Back The Perfect Life
Chapters (57)
  1. Cover
  2. About the Author
  3. Dedication
  4. What readers are saying about
  5. AUTHOR’S NOTE
  6. Epigraph
  7. Prologue
  8. PART ONE
  9. 1. Now
  10. 2. Then
  11. 3. Now
  12. 4. Then
  13. 5. Now
  14. 6. Then
  15. 7. Now
  16. 8. Then
  17. 9. Now
  18. 10. Then
  19. 11. Now
  20. 12. Then
  21. 13. Now
  22. 14. Then
  23. 15. Now
  24. 16. Then
  25. 17. Now
  26. 18. Then
  27. 19. Now
  28. 20. Then
  29. 21. Now
  30. 22. Then
  31. 23. Now
  32. PART TWO
  33. 24.
  34. 25. Then
  35. 26. Now
  36. 27. Then
  37. 28. Now
  38. 29. Then
  39. 30. Now
  40. 31. Then
  41. 32. Now
  42. 33. Then
  43. 34. Now
  44. 35. Now
  45. 36. Now
  46. 37. Now
  47. 38. Now
  48. 39. Now
  49. 40. Now
  50. 41.
  51. Epilogue
  52. Acknowledgements
  53. NUALA ELLWOOD
  54. NUALA ELLWOOD
  55. NUALA ELLWOOD
  56. NUALA ELLWOOD
  57. THIS IS JUST THE BEGINNING

He takes his iPad, swipes the screen, then pushes it into the centre of the table for me, and Frank, to see.

‘For the benefit of the tape I am showing Miss Adams CCTV footage from inside the offices of Price Burrows Estate Agency, Hampstead, taken at 1 p.m. on the 11th of August 2018.’

The footage is clearer than I imagined and I flinch as I watch a woman, clad in a pale-pink sundress, enter the office and stride over to the desk. She talks to the estate agent – a young man called Edward Carter-Vaughan – for around five minutes. The footage then shows him making a call, while the woman sits at the desk opposite him.

‘Do you remember now?’ asks Bains, zooming in to my face.

Of course I remember. I remember every little detail. The layout of the office: two desks on either side of the room, one for sales, one for lettings; the smell of lilies and fresh coffee. The ringing of phones and the cut-glass accent of the lettings agent as she answered each call: ‘Good afternoon, Price Burrows, how may I help you?’ And Edward finishing the call then looking up at me with a smile: ‘We’re in luck. Mr Rivers is free to show you the property at 1.30. Does that work for you?’

‘Miss Adams?’

I don’t reply, though it’s clear to anyone with a pair of eyes that the person on the screen is me.

‘Okay,’ says Bains, shaking his head and grabbing the iPad. ‘I’d like to show you another piece of CCTV footage, this time from the northern end of Hampstead High Street at 2.14 that afternoon.’

My stomach knots as Bains opens up a new screen then places the iPad back on to the table, pushing it towards me.

‘Miss Adams,’ he says, emphasizing my surname as though it’s a lie, ‘I believe this footage shows you running down Hampstead High Street after leaving Holly Maze House. You look to be in a state of extreme agitation.’

He leans across, pauses the film, then zooms in.

‘Can you see?’

I nod my head. Beside me, Frank Solomon shuffles uneasily in his seat.

‘For the benefit of the tape, Miss Adams, was that nod of the head an affirmation? Are you confirming that the person on the screen is you?’

I freeze. Why had I nodded my head?

We sit in silence for what seems like an eternity before Bains takes the iPad and switches it off.

‘Miss Adams,’ he says, shuffling forward in his seat, ‘we have CCTV footage of you entering the offices of Price Burrows Estate Agency on the 11th of August 2018, where you booked an appointment to view Holly Maze House at 1.30 p.m., using the false name Iris Lawson, though you – helpfully for us – gave your sister’s address.’