Contents ( 220)
- PREFACE
- CONTENTS
- Blanche McCarthy
- Cy Est Pourtraicte, Madame Ste Ursule, et Les Unze Mille Vierges
- Tea
- Sunday Morning
- Peter Quince at the Clavier
- The Silver Plough-Boy
- Disillusionment of Ten O’Clock
- For an Old Woman in a Wig
- Domination of Black
- Six Significant Landscapes
- Inscription for a Monument
- The Worms at Heaven’s Gate
- In the Carolinas
- Indian River
- To the Roaring Wind
- Valley Candle
- Thirteen Ways of Looking at a Blackbird
- The Plot against the Giant
- Gray Room
- Bowl, Cat and Broomstick
- The Death of a Soldier
- Metaphors of a Magnifico
- Depression before Spring
- Earthy Anecdote
- The Apostrophe to Vincentine
- Nuances of a Theme by Williams
- Le Monocle de Mon Oncle
- Nomad Exquisite
- Life Is Motion
- Banal Sojourn
- Anecdote of the Jar
- Fabliau of Florida
- Ploughing on Sunday
- The Place of the Solitaires
- The Paltry Nude Starts on a Spring Voyage
- Infanta Marina
- Cortège for Rosenbloom
- The Man Whose Pharynx Was Bad
- The Doctor of Geneva
- Gubbinal
- The Snow Man
- Tea at the Palaz of Hoon
- Another Weeping Woman
- On the Manner of Addressing Clouds
- Of Heaven Considered as a Tomb
- The Bird with the Coppery, Keen Claws
- The Comedian as the Letter C
- Bantams in Pine-Woods
- The Ordinary Women
- A High-Toned Old Christian Woman
- O Florida, Venereal Soil
- The Emperor of Ice-Cream
- Hymn from a Watermelon Pavilion
- Stars at Tallapoosa
- Floral Decoration for Bananas
- To the One of Fictive Music
- Anecdote of the Prince of Peacocks
- Two Figures in Dense Violet Light
- The Virgin Carrying a Lantern
- Academic Discourse at Havana
- Sea Surface Full of Clouds
- The Sun This March
- Lunar Paraphrase
- Anatomy of Monotony
- Autumn Refrain
- The Brave Man
- A Fading of the Sun
- The Pleasures of Merely Circulating
- The Idea of Order at Key West
- Lions in Sweden
- Evening Without Angels
- The Reader
- Like Decorations in a Nigger Cemetery
- Re-statement of Romance
- Lytton Strachey, Also, Enters into Heaven
- Sailing after Lunch
- Waving Adieu, Adieu, Adieu
- The American Sublime
- Mozart, 1935
- Sad Strains of a Gay Waltz
- Dance of the Macabre Mice
- Anglais Mort à Florence
- Some Friends from Pascagoula
- Mr. Burnshaw and the Statue
- Farewell to Florida
- A Postcard from the Volcano
- Ghosts as Cocoons
- The Men That Are Falling
- A Thought Revolved
- The Man with the Blue Guitar
- A Rabbit as King of the Ghosts
- United Dames of America
- The Dwarf
- Loneliness in Jersey City
- Anything Is Beautiful if You Say It Is
- A Weak Mind in the Mountains
- Parochial Theme
- Poetry Is a Destructive Force
- The Poems of Our Climate
- Study of Two Pears
- The Glass of Water
- Add This to Rhetoric
- Dry Loaf
- The Man on the Dump
- On the Road Home
- The Latest Freed Man
- Connoisseur of Chaos
- The Sense of the Sleight-of-Hand Man
- Of Hartford in a Purple Light
- Variations on a Summer Day
- Man and Bottle
- Of Modern Poetry
- Arrival at the Waldorf
- Landscape with Boat
- Extracts from Addresses to the Academy of Fine Ideas
- Of Bright & Blue Birds & the Gala Sun
- Mrs. Alfred Uruguay
- Asides on the Oboe
- Poem with Rhythms
- The Well Dressed Man with a Beard
- Montrachet-le-Jardin
- Metamorphosis
- Phosphor Reading by His Own Light
- Jumbo
- Poem Written at Morning
- Oak Leaves Are Hands
- Examination of the Hero in a Time of War
- [Prose statement on the poetry of war]
- Notes Toward a Supreme Fiction
- God Is Good. It Is a Beautiful Night
- Certain Phenomena of Sound
- Dutch Graves in Bucks County
- The Motive for Metaphor
- Chocorua to its Neighbor
- So-And-So Reclining on Her Couch
- No Possum, No Sop, No Taters
- The Lack of Repose
- Somnambulisma
- The Creations of Sound
- Esthétique du Mal
- The Bed of Old John Zeller
- Less and Less Human, O Savage Spirit
- The Pure Good of Theory
- Paisant Chronicle
- Flyer’s Fall
- Description without Place
- Thinking of a Relation between the Images of Metaphors
- Chaos in Motion and Not in Motion
- The House Was Quiet and the World Was Calm
- Late Hymn from the Myrrh-Mountain
- Man Carrying Thing
- Men Made out of Words
- A Woman Sings a Song for a Soldier Come Home
- The Good Man Has No Shape
- From the Packet of Anacharsis
- The Dove in the Belly
- Mountains Covered with Cats
- The Prejudice Against the Past
- Credences of Summer
- A Pastoral Nun
- Two Versions of the Same Poem
- Someone Puts a Pineapple Together
- Of Ideal Time and Choice
- The Ultimate Poem Is Abstract
- The Owl in the Sarcophagus
- The Auroras of Autumn
- A Primitive Like an Orb
- Large Red Man Reading
- This Solitude of Cataracts
- In a Bad Time
- Metaphor as Degeneration
- Our Stars Come from Ireland
- World Without Peculiarity
- The Woman in Sunshine
- Imago
- Saint John and the Back-Ache
- Puella Parvula
- An Ordinary Evening in New Haven
- The Old Lutheran Bells at Home
- Questions Are Remarks
- Angel Surrounded by Paysans
- Things of August
- As at a Theatre
- The Rock
- A Discovery of Thought
- The Course of a Particular
- Final Soliloquy of the Interior Paramour
- Madame La Fleurie
- A Quiet Normal Life
- Long and Sluggish Lines
- To an Old Philosopher in Rome
- The Poem That Took the Place of a Mountain
- Two Illustrations That the World Is What You Make of It
- Prologues to What Is Possible
- Looking Across the Fields and Watching the Birds Fly
- The World as Meditation
- An Old Man Asleep
- The Plain Sense of Things
- Lebensweisheitspielerei
- The Hermitage at the Centre
- The Dove in Spring
- The Planet on the Table
- The River of Rivers in Connecticut
- Not Ideas about the Thing but the Thing Itself
- The Sail of Ulysses
- A Child Asleep in Its Own Life
- On the Way to the Bus
- First Warmth
- As You Leave the Room
- Reality Is an Activity of the Most August Imagination
- A Clear Day and No Memories
- A Mythology Reflects Its Region
- Of Mere Being
- NOTES
- INDEX OF FIRST LINES
- INDEX OF TITLES
- ABOUT THE AUTHOR
- WALLACE STEVENS
As acutest virtue and ascetic trove.
Item: The cocks crow and the birds cry and
The sun expands, like a repetition on
One string, an absolute, not varying
Toward an inaccessible, pure sound.
Item: The wind is never rounding O
And, imageless, it is itself the most,
Mouthing its constant smatter throughout space.
Item: The green fish pensive in green reeds
Is an absolute. Item: The cataracts
As facts fall like rejuvenating rain,
Fall down through nakedness to nakedness,
To the auroral creature musing in the mind.
Item: Breathe, breathe upon the centre of
The breath life’s latest, thousand senses.
But let this one sense be the single main.
And yet what good were yesterday’s devotions?
I affirm and then at midnight the great cat
Leaps quickly from the fireside and is gone.
Metamorphosis
Yillow, yillow, yillow,
Old worm, my pretty quirk,
How the wind spells out
Sep - tem - ber.…
Summer is in bones.
Cock-robin’s at Caracas.
Make o, make o, make o,
Oto - otu - bre.
And the rude leaves fall.
The rain falls. The sky
Falls and lies with the worms.
The street lamps
Are those that have been hanged,
Dangling in an illogical
To and to and fro
Fro Niz - nil - imbo.
Phosphor Reading by His Own Light
It is difficult to read. The page is dark.
Yet he knows what it is that he expects.
The page is blank or a frame without a glass
Or a glass that is empty when he looks.
The greenness of night lies on the page and goes
Down deeply in the empty glass …
Look, realist, not knowing what you expect.
The green falls on you as you look,
Falls on and makes and gives, even a speech.
And you think that that is what you expect,
That elemental parent, the green night,
Teaching a fusky alphabet.
Jumbo
The trees were plucked like iron bars
And jumbo, the loud general-large
Singsonged and singsonged, wildly free.
Who was the musician, fatly soft
And wildly free, whose clawing thumb
Clawed on the ear these consonants?
Who the transformer, himself transformed,
Whose single being, single form
Were their resemblances to ours?
The companion in nothingness,
Loud, general, large, fat, soft
And wild and free, the secondary man,
Cloud-clown, blue painter, sun as horn,
Hill-scholar, man that never is,
The bad-bespoken lacker,
Ancestor of Narcissus, prince
Of the secondary men. There are no rocks
And stones, only this imager.
Poem Written at Morning
A sunny day’s complete Poussiniana
Divide it from itself. It is this or that
And it is not.
By metaphor you paint
A thing. Thus, the pineapple was a leather fruit,
A fruit for pewter, thorned and palmed and blue,
To be served by men of ice.
The senses paint
By metaphor. The juice was fragranter
Than wettest cinnamon. It was cribled pears
Dripping a morning sap.
The truth must be
That you do not see, you experience, you feel,
That the buxom eye brings merely its element