Back The Perfect Life
Chapters (57)
  1. Cover
  2. About the Author
  3. Dedication
  4. What readers are saying about
  5. AUTHOR’S NOTE
  6. Epigraph
  7. Prologue
  8. PART ONE
  9. 1. Now
  10. 2. Then
  11. 3. Now
  12. 4. Then
  13. 5. Now
  14. 6. Then
  15. 7. Now
  16. 8. Then
  17. 9. Now
  18. 10. Then
  19. 11. Now
  20. 12. Then
  21. 13. Now
  22. 14. Then
  23. 15. Now
  24. 16. Then
  25. 17. Now
  26. 18. Then
  27. 19. Now
  28. 20. Then
  29. 21. Now
  30. 22. Then
  31. 23. Now
  32. PART TWO
  33. 24.
  34. 25. Then
  35. 26. Now
  36. 27. Then
  37. 28. Now
  38. 29. Then
  39. 30. Now
  40. 31. Then
  41. 32. Now
  42. 33. Then
  43. 34. Now
  44. 35. Now
  45. 36. Now
  46. 37. Now
  47. 38. Now
  48. 39. Now
  49. 40. Now
  50. 41.
  51. Epilogue
  52. Acknowledgements
  53. NUALA ELLWOOD
  54. NUALA ELLWOOD
  55. NUALA ELLWOOD
  56. NUALA ELLWOOD
  57. THIS IS JUST THE BEGINNING

‘ But that’s just minutes from here, officer.’

‘ It was instant, Mr Adams. She won’t have suffered.’

‘ My daughters … they’ll be devastated.’

I run back up the hallway, past my mother’s smiling photo. When I reach the safety of my yellow bedroom I flop down on the bed and close my eyes. I’m back in the kitchen. It’s morning. Mum is making toast and jam and listening to Terry Wogan. Focus on that, I tell myself, focus on it hard enough and maybe you’ll be able to bring her back.

16. Then

May 2018

‘The house belonged to Magda Ivanov, the famous Russian artist,’ says the estate agent as she opens the door to a vast studio. ‘She died last year.’

I stand in the doorway and sniff the air, the smell of oil paint and turps still lingering though the room has been cleared.

The house, a mid-nineteenth-century terrace on Glebe Place, had popped up on the app when I logged on this morning. It had been a while since I’d had my last viewing fix and this house, just a couple of minutes’ walk from the office, had piqued my interest. Like all the other ones, it began with a gut feeling. When I saw the photo of this house, with its ivy-clad facade, secret-garden roof terrace and rose-pink door, I knew I had to go and experience it for myself.

‘So, you’re an art collector, Miss Holmes?’

I smile at the estate agent, a middle-aged, birdlike woman called Melanie, and nod my head.

‘I’ve invested in a few pieces, yes,’ I say as she guides me out of the room and into the hallway. ‘I’m always on the lookout for early Grimshaw sketches though they’re as rare as hen’s teeth.’

‘I’m afraid I haven’t heard of that artist,’ says Melanie, consulting her brochure. ‘Now, shall we take a look at the kitchen?’

Twenty minutes later, the tour over, I say goodbye to Melanie and watch as she drives away in her silver Audi TT. She has been reassured that Miss Monica Holmes, art collector and hedge-fund manager, will be in touch shortly to confirm whether or not she plans to make an offer.

As I walk back to the office I slip my hand in my pocket and rub the small, wooden doorstop I had taken from the hallway as I waited for Melanie to lock the roof-terrace door. This can take pride of place in the house Connor and I buy, I think to myself, as I walk through the entrance of Luna London and head to the lift. It will be a little good-luck charm, a reminder of what I can achieve if I put my mind to it.