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Contents ( 92)
  1. Introduced, edited and with selected translations by Jhumpa Lahiri
  2. Contents
  3. About the Author
  4. A Note on the Citation of Titles and Their Translations
  5. Introduction
  6. Elio Vittorini
  7. Name and Tears
  8. Giovanni Verga
  9. Picturesque Lives
  10. Giuseppe Tomasi di Lampedusa
  11. The Siren
  12. Antonio Tabucchi
  13. Against Time
  14. Italo Svevo
  15. Generous Wine
  16. Leonardo Sciascia
  17. The Long Voyage
  18. Alberto Savinio
  19. Bago
  20. Umberto Saba
  21. The Hen
  22. Lalla Romano
  23. The Lady
  24. Fabrizia Ramondino
  25. The Tower
  26. Luigi Pirandello
  27. The Trap
  28. Cesare Pavese
  29. Wedding Trip
  30. Goffredo Parise
  31. Melancholy
  32. Aldo Palazzeschi
  33. Silence
  34. Anna Maria Ortese
  35. A Pair of Eyeglasses
  36. Alberto Moravia
  37. The Other Side of the Moon
  38. Elsa Morante
  39. The Ambitious Ones
  40. Giorgio Manganelli
  41. Sixteen, Twenty-one, Twenty-eight and Thirty-seven from Centuria
  42. Primo Levi
  43. Quaestio de Centauris
  44. Tommaso Landolfi
  45. Gogol’s Wife
  46. Natalia Ginzburg
  47. My Husband
  48. Carlo Emilio Gadda
  49. The Mother
  50. Ennio Flaiano
  51. A Martian in Rome
  52. Beppe Fenoglio
  53. The Smell of Death
  54. Luce D’eramo
  55. Life as a Couple
  56. Antonio Delfini
  57. The Milliner
  58. Grazia Deledda
  59. The Hind
  60. Alba De Céspedes
  61. Invitation to Dinner
  62. Silvio D’arzo
  63. Elegy for Signora Nodier
  64. Fausta Cialente
  65. Malpasso
  66. Carlo Cassola
  67. At the Station
  68. Cristina Campo
  69. The Golden Nut
  70. Italo Calvino
  71. Dialogue with a Tortoise
  72. Dino Buzzati
  73. And Yet They Are Knocking at Your Door
  74. Massimo Bontempelli
  75. The Miraculous Beach, or, Prize for Modesty
  76. Romano Bilenchi
  77. A Geographical Error
  78. Luciano Bianciardi
  79. The Streetwalker
  80. Anna Banti
  81. Miss
  82. Giovanni Arpino
  83. The Baboon
  84. Corrado Alvaro
  85. Barefoot
  86. Notes
  87. Chronology
  88. Further Reading
  89. Acknowledgements
  90. Copyright Information
  91. About the Translators
  92. THE BEGINNING

No use deluding herself. Happiness has extinguished her intelligence and confines her to the role of scheming scrounger. The betrayed ‘Miss’ seeks revenge. It’s impossible to return to her former solitude, reignite her initiative, her appetite for a challenge, her steadfast ambition to prove her overlooked worth. Who have I become? A wife who doesn’t argue, attentive to every glance of fierce disapproval, to the shifting moods of a fickle largesse. Basking in the renunciation of decision-making, she no longer knows how to say ‘I like that’ or ‘I don’t like that’; she’s even unlearned how to choose, her clothes falling on to her as if by magic. Unexpected trips transform her into a small suitcase convenient to the traveller. He knows what is worth seeing and, in his hands, the world opens up, there’s nothing to do but listen and applaud. And thus France, England, Holland, the sombre Germany pass by. But suddenly, unexpectedly, something snaps: No, the young wife will not continue on to Berlin. ‘I’ve had enough,’ she declares in Munich, as she leaves the Alte Pinakothek and departs alone for Brenner. A troubled night of desolation and remorse. In Verona under a chilly sun, the ‘Miss’ reappears in front of the bronze door of the Basilica of San Zeno and before the Pisanello fresco in the church of Sant’Anastasia, pale, sad, ghostly, a shadow of herself.

It was an acrimonious trip. The sensation of having betrayed something precious plagued her, but the momentary solitude allowed her to recover some of the clarity that happiness had muddied. ‘He who hesitates is lost,’ some idiot once said, but actually this was now her situation. Going forward, she could live on her illusions – now that she knows that, from the start, the problems she faced had already been resolved. It was always a question of take it or leave it. So I fooled myself and took the wrong path. But what was my path? A deep dive into my childhood and adolescence and all would be revealed. But she didn’t want to risk concluding that if love was by now indispensable, it was insufficient, indeed, unjustifiable. Banish the dreams depleted by doubt, excited by small successes and sometimes by the certainty her goal would be achieved – these ambitions were no longer for her. But at least some autonomous occupation, something she devised for herself, which would salvage her self-esteem, save her from laziness – she contemplated this as the train carried her home, vaguely irritated by, but also vulnerable to the stares she received; alas, the habitual experience of a ‘pretty woman’. A job, a job. The most modest, the most humble, as long as it was outside the home and in no way reliant on the fact that she didn’t need to earn a living because others ‘kept’ her; she was ‘a kept woman’. Unfortunately, this banal, clichéd definition of who she was today fit her like a glove.