Contents (53)
- CONTENTS
- THE SHOUT
- GOOSEBERRY SEASON
- AT SEA
- POEM
- KID
- NOT THE FURNITURE GAME
- ROBINSON IN TWO CITIES
- THE LOST LETTER OF THE LATE JUD FRY
- TO POVERTY
- (after Laycock)
- PARABLE OF THE DEAD DONKEY
- HITCHER
- TO HIS LOST LOVER
- MR. ROBINSON’S HOLIDAY
- THE DEAD SEA POEMS
- MAN WITH A GOLF BALL HEART
- I SAY I SAY I SAY
- WHITE CHRISTMAS
- BEFORE YOU CUT LOOSE,
- GOALKEEPER WITH A CIGARETTE
- A WEEK AND A FORTNIGHT
- DREAM HOLIDAY
- CHAPTER AND VERSE
- THE TWO OF US
- (after Laycock)
- FIVE ELEVEN NINETY NINE
- ROBINSON’S LIFE SENTENCE
- SONG OF THE WEST MEN
- TACHOGRAPH
- A GLORY
- THE TYRE
- THE WINNER
- FOR THE RECORD
- HOMECOMING
- 8 P.M. AND RAINING WHEN ROBINSON
- YOU’RE BEAUTIFUL
- ALL FOR ONE
- CHAINSAW VERSUS THE PAMPAS GRASS
- THE STRID
- THE TWANG
- THE STRAND
- SALVADOR
- THE GOLDEN TODDY
- BIRTHDAY
- THE NIGHT-WATCHMAN
- THE JAY
- THE SUMMERHOUSE
- THE ENGLISH
- WORKING FROM HOME
- THE BACK MAN
- ROBINSON’S RESIGNATION
- INCREDIBLE
to its full height, and hugs it like a bear.
Upright, it seems to have doubled in size.
Whatever he wears is filthy and torn,
the pins and needles of splinters and spells
are under his nails and deep in his hands
like thorns. And when he tears himself away
it stays, held up by nothing more than air.
However, mass like that, the sort, weighed flat,
to break a back or trip a heart attack,
amounts to nothing stacked; and yet a hair
can trigger it, a tap from something slight
can topple it, say timber and it tips.
In this case someone serves up half a brick
that clips the crosspiece on the left-hand arm;
it twists, turns face about, tilts and quickens,
mimics the act of launching a discus,
the east and west of its cardinal points
beginning to roll, its axis falling
out of centre, out of true. Then it lands—
a noiseless splashdown in a pool of ash
invoking a mushroom of sparks and chaff
that takes its time to winnow and settle,
to clear. Hats in the air, and a loud cheer.
And it simmers and stews in its own steam,
then ignites. Those expecting an incense
of palm and cedar, the scent of olive
and cypress, are surprised by the odour
of willow and oak and pine and alder,
resins and oils from the Colne and Calder
that babble and lisp as they mix with fire.
Warmth for an hour, but not a minute more.
And blackness follows every burst of flames
that leaves us cold again, hands pocketed,
outdone, outshone, left in the shade by stars
that boil with light when the dark inflames them,
put to shame by shapes and constellations
that were dead and countersunk and buried,
hammered home in deep space. Like the new view
of the full moon, on full beam, in full bloom,
the open silver flower of the moon,
the boulder of the moon or the moon’s shield,
hallmarked with valleys and rivers and fields,
the streams and snakes and fossils of the moon,
the long plumbago nights and graphite days,
the mercury seas and mercury lakes
of the moon, the moon on a plate, the date
and the name and the make of the full moon.
Under which we figure out the next move.
Off to the west, at the boarding kennels,
low down in the fringe of the sky, level
with chimneys, the crowns of trees and pylons,
a star, four-sided, breaks the horizon—
light in the shape of a dormer window—
and out of its frame a man emerges,
naked and bald and mad, head and shoulders,
and says his piece, shouts the odds about dogs
and vomit, fools returning to folly,
and the hounds in his keeping fratch and fret
or clatter the mesh of his twelve-foot fence.
And on the one hand someone rattles off
the preconditions, lists them one by one:
for little, wedding, middle, index, thumb,
read pressure, discharge, friction, action, heat