compartment where he left it …
empty! Robinson’s heart
sinks like an anchor. Mud now, his name,
and only minutes till they find him and mention
the million dollar question. “Robinson,”
his doctor once told him, “Robinson,
you should take things steady, son. Calm down.”
But his nerves, his hair, not to mention
his face looking more each day like a Photofit.
In heaven’s name
they should finish him off but they haven’t a heart
between them. Sprinting now, each beat of his heart
gazumping the next—take that, Robinson.
Someone drops his name
in a doorway, a body check brings him down,
they hold out his tongue and lean a blade against it:
“Next time you squeak, Robinson, one more mention
and you’re sausage meat. Mention
us again and we’ll twist out your heart
and you’ll eat it,
we’ll have your balls for a bow tie, Robinson,