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Contents ( 92)
  1. Introduced, edited and with selected translations by Jhumpa Lahiri
  2. Contents
  3. About the Author
  4. A Note on the Citation of Titles and Their Translations
  5. Introduction
  6. Elio Vittorini
  7. Name and Tears
  8. Giovanni Verga
  9. Picturesque Lives
  10. Giuseppe Tomasi di Lampedusa
  11. The Siren
  12. Antonio Tabucchi
  13. Against Time
  14. Italo Svevo
  15. Generous Wine
  16. Leonardo Sciascia
  17. The Long Voyage
  18. Alberto Savinio
  19. Bago
  20. Umberto Saba
  21. The Hen
  22. Lalla Romano
  23. The Lady
  24. Fabrizia Ramondino
  25. The Tower
  26. Luigi Pirandello
  27. The Trap
  28. Cesare Pavese
  29. Wedding Trip
  30. Goffredo Parise
  31. Melancholy
  32. Aldo Palazzeschi
  33. Silence
  34. Anna Maria Ortese
  35. A Pair of Eyeglasses
  36. Alberto Moravia
  37. The Other Side of the Moon
  38. Elsa Morante
  39. The Ambitious Ones
  40. Giorgio Manganelli
  41. Sixteen, Twenty-one, Twenty-eight and Thirty-seven from Centuria
  42. Primo Levi
  43. Quaestio de Centauris
  44. Tommaso Landolfi
  45. Gogol’s Wife
  46. Natalia Ginzburg
  47. My Husband
  48. Carlo Emilio Gadda
  49. The Mother
  50. Ennio Flaiano
  51. A Martian in Rome
  52. Beppe Fenoglio
  53. The Smell of Death
  54. Luce D’eramo
  55. Life as a Couple
  56. Antonio Delfini
  57. The Milliner
  58. Grazia Deledda
  59. The Hind
  60. Alba De Céspedes
  61. Invitation to Dinner
  62. Silvio D’arzo
  63. Elegy for Signora Nodier
  64. Fausta Cialente
  65. Malpasso
  66. Carlo Cassola
  67. At the Station
  68. Cristina Campo
  69. The Golden Nut
  70. Italo Calvino
  71. Dialogue with a Tortoise
  72. Dino Buzzati
  73. And Yet They Are Knocking at Your Door
  74. Massimo Bontempelli
  75. The Miraculous Beach, or, Prize for Modesty
  76. Romano Bilenchi
  77. A Geographical Error
  78. Luciano Bianciardi
  79. The Streetwalker
  80. Anna Banti
  81. Miss
  82. Giovanni Arpino
  83. The Baboon
  84. Corrado Alvaro
  85. Barefoot
  86. Notes
  87. Chronology
  88. Further Reading
  89. Acknowledgements
  90. Copyright Information
  91. About the Translators
  92. THE BEGINNING

‘We certainly did, it’s the most beautiful spot in Sicily, yet to be discovered, thankfully, by the Dopolavoro crowds.3 The coast is wild there, right, Senator? It’s completely deserted, and you can’t see a single house; the sea is the colour of peacocks; and behind it all, beyond the shifting waves, rises Mount Etna. From no other spot is it so beautiful – calm, powerful, truly divine. It’s a place where you can see the island in one of its eternal aspects, as it was before it so foolishly turned its back on its vocation, which was to serve as pasture for the Cattle of the Sun.’

The senator was silent. Then: ‘You’re a good kid, Corbera; if you weren’t so ignorant, something might have been made of you.’ He came toward me and kissed my forehead. ‘Now bring round your jalopy. I want to go home.’

In the weeks that followed we continued to see each other regularly. Now we also took late-night walks, generally down Via Po and across the martial expanse of Piazza Vittorio; we went to gaze at the rushing river and the Turin hills, elements that introduced a drop of fantasy into the geometrical rigour of the city. Then began the spring, that affecting season of threatened youth; the first lilacs sprouted on the banks, and the most impetuous of the young couples without a place to retreat to braved the dampness of the grass. ‘Down there the sun already blazes, the algae blooms, the fish appear at the surface of the water on moonlit nights and flashes of bodies can be made out between the lines of luminous foam. We stand here before this insipid, lifeless current of water, before these big ugly buildings that look like soldiers or monks all in a line, and we hear the sobs of these dying creatures coupling.’ It cheered him, however, to think about the impending voyage to Lisbon, not far off now. ‘It will be pleasant. You ought to come along as well. A shame that it’s not open to those deficient in Greek; with me at least you can speak Italian, but if Zuckmayer or Van der Voos found out you didn’t know the optative of every irregular verb, you’d be done for. This even though you may be more in touch with Greek reality than they are; not through cultivation, clearly, but through animal instinct.’

Two days prior to his departure for Genoa he told me that he would not be returning to the café the following day, but that he would expect me at his house at nine that evening.

The protocol was identical to the last time: The images of the gods of three thousand years ago radiated youth as a stove radiates heat; the faded photograph of the young god of fifty years ago seemed dismayed at watching his own metamorphosis into a white-haired old man sunk in an armchair.

When the Cypriot wine had been drunk the senator called Bettina and told her she could go to bed. ‘I will see Signor Corbera out myself when he goes.’ Then: ‘Believe me, Corbera, if I’ve asked you here this evening at the risk of upsetting any Rivoli fornication plans you might have had, it’s because I need you. I leave tomorrow, and when you go away at my age you never know if it won’t be necessary to stay away forever, especially when you go by sea. Please know that I genuinely care for you: Your ingenuousness touches me, your unconcealed carnal intrigues amuse me, and it seems to me that, as is sometimes the case with the best kind of Sicilians, you have managed to achieve a synthesis of the senses and reason. Therefore you deserve not to be left empty-handed, without hearing me explain the reason behind some of my eccentricities, of some sentences I’ve spoken in your presence that will certainly have appeared to you worthy of a madman.’