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Contents ( 92)
  1. Introduced, edited and with selected translations by Jhumpa Lahiri
  2. Contents
  3. About the Author
  4. A Note on the Citation of Titles and Their Translations
  5. Introduction
  6. Elio Vittorini
  7. Name and Tears
  8. Giovanni Verga
  9. Picturesque Lives
  10. Giuseppe Tomasi di Lampedusa
  11. The Siren
  12. Antonio Tabucchi
  13. Against Time
  14. Italo Svevo
  15. Generous Wine
  16. Leonardo Sciascia
  17. The Long Voyage
  18. Alberto Savinio
  19. Bago
  20. Umberto Saba
  21. The Hen
  22. Lalla Romano
  23. The Lady
  24. Fabrizia Ramondino
  25. The Tower
  26. Luigi Pirandello
  27. The Trap
  28. Cesare Pavese
  29. Wedding Trip
  30. Goffredo Parise
  31. Melancholy
  32. Aldo Palazzeschi
  33. Silence
  34. Anna Maria Ortese
  35. A Pair of Eyeglasses
  36. Alberto Moravia
  37. The Other Side of the Moon
  38. Elsa Morante
  39. The Ambitious Ones
  40. Giorgio Manganelli
  41. Sixteen, Twenty-one, Twenty-eight and Thirty-seven from Centuria
  42. Primo Levi
  43. Quaestio de Centauris
  44. Tommaso Landolfi
  45. Gogol’s Wife
  46. Natalia Ginzburg
  47. My Husband
  48. Carlo Emilio Gadda
  49. The Mother
  50. Ennio Flaiano
  51. A Martian in Rome
  52. Beppe Fenoglio
  53. The Smell of Death
  54. Luce D’eramo
  55. Life as a Couple
  56. Antonio Delfini
  57. The Milliner
  58. Grazia Deledda
  59. The Hind
  60. Alba De Céspedes
  61. Invitation to Dinner
  62. Silvio D’arzo
  63. Elegy for Signora Nodier
  64. Fausta Cialente
  65. Malpasso
  66. Carlo Cassola
  67. At the Station
  68. Cristina Campo
  69. The Golden Nut
  70. Italo Calvino
  71. Dialogue with a Tortoise
  72. Dino Buzzati
  73. And Yet They Are Knocking at Your Door
  74. Massimo Bontempelli
  75. The Miraculous Beach, or, Prize for Modesty
  76. Romano Bilenchi
  77. A Geographical Error
  78. Luciano Bianciardi
  79. The Streetwalker
  80. Anna Banti
  81. Miss
  82. Giovanni Arpino
  83. The Baboon
  84. Corrado Alvaro
  85. Barefoot
  86. Notes
  87. Chronology
  88. Further Reading
  89. Acknowledgements
  90. Copyright Information
  91. About the Translators
  92. THE BEGINNING

Now I have to tell about one evening when, passing near Largo Cairoli, I was stopped by a flashy hooker, and I went up to her room with her. After the sex act we chatted a little – she was a mature but talkative woman – and so I learned that she had actually moved from Pontremoli, after this war, and had settled with her husband in Milan. Thanks to her work, and saving, she had managed to set up a small apartment in the Porta Ticinese neighbourhood, and now she continued to work, just to finish making the payments on the furniture and the sewing machine. She explained what the bedroom was like, the armoire with three mirrors and the marble-topped night table. She invited me to come and visit her, promising that for the occasion she would organize some ‘numbers’.

That was the word she used, and, curious, I telephoned her one day and made an appointment for seven. It was a nice bourgeois apartment, well kept, clean, with the bathroom tidy and a small poodle and the coffee-pot always ready in the kitchen.

‘Oh, here we drink coffee from morning to night,’ said this woman from Pontremoli, whose name was Signora Anna. The room was as she had described it: she showed me a book of French pornographic photographs, and left me there while she phoned the neighbour upstairs, who was to take part in the famous ‘number’. After that I returned several times to Signora Anna, who arranged the number, always calling on a different friend. Between the two of them they wanted ten thousand lire, and that was fine with me. Usually Anna participated only in the foreplay, then when she saw that we were getting into it she got dressed, leaving to the other the responsibility of finishing the job, and she returned near the end to change the sheets. I was very happy with this arrangement, and I even gave her the phone number of the bookshop, so that she could notify me. One evening around seven she called.

‘Pierclaudio,’ she said (in fact, my name is Pierclaudio), ‘there’s a brand-new model.’

‘What sort of model?’ I said, not having understood right away.

‘A niece of mine. Seventeen years old. A real jewel.’

‘Really?’

‘So we’ll see you?’

And we made an appointment for the next day. The niece, named Rita, was really sweet, slender, blonde, modest in her printed calico house dress. We went to the room together. Anna helped the niece undress, showed her off front and back, praising her features, then left us. Meanwhile I, too, had undressed and was lying on the bed. I nodded to her to join me. When she was at the foot of the bed, and had already put one knee up (because women get in bed knees first – I don’t know if you’ve ever noticed), she stopped and said:

‘Would you like to have some fun or should we move on to the material act right away?’