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Contents ( 92)
  1. Introduced, edited and with selected translations by Jhumpa Lahiri
  2. Contents
  3. About the Author
  4. A Note on the Citation of Titles and Their Translations
  5. Introduction
  6. Elio Vittorini
  7. Name and Tears
  8. Giovanni Verga
  9. Picturesque Lives
  10. Giuseppe Tomasi di Lampedusa
  11. The Siren
  12. Antonio Tabucchi
  13. Against Time
  14. Italo Svevo
  15. Generous Wine
  16. Leonardo Sciascia
  17. The Long Voyage
  18. Alberto Savinio
  19. Bago
  20. Umberto Saba
  21. The Hen
  22. Lalla Romano
  23. The Lady
  24. Fabrizia Ramondino
  25. The Tower
  26. Luigi Pirandello
  27. The Trap
  28. Cesare Pavese
  29. Wedding Trip
  30. Goffredo Parise
  31. Melancholy
  32. Aldo Palazzeschi
  33. Silence
  34. Anna Maria Ortese
  35. A Pair of Eyeglasses
  36. Alberto Moravia
  37. The Other Side of the Moon
  38. Elsa Morante
  39. The Ambitious Ones
  40. Giorgio Manganelli
  41. Sixteen, Twenty-one, Twenty-eight and Thirty-seven from Centuria
  42. Primo Levi
  43. Quaestio de Centauris
  44. Tommaso Landolfi
  45. Gogol’s Wife
  46. Natalia Ginzburg
  47. My Husband
  48. Carlo Emilio Gadda
  49. The Mother
  50. Ennio Flaiano
  51. A Martian in Rome
  52. Beppe Fenoglio
  53. The Smell of Death
  54. Luce D’eramo
  55. Life as a Couple
  56. Antonio Delfini
  57. The Milliner
  58. Grazia Deledda
  59. The Hind
  60. Alba De Céspedes
  61. Invitation to Dinner
  62. Silvio D’arzo
  63. Elegy for Signora Nodier
  64. Fausta Cialente
  65. Malpasso
  66. Carlo Cassola
  67. At the Station
  68. Cristina Campo
  69. The Golden Nut
  70. Italo Calvino
  71. Dialogue with a Tortoise
  72. Dino Buzzati
  73. And Yet They Are Knocking at Your Door
  74. Massimo Bontempelli
  75. The Miraculous Beach, or, Prize for Modesty
  76. Romano Bilenchi
  77. A Geographical Error
  78. Luciano Bianciardi
  79. The Streetwalker
  80. Anna Banti
  81. Miss
  82. Giovanni Arpino
  83. The Baboon
  84. Corrado Alvaro
  85. Barefoot
  86. Notes
  87. Chronology
  88. Further Reading
  89. Acknowledgements
  90. Copyright Information
  91. About the Translators
  92. THE BEGINNING

Following my visit our relations became decidedly cordial – on my part at least. I went to great lengths to have some exceptionally fresh sea urchins brought in from Genoa. When I learned that they would arrive the following day I procured some Etna wine and farmer’s bread and nervously invited the senator to visit me in my tiny apartment. To my great relief he very happily accepted. I picked him up in my Fiat 508 and dragged him all the way to Via Peyron, which is something of a backwater. In the car he displayed some fear and no confidence whatsoever in my driving skills. ‘I know you now, Corbera; if we’re unlucky enough to encounter one of your abortions in a frock, you’re liable to turn your head and send us both smashing into the corner of a building.’ We met no skirted monstrosity worthy of note and arrived safely.

For the first time since I met him I saw the senator laugh – when we entered my bedroom. ‘So then, Corbera, this is the theatre of your vile exploits.’ He examined my few books. ‘Fine, fine. Perhaps you’re less ignorant than you seem. This one here,’ he added as he picked up a volume of Shakespeare, ‘this one here understood something. “A sea-change into something rich and strange.”1 “What potions have I drunk of Siren tears?”’2

When the good Signora Carmagnola entered the drawing room carrying the tray of sea urchins, lemons, and the rest, the senator was ecstatic. ‘This was your idea? How did you know they are the thing I long for more than any other?’

‘You can safely enjoy them, Senator; this morning they were still in the Ligurian Sea.’

‘Yes, of course, your sort are always the same, slaves to your decadence, to your putrescence; your long, asinine ears always straining to make out the shuffling steps of Death. Poor devils! Thank you, Corbera, you’ve been a good famulus. It’s a shame they’re not from the sea down there, these urchins, that they haven’t been steeped in our algae; their spines have surely never drawn a drop of divine blood. You’ve done what was possible, certainly, but these urchins, having dozed on the cold reefs of Nervi or Arenzano, they’re almost boreal.’ It was clear that he was one of those Sicilians for whom the Ligurian Riviera – considered a tropical region by the Milanese – may as well be Iceland. The urchins, split in half, revealed their wounded, blood-red, strangely compartmentalized flesh. I’d never paid attention before now, but after the senator’s bizarre comparisons they really did seem like cross sections of who knows what delicate female organs. He consumed them avidly but without cheer, with a meditative, almost sorrowful air. He didn’t want to squeeze any lemon over them.

‘Your sort, always combining flavours! Sea urchins have to taste also like lemon, sugar also like chocolate, love also like paradise!’ When he finished he took a sip of wine and closed his eyes. After a bit I noticed, slipping from beneath his shriveled eyelids, two tears. He stood up and walked to the window, where he furtively dried his eyes. Then he turned. ‘Have you ever been to Augusta yourself, Corbera?’ I’d spent three months there as a recruit; during off-duty hours two or three of us would take a boat out on the transparent waters and explore the gulfs. After my answer he was silent; then, in an irritated voice: ‘And did you grunts ever arrive as far as the inland gulf past Punta Izzo, behind the hill overlooking the saltworks?’