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Contents ( 92)
  1. Introduced, edited and with selected translations by Jhumpa Lahiri
  2. Contents
  3. About the Author
  4. A Note on the Citation of Titles and Their Translations
  5. Introduction
  6. Elio Vittorini
  7. Name and Tears
  8. Giovanni Verga
  9. Picturesque Lives
  10. Giuseppe Tomasi di Lampedusa
  11. The Siren
  12. Antonio Tabucchi
  13. Against Time
  14. Italo Svevo
  15. Generous Wine
  16. Leonardo Sciascia
  17. The Long Voyage
  18. Alberto Savinio
  19. Bago
  20. Umberto Saba
  21. The Hen
  22. Lalla Romano
  23. The Lady
  24. Fabrizia Ramondino
  25. The Tower
  26. Luigi Pirandello
  27. The Trap
  28. Cesare Pavese
  29. Wedding Trip
  30. Goffredo Parise
  31. Melancholy
  32. Aldo Palazzeschi
  33. Silence
  34. Anna Maria Ortese
  35. A Pair of Eyeglasses
  36. Alberto Moravia
  37. The Other Side of the Moon
  38. Elsa Morante
  39. The Ambitious Ones
  40. Giorgio Manganelli
  41. Sixteen, Twenty-one, Twenty-eight and Thirty-seven from Centuria
  42. Primo Levi
  43. Quaestio de Centauris
  44. Tommaso Landolfi
  45. Gogol’s Wife
  46. Natalia Ginzburg
  47. My Husband
  48. Carlo Emilio Gadda
  49. The Mother
  50. Ennio Flaiano
  51. A Martian in Rome
  52. Beppe Fenoglio
  53. The Smell of Death
  54. Luce D’eramo
  55. Life as a Couple
  56. Antonio Delfini
  57. The Milliner
  58. Grazia Deledda
  59. The Hind
  60. Alba De Céspedes
  61. Invitation to Dinner
  62. Silvio D’arzo
  63. Elegy for Signora Nodier
  64. Fausta Cialente
  65. Malpasso
  66. Carlo Cassola
  67. At the Station
  68. Cristina Campo
  69. The Golden Nut
  70. Italo Calvino
  71. Dialogue with a Tortoise
  72. Dino Buzzati
  73. And Yet They Are Knocking at Your Door
  74. Massimo Bontempelli
  75. The Miraculous Beach, or, Prize for Modesty
  76. Romano Bilenchi
  77. A Geographical Error
  78. Luciano Bianciardi
  79. The Streetwalker
  80. Anna Banti
  81. Miss
  82. Giovanni Arpino
  83. The Baboon
  84. Corrado Alvaro
  85. Barefoot
  86. Notes
  87. Chronology
  88. Further Reading
  89. Acknowledgements
  90. Copyright Information
  91. About the Translators
  92. THE BEGINNING

In the end, I stopped venturing beyond the confines of our garden. I was pregnant, and I had become big and heavy. I sat in the garden sewing, and everything around me was calm; the plants were rustling and giving out shadows, the male servant hoed the vegetable garden, and Felicetta went back and forth in the kitchen polishing the copper. Sometimes I would think with amazement about the child that would be born. He belonged to two people who had nothing in common, who had nothing to say to each other and who sat beside each other for long periods of time in silence. Since that evening when my husband had spoken about Mariuccia he had stopped trying to come near me and had shut himself off in silence; sometimes when I spoke to him he would look at me in an empty, almost offended kind of way, as if I had disturbed him from some important thought with my ill-chosen words. Then I would tell myself that our relationship needed to change before the arrival of our baby. Otherwise what would the child think of us? But then I would be moved to laughter: as if a little baby would be able to think.

The child was born in August. My sister and aunt came to stay, a party was organized for the christening, and there was a great deal of coming and going in the house. The child slept in his crib next to my bed. He looked quite red, with his fists closed and a patch of dark hair sticking out under his cap. My husband came to see him all the time; he was cheerful and smiling, and spoke about the child to everybody. One afternoon we found ourselves alone. I had lain down on the pillow, wearied and weakened by the heat. He looked at the child and smiled, stroking his hair and ribbons. ‘I didn’t know that you liked children,’ I said all of a sudden. He gave a start and he turned to me. ‘I don’t like children,’ he replied, ‘but I like this one, because he is ours.’ ‘Ours?’ I said to him. ‘He’s important to you because he is ours, you mean yours and mine? Do I mean something to you then?’ ‘Yes,’ he said as if lost in thought, and he came to sit on my bed. ‘When I come home and know that I will find you here, it gives me a feeling of pleasure and warmth.’ ‘Then what happens?’ I asked quietly, looking him in the eye. ‘Then, when I’m in front of you, and I want to tell you about what I have done during the day, what I have thought, and I just can’t do it, I don’t know why. Or maybe I do know why. It’s because there is something in my day, in my thoughts, that I have to hide from you, and so I can’t talk to you any more.’ ‘What is it?’ ‘It’s this,’ he said, ‘I’ve been meeting with Mariuccia in the woods again.’ ‘I knew it,’ I said. ‘I’ve known for a long time.’ He knelt down in front of me and kissed my bare arms. ‘Help me, I’m begging you,’ he said. ‘What am I going to do if you won’t help me?’ ‘But how can I possibly help you?’ I screamed, pushing him away, and burst into tears. Then my husband picked up Giorgio, kissed him, gave him to me and said, ‘Everything will be easier now, you’ll see.’