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Contents ( 92)
  1. Introduced, edited and with selected translations by Jhumpa Lahiri
  2. Contents
  3. About the Author
  4. A Note on the Citation of Titles and Their Translations
  5. Introduction
  6. Elio Vittorini
  7. Name and Tears
  8. Giovanni Verga
  9. Picturesque Lives
  10. Giuseppe Tomasi di Lampedusa
  11. The Siren
  12. Antonio Tabucchi
  13. Against Time
  14. Italo Svevo
  15. Generous Wine
  16. Leonardo Sciascia
  17. The Long Voyage
  18. Alberto Savinio
  19. Bago
  20. Umberto Saba
  21. The Hen
  22. Lalla Romano
  23. The Lady
  24. Fabrizia Ramondino
  25. The Tower
  26. Luigi Pirandello
  27. The Trap
  28. Cesare Pavese
  29. Wedding Trip
  30. Goffredo Parise
  31. Melancholy
  32. Aldo Palazzeschi
  33. Silence
  34. Anna Maria Ortese
  35. A Pair of Eyeglasses
  36. Alberto Moravia
  37. The Other Side of the Moon
  38. Elsa Morante
  39. The Ambitious Ones
  40. Giorgio Manganelli
  41. Sixteen, Twenty-one, Twenty-eight and Thirty-seven from Centuria
  42. Primo Levi
  43. Quaestio de Centauris
  44. Tommaso Landolfi
  45. Gogol’s Wife
  46. Natalia Ginzburg
  47. My Husband
  48. Carlo Emilio Gadda
  49. The Mother
  50. Ennio Flaiano
  51. A Martian in Rome
  52. Beppe Fenoglio
  53. The Smell of Death
  54. Luce D’eramo
  55. Life as a Couple
  56. Antonio Delfini
  57. The Milliner
  58. Grazia Deledda
  59. The Hind
  60. Alba De Céspedes
  61. Invitation to Dinner
  62. Silvio D’arzo
  63. Elegy for Signora Nodier
  64. Fausta Cialente
  65. Malpasso
  66. Carlo Cassola
  67. At the Station
  68. Cristina Campo
  69. The Golden Nut
  70. Italo Calvino
  71. Dialogue with a Tortoise
  72. Dino Buzzati
  73. And Yet They Are Knocking at Your Door
  74. Massimo Bontempelli
  75. The Miraculous Beach, or, Prize for Modesty
  76. Romano Bilenchi
  77. A Geographical Error
  78. Luciano Bianciardi
  79. The Streetwalker
  80. Anna Banti
  81. Miss
  82. Giovanni Arpino
  83. The Baboon
  84. Corrado Alvaro
  85. Barefoot
  86. Notes
  87. Chronology
  88. Further Reading
  89. Acknowledgements
  90. Copyright Information
  91. About the Translators
  92. THE BEGINNING

We went back to the neighbourhood of Bianca di Savoia so that she could try it on. It was very entertaining: I began listening to Rachmaninov in the other room, while Linda changed, and suddenly she appeared before me in bathing suit and sandals, hips swaying; she took off Rachmaninov, put on a cha-cha she liked, and started dancing, just as she was. Then she had a drink, got excited, and I had the sensation that this time she had a real orgasm. I told a friend, but he’s a sceptical type, and he responded that maybe the wetness I’d felt was only the acid-foam-producing suppository, inserted for contraceptive purposes before the sex act. Actually I had an inflammation in the glans afterward, which would confirm my friend’s hypothesis, but it was still a satisfying experience.

We decided to go away for a weekend together, as I’d once done with my wife, Viola, and we spent Saturday night in the same motel on the road to the lakes. Thus I was able to talk to Linda and get to know her a little better. She wasn’t happy with her job at Stipel, she said, especially because of a female supervisor who was old and sour, who made fun of her, blamed her for the delays in service and the malfunctions and the customers’ complaints. But, she added, now she was becoming friendly with a big shot there at Stipel, a certain Manera, fifty and married, and thanks to him she would find a way of getting even with that nasty old maid.

She had talked to me about Manera at other times, partly admiring, partly mocking. Because he had strange tastes: for example, he would invite two girls to his house, besides Linda, have them strip and line up, crouching, under the window, between the wall and the curtain, so that only their rear ends were visible, sticking out. Then he’d enter, in tailcoat and striped trousers, a bowler on his head, parade past the bottoms with short steps, and, taking off his hat, say: ‘Hello, little asses!’

Apart from that he was a gentleman, polite and lavish in his spending. He had even taken her with him to Campione, where they gambled until three in the morning. ‘Why don’t we go, too?’ Linda asked me one night. ‘Why don’t we spend a westend in Campione?’ I didn’t even correct her, and after that I stopped calling her, because I am certainly not the type to throw money away on the green baize, which seems to me in fact shameful and stupid.

Because he isn’t wrong, that friend of mine, when he says that I’m still basically a man from Pontremoli, that I haven’t forgotten how my grandfather and my father built up this little fortune, book by book, lira by lira, living on chick-pea pancakes and water from the fountain. In fact, every so often I get in the car and make the trip: it’s a lovely drive, below Monte Cisa and through the narrow valley, up to the old houses of Pontremoli, along the river. Above all, there’s always a chance you might find something, rummaging through the shops of the secondhand-book sellers. Or when they give the prize, and then publishers, writers and cultural figures come to Pontremoli, most of them from Milan. I spent a couple of holidays right nearby, at the quiet little beach of Bocca di Magra, which Elio Vittorini and the critic Giansiro Ferrata1 discovered after the other war.