Back The Perfect Life
Chapters (57)
  1. Cover
  2. About the Author
  3. Dedication
  4. What readers are saying about
  5. AUTHOR’S NOTE
  6. Epigraph
  7. Prologue
  8. PART ONE
  9. 1. Now
  10. 2. Then
  11. 3. Now
  12. 4. Then
  13. 5. Now
  14. 6. Then
  15. 7. Now
  16. 8. Then
  17. 9. Now
  18. 10. Then
  19. 11. Now
  20. 12. Then
  21. 13. Now
  22. 14. Then
  23. 15. Now
  24. 16. Then
  25. 17. Now
  26. 18. Then
  27. 19. Now
  28. 20. Then
  29. 21. Now
  30. 22. Then
  31. 23. Now
  32. PART TWO
  33. 24.
  34. 25. Then
  35. 26. Now
  36. 27. Then
  37. 28. Now
  38. 29. Then
  39. 30. Now
  40. 31. Then
  41. 32. Now
  42. 33. Then
  43. 34. Now
  44. 35. Now
  45. 36. Now
  46. 37. Now
  47. 38. Now
  48. 39. Now
  49. 40. Now
  50. 41.
  51. Epilogue
  52. Acknowledgements
  53. NUALA ELLWOOD
  54. NUALA ELLWOOD
  55. NUALA ELLWOOD
  56. NUALA ELLWOOD
  57. THIS IS JUST THE BEGINNING

He stares directly at me, his lips pursed. I shiver under his gaze then look away.

‘You particularly like inventing characters, don’t you?’ he says, his voice hardening. ‘So much so it would seem like you missed your vocation. You could have been another Geoffrey Rivers. A bestselling novelist.’

‘I don’t know what you’re talking about,’ I say as Bains riffles through a bundle of papers. ‘I swear to you that the person on the CCTV is not me. I’m not Iris Lawson. I have no idea what any of this is about.’

‘I could believe that, Vanessa,’ says Bains, straightening out a piece of paper on the desk in front of him, ‘if only I hadn’t had statements from at least a dozen estate agents up and down the country with CCTV footage of you doing this same thing over the last six months. Now, do any of these people ring a bell?’

My body goes cold as he recites the list of names.

‘Tabitha Richardson; Elsie Summers-Allan; Eleanor Hawkins; Monica Holmes; Imogen Hartley.’

The names make me cringe. How does he know?

‘I can see by your reaction that you’re familiar with them,’ says Bains.

He stops reading and places the piece of paper to one side.

‘We’ve all done it, Vanessa,’ he says, leaning forward, his voice softer now. ‘Looked at something we have no intention or means of buying. I mean, I spend my Lotto win in my head every Saturday night before the draw. A place in the Bahamas, new car, that kind of thing. My missus used to like viewing those new-build show houses, back when they were a “thing”. We used to go and have a look at them, imagine ourselves living there with all the snazzy furnishings.’

I don’t know where he’s going with this but I try to keep my face still.

‘What I’m saying is that we all do it,’ he says, shrugging his shoulders. ‘We all dream, imagine other lives for ourselves. Only, you went one step further, Vanessa. You actually created different personas for yourself – posh Tabitha Richardson, tree-hugging Eleanor Hawkins. You admit that, don’t you?’

I glance at Frank Solomon.

‘You don’t have to answer,’ he says, shaking his head.

I turn back to Bains. He has another set of notes in front of him now.

‘Estate agents are used to this,’ he says, flicking through the notes with his index finger. ‘I mean, they’re wise to the time wasters, aren’t they? The people who just want to have a nose around a posh house with no intention of buying it. That must be really annoying for those estate agents. Most of them are on commission, aren’t they, poor sods?’

I don’t respond but as he speaks I feel a creeping dread rise up my spine.