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Contents ( 92)
  1. Introduced, edited and with selected translations by Jhumpa Lahiri
  2. Contents
  3. About the Author
  4. A Note on the Citation of Titles and Their Translations
  5. Introduction
  6. Elio Vittorini
  7. Name and Tears
  8. Giovanni Verga
  9. Picturesque Lives
  10. Giuseppe Tomasi di Lampedusa
  11. The Siren
  12. Antonio Tabucchi
  13. Against Time
  14. Italo Svevo
  15. Generous Wine
  16. Leonardo Sciascia
  17. The Long Voyage
  18. Alberto Savinio
  19. Bago
  20. Umberto Saba
  21. The Hen
  22. Lalla Romano
  23. The Lady
  24. Fabrizia Ramondino
  25. The Tower
  26. Luigi Pirandello
  27. The Trap
  28. Cesare Pavese
  29. Wedding Trip
  30. Goffredo Parise
  31. Melancholy
  32. Aldo Palazzeschi
  33. Silence
  34. Anna Maria Ortese
  35. A Pair of Eyeglasses
  36. Alberto Moravia
  37. The Other Side of the Moon
  38. Elsa Morante
  39. The Ambitious Ones
  40. Giorgio Manganelli
  41. Sixteen, Twenty-one, Twenty-eight and Thirty-seven from Centuria
  42. Primo Levi
  43. Quaestio de Centauris
  44. Tommaso Landolfi
  45. Gogol’s Wife
  46. Natalia Ginzburg
  47. My Husband
  48. Carlo Emilio Gadda
  49. The Mother
  50. Ennio Flaiano
  51. A Martian in Rome
  52. Beppe Fenoglio
  53. The Smell of Death
  54. Luce D’eramo
  55. Life as a Couple
  56. Antonio Delfini
  57. The Milliner
  58. Grazia Deledda
  59. The Hind
  60. Alba De Céspedes
  61. Invitation to Dinner
  62. Silvio D’arzo
  63. Elegy for Signora Nodier
  64. Fausta Cialente
  65. Malpasso
  66. Carlo Cassola
  67. At the Station
  68. Cristina Campo
  69. The Golden Nut
  70. Italo Calvino
  71. Dialogue with a Tortoise
  72. Dino Buzzati
  73. And Yet They Are Knocking at Your Door
  74. Massimo Bontempelli
  75. The Miraculous Beach, or, Prize for Modesty
  76. Romano Bilenchi
  77. A Geographical Error
  78. Luciano Bianciardi
  79. The Streetwalker
  80. Anna Banti
  81. Miss
  82. Giovanni Arpino
  83. The Baboon
  84. Corrado Alvaro
  85. Barefoot
  86. Notes
  87. Chronology
  88. Further Reading
  89. Acknowledgements
  90. Copyright Information
  91. About the Translators
  92. THE BEGINNING

How was anyone to know, however, that the thing everyone called ‘life’ had yet to even begin for her, that destiny would turn everything upside-down and thrust her into the hands, the clenched hands, of that unforgettable Friend? Happiness is terrible, it leaves you naked, defenceless, anonymous. One Easter morning, the ‘Miss’ was walking among the columns of the Roman forum, dissolving in the morning air, disintegrating under the sun, amidst the sound of church bells; neither of them offered an explanation or recrimination, the naturalness of this new encounter assuring a perfect congruity that years of ambiguity – oh, how futile! – never succeeded in corroding. Younger at twenty-five than she had been at eighteen, the young woman, who had been so covetous of her own unhappiness, now reveals absolutely no trace or sign of her former self, her wide smile showing bright white teeth, all her pores exuding a steadily ecstatic amazement. Perhaps the Friend says, How beautiful you are, but she doesn’t react. She has no interest in comparing herself to any former images of herself now that she is being offered – but she was a little afraid of it – a new name, a new situation, new tools that she didn’t know how to use. On her horizon everything is too ‘ready’, too planned out in advance. It is not easy to get used to being a ‘young wife’; it embarrasses her, makes her ashamed. She feels she no longer has any words or actions of her own, that her joyous triumph actually conceals a trap that every so often paralyses her, despite the enchantment of living in the Beloved’s home, sitting at his table, certain that every evening, sooner or later, delightedly, she would hear the sound of his key turning in the lock, the sound of his approaching footsteps. A boundless sweetness suffocates her, clouds her eyes and ears, tatters her will. Passivity is dangerous: her life now like that of a sated and playful animal, she’s aware of the hidden perils of swathes of free time, her susceptibility to caprice. The acts of love, once nettlesome and shocking, from one day to the next are not only validated, but virtually imposed by a new code. And it greatly disturbs her. Something, then, has changed: for better or for worse? For the better, for the better, she swiftly concludes, but instinctively she hesitates. In fact, the imposition of certain rights seems to her a vile hoax.

Unemployed, she throws herself into the subordinate work of secretarial duties. This is a misguided fallback plan since order, precision, patient study eludes her nature. Her husband – indeed yes! her husband – laughs good-naturedly, corrects the oversights, and she, recognizing her incompetence, hates herself, retreats, proposes that she do even more menial tasks such as typing, filling out forms. What does it matter? Even hidden in a corner she would be happy. It’s nice that each day is the same as the next, and abandoning herself to their passing, it’s no longer necessary to use her brain. Not that her brain can just stop working: but it wanders aimlessly or ruminates on frivolities, oddities, petty rebellions. Her will oscillates, swinging like a little monkey from tree to tree. Deciding whether or not to cut her long hair – one of her more attractive features – is a profound event. Leaping into the abyss, she returns to practising the piano; the generous Listener is surprised, tells her she’s not bad, gives his approval. Suddenly a black cloud appears, the worst of all threats – eventually he’s sure to get tired of a companion with no interests or problems. She’s too docile, always happy, a silly kitten who romps about his feet.