Back The Perfect Life
Chapters (57)
  1. Cover
  2. About the Author
  3. Dedication
  4. What readers are saying about
  5. AUTHOR’S NOTE
  6. Epigraph
  7. Prologue
  8. PART ONE
  9. 1. Now
  10. 2. Then
  11. 3. Now
  12. 4. Then
  13. 5. Now
  14. 6. Then
  15. 7. Now
  16. 8. Then
  17. 9. Now
  18. 10. Then
  19. 11. Now
  20. 12. Then
  21. 13. Now
  22. 14. Then
  23. 15. Now
  24. 16. Then
  25. 17. Now
  26. 18. Then
  27. 19. Now
  28. 20. Then
  29. 21. Now
  30. 22. Then
  31. 23. Now
  32. PART TWO
  33. 24.
  34. 25. Then
  35. 26. Now
  36. 27. Then
  37. 28. Now
  38. 29. Then
  39. 30. Now
  40. 31. Then
  41. 32. Now
  42. 33. Then
  43. 34. Now
  44. 35. Now
  45. 36. Now
  46. 37. Now
  47. 38. Now
  48. 39. Now
  49. 40. Now
  50. 41.
  51. Epilogue
  52. Acknowledgements
  53. NUALA ELLWOOD
  54. NUALA ELLWOOD
  55. NUALA ELLWOOD
  56. NUALA ELLWOOD
  57. THIS IS JUST THE BEGINNING

At this, he grabs my shoulders and spins me round to face the room. My legs almost give way as I see the sweeping wooden staircase, the grand stone flooring covered in faded tapestry rugs, the moss-green velvet drapes, the outline of the stone griffins outside the window, and I realize with utter dread that I am in the hallway of Holly Maze House.

33. Then

The following day I make my way to Hampstead. The estate agent is a small boutique one, tucked away in a little square behind the high street. Its mullioned bay window and sage-green door with heavy brass knocker bring to mind Scrooge’s counting house in A Christmas Carol. It’s rather a fitting place to be marketing a property with such an illustrious literary heritage as Holly Maze House. I catch sight of my reflection in the window. I have borrowed Georgie’s pale-pink suede Stella McCartney shift dress. It’s a few seasons old but it gives the right impression: stylish, understated, wealthy.

A bell rings as I step inside and a young man, thin and wiry with John Lennon glasses and a mop of curly black hair, looks up from his desk by the window.

‘Good afternoon,’ he says, getting to his feet. ‘How can I help you?’

I take a deep breath to steady myself, before explaining that I have come to enquire about viewing Holly Maze House.

The man raises an eyebrow, then invites me to sit down on the rickety wooden chair opposite his desk, introducing himself as Ed. Behind us, a young woman with inky-black cropped hair is answering calls.

‘Good afternoon, Price Burrows, how may I help you?’ she trills as Ed gets the details up.

‘This is a very special property,’ he says, his eyes brightening. ‘I don’t know whether you’re aware, but the house was the setting for a famous series of books.’

‘Really?’ I reply, not wanting to let him into my secret. ‘How fascinating.’

I smile as Ed gives me a quick summary of The Spirits of Holly Maze House, revealing himself, in the telling, to be utterly ignorant of the nature of both the books and their author.

‘Yes, it’s about, er … ghosts who haunt this house and … there’s a bird who, er, gets involved … and … well, the author, apparently has, er … lived in Hampstead all his life.’

I nod my head, recalling Geoffrey’s countless interviews where he told the story of his West Country childhood, his early marriage, the teaching career he’d had to let go for the stories that were burning inside him.

I grimace slightly. Ed must notice because he starts to backtrack.

‘Not that this house is haunted or anything like that,’ he says, his face reddening. ‘Not in the slightest. It’s just, the owner was inspired to write the story there. It’s a lovely place. Not a hint of any darkness at all.’