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Contents ( 92)
  1. Introduced, edited and with selected translations by Jhumpa Lahiri
  2. Contents
  3. About the Author
  4. A Note on the Citation of Titles and Their Translations
  5. Introduction
  6. Elio Vittorini
  7. Name and Tears
  8. Giovanni Verga
  9. Picturesque Lives
  10. Giuseppe Tomasi di Lampedusa
  11. The Siren
  12. Antonio Tabucchi
  13. Against Time
  14. Italo Svevo
  15. Generous Wine
  16. Leonardo Sciascia
  17. The Long Voyage
  18. Alberto Savinio
  19. Bago
  20. Umberto Saba
  21. The Hen
  22. Lalla Romano
  23. The Lady
  24. Fabrizia Ramondino
  25. The Tower
  26. Luigi Pirandello
  27. The Trap
  28. Cesare Pavese
  29. Wedding Trip
  30. Goffredo Parise
  31. Melancholy
  32. Aldo Palazzeschi
  33. Silence
  34. Anna Maria Ortese
  35. A Pair of Eyeglasses
  36. Alberto Moravia
  37. The Other Side of the Moon
  38. Elsa Morante
  39. The Ambitious Ones
  40. Giorgio Manganelli
  41. Sixteen, Twenty-one, Twenty-eight and Thirty-seven from Centuria
  42. Primo Levi
  43. Quaestio de Centauris
  44. Tommaso Landolfi
  45. Gogol’s Wife
  46. Natalia Ginzburg
  47. My Husband
  48. Carlo Emilio Gadda
  49. The Mother
  50. Ennio Flaiano
  51. A Martian in Rome
  52. Beppe Fenoglio
  53. The Smell of Death
  54. Luce D’eramo
  55. Life as a Couple
  56. Antonio Delfini
  57. The Milliner
  58. Grazia Deledda
  59. The Hind
  60. Alba De Céspedes
  61. Invitation to Dinner
  62. Silvio D’arzo
  63. Elegy for Signora Nodier
  64. Fausta Cialente
  65. Malpasso
  66. Carlo Cassola
  67. At the Station
  68. Cristina Campo
  69. The Golden Nut
  70. Italo Calvino
  71. Dialogue with a Tortoise
  72. Dino Buzzati
  73. And Yet They Are Knocking at Your Door
  74. Massimo Bontempelli
  75. The Miraculous Beach, or, Prize for Modesty
  76. Romano Bilenchi
  77. A Geographical Error
  78. Luciano Bianciardi
  79. The Streetwalker
  80. Anna Banti
  81. Miss
  82. Giovanni Arpino
  83. The Baboon
  84. Corrado Alvaro
  85. Barefoot
  86. Notes
  87. Chronology
  88. Further Reading
  89. Acknowledgements
  90. Copyright Information
  91. About the Translators
  92. THE BEGINNING

Yet when we left the next day nothing had changed at all. We barely said a word to each other, and nothing happened to suggest there was any kind of understanding between us. As a young girl, I had always thought that an event of the kind we had experienced would transform two people, bring them closer or drive them apart forever. I now knew it was possible for neither of these things to happen. I huddled up, chilled inside my overcoat. I had not become a new person.

We arrived home at midday, and Felicetta was waiting for us at the gate. She was a little hunched woman with grey hair and sly, servile ways. The house, the garden, and Felicetta were just as I had imagined them. In the house nothing looked gloomy, as is often the way in old houses. It was roomy and light, with white curtains and cane chairs. Ivy and rose plants climbed on the walls and all along the fence.

Once Felicetta had given me the keys, stealing round the rooms behind me to show me every minute detail, I felt happy and ready to prove to my husband and everybody else that I was competent. I was not an educated woman and perhaps I was not very intelligent, but I did know how to keep a well-organized and orderly house. My aunt had taught me. I would apply myself diligently to this task and, in so doing, show my husband what I was really capable of.

That was how my new life started. My husband would spend the whole day away while I busied myself around the house, took care of lunch, made desserts and prepared jams; I also liked working in the vegetable garden with the male servant. Though I squabbled with Felicetta, I got on well with the male servant. When he tossed his hair back and winked at me, there was something in his wholesome face which made me smile. Sometimes I would go for long walks in the village and talk to the peasants. I asked them questions, and they asked me questions too. But when I came home in the evenings and sat down next to the majolica stove, I felt lonely; I missed my aunt and sister and wanted to be back with them again. I thought about the time when my sister and I would get ready for bed; I remembered our bedsteads, and the balcony looking over the road where we would sit and relax on Sundays.

One evening I started crying. All of a sudden my husband came in. He was pale and very tired. When he saw my dishevelled hair and tear-stained cheeks, he said to me, ‘What’s the matter?’ I stayed silent, my head lowered. He sat next to me and caressed me a little. ‘Are you sad?’ he asked. I nodded. He pressed me to his shoulder. Then all of a sudden he got up and went to lock the door. ‘I’ve been wanting to talk to you for a while,’ he said. ‘I find it difficult, that’s why it’s taken me so long. Every day I’ve thought, ‘Today will be the day,’ and every day I’ve put it off; it was as if I was tongue-tied, I was scared of you. A woman who gets married is scared of her man, but she doesn’t realize how much a man is also scared of a woman; she has no idea how much. There are lots of things I want to talk to you about. If we can talk to each other, get to know each other bit by bit, then perhaps we can love each other, and we’ll no longer feel sad. When I saw you for the first time, I thought, ‘I like this woman, I want to love her, I want her to love me and help me, and I want to be happy with her.’ Perhaps it seems strange to you that I should need help, but that’s the way it is.’