Contents ( 220)
- PREFACE
- CONTENTS
- Blanche McCarthy
- Cy Est Pourtraicte, Madame Ste Ursule, et Les Unze Mille Vierges
- Tea
- Sunday Morning
- Peter Quince at the Clavier
- The Silver Plough-Boy
- Disillusionment of Ten O’Clock
- For an Old Woman in a Wig
- Domination of Black
- Six Significant Landscapes
- Inscription for a Monument
- The Worms at Heaven’s Gate
- In the Carolinas
- Indian River
- To the Roaring Wind
- Valley Candle
- Thirteen Ways of Looking at a Blackbird
- The Plot against the Giant
- Gray Room
- Bowl, Cat and Broomstick
- The Death of a Soldier
- Metaphors of a Magnifico
- Depression before Spring
- Earthy Anecdote
- The Apostrophe to Vincentine
- Nuances of a Theme by Williams
- Le Monocle de Mon Oncle
- Nomad Exquisite
- Life Is Motion
- Banal Sojourn
- Anecdote of the Jar
- Fabliau of Florida
- Ploughing on Sunday
- The Place of the Solitaires
- The Paltry Nude Starts on a Spring Voyage
- Infanta Marina
- Cortège for Rosenbloom
- The Man Whose Pharynx Was Bad
- The Doctor of Geneva
- Gubbinal
- The Snow Man
- Tea at the Palaz of Hoon
- Another Weeping Woman
- On the Manner of Addressing Clouds
- Of Heaven Considered as a Tomb
- The Bird with the Coppery, Keen Claws
- The Comedian as the Letter C
- Bantams in Pine-Woods
- The Ordinary Women
- A High-Toned Old Christian Woman
- O Florida, Venereal Soil
- The Emperor of Ice-Cream
- Hymn from a Watermelon Pavilion
- Stars at Tallapoosa
- Floral Decoration for Bananas
- To the One of Fictive Music
- Anecdote of the Prince of Peacocks
- Two Figures in Dense Violet Light
- The Virgin Carrying a Lantern
- Academic Discourse at Havana
- Sea Surface Full of Clouds
- The Sun This March
- Lunar Paraphrase
- Anatomy of Monotony
- Autumn Refrain
- The Brave Man
- A Fading of the Sun
- The Pleasures of Merely Circulating
- The Idea of Order at Key West
- Lions in Sweden
- Evening Without Angels
- The Reader
- Like Decorations in a Nigger Cemetery
- Re-statement of Romance
- Lytton Strachey, Also, Enters into Heaven
- Sailing after Lunch
- Waving Adieu, Adieu, Adieu
- The American Sublime
- Mozart, 1935
- Sad Strains of a Gay Waltz
- Dance of the Macabre Mice
- Anglais Mort à Florence
- Some Friends from Pascagoula
- Mr. Burnshaw and the Statue
- Farewell to Florida
- A Postcard from the Volcano
- Ghosts as Cocoons
- The Men That Are Falling
- A Thought Revolved
- The Man with the Blue Guitar
- A Rabbit as King of the Ghosts
- United Dames of America
- The Dwarf
- Loneliness in Jersey City
- Anything Is Beautiful if You Say It Is
- A Weak Mind in the Mountains
- Parochial Theme
- Poetry Is a Destructive Force
- The Poems of Our Climate
- Study of Two Pears
- The Glass of Water
- Add This to Rhetoric
- Dry Loaf
- The Man on the Dump
- On the Road Home
- The Latest Freed Man
- Connoisseur of Chaos
- The Sense of the Sleight-of-Hand Man
- Of Hartford in a Purple Light
- Variations on a Summer Day
- Man and Bottle
- Of Modern Poetry
- Arrival at the Waldorf
- Landscape with Boat
- Extracts from Addresses to the Academy of Fine Ideas
- Of Bright & Blue Birds & the Gala Sun
- Mrs. Alfred Uruguay
- Asides on the Oboe
- Poem with Rhythms
- The Well Dressed Man with a Beard
- Montrachet-le-Jardin
- Metamorphosis
- Phosphor Reading by His Own Light
- Jumbo
- Poem Written at Morning
- Oak Leaves Are Hands
- Examination of the Hero in a Time of War
- [Prose statement on the poetry of war]
- Notes Toward a Supreme Fiction
- God Is Good. It Is a Beautiful Night
- Certain Phenomena of Sound
- Dutch Graves in Bucks County
- The Motive for Metaphor
- Chocorua to its Neighbor
- So-And-So Reclining on Her Couch
- No Possum, No Sop, No Taters
- The Lack of Repose
- Somnambulisma
- The Creations of Sound
- Esthétique du Mal
- The Bed of Old John Zeller
- Less and Less Human, O Savage Spirit
- The Pure Good of Theory
- Paisant Chronicle
- Flyer’s Fall
- Description without Place
- Thinking of a Relation between the Images of Metaphors
- Chaos in Motion and Not in Motion
- The House Was Quiet and the World Was Calm
- Late Hymn from the Myrrh-Mountain
- Man Carrying Thing
- Men Made out of Words
- A Woman Sings a Song for a Soldier Come Home
- The Good Man Has No Shape
- From the Packet of Anacharsis
- The Dove in the Belly
- Mountains Covered with Cats
- The Prejudice Against the Past
- Credences of Summer
- A Pastoral Nun
- Two Versions of the Same Poem
- Someone Puts a Pineapple Together
- Of Ideal Time and Choice
- The Ultimate Poem Is Abstract
- The Owl in the Sarcophagus
- The Auroras of Autumn
- A Primitive Like an Orb
- Large Red Man Reading
- This Solitude of Cataracts
- In a Bad Time
- Metaphor as Degeneration
- Our Stars Come from Ireland
- World Without Peculiarity
- The Woman in Sunshine
- Imago
- Saint John and the Back-Ache
- Puella Parvula
- An Ordinary Evening in New Haven
- The Old Lutheran Bells at Home
- Questions Are Remarks
- Angel Surrounded by Paysans
- Things of August
- As at a Theatre
- The Rock
- A Discovery of Thought
- The Course of a Particular
- Final Soliloquy of the Interior Paramour
- Madame La Fleurie
- A Quiet Normal Life
- Long and Sluggish Lines
- To an Old Philosopher in Rome
- The Poem That Took the Place of a Mountain
- Two Illustrations That the World Is What You Make of It
- Prologues to What Is Possible
- Looking Across the Fields and Watching the Birds Fly
- The World as Meditation
- An Old Man Asleep
- The Plain Sense of Things
- Lebensweisheitspielerei
- The Hermitage at the Centre
- The Dove in Spring
- The Planet on the Table
- The River of Rivers in Connecticut
- Not Ideas about the Thing but the Thing Itself
- The Sail of Ulysses
- A Child Asleep in Its Own Life
- On the Way to the Bus
- First Warmth
- As You Leave the Room
- Reality Is an Activity of the Most August Imagination
- A Clear Day and No Memories
- A Mythology Reflects Its Region
- Of Mere Being
- NOTES
- INDEX OF FIRST LINES
- INDEX OF TITLES
- ABOUT THE AUTHOR
- WALLACE STEVENS
Of blue light and of green, as lesser poems,
And the miraculous multiplex of lesser poems,
Not merely into a whole, but a poem of
The whole, the essential compact of the parts,
The roundness that pulls tight the final ring
VIII
And that which in an altitude would soar,
A vis, a principle or, it may be,
The meditation of a principle,
Or else an inherent order active to be
Itself, a nature to its natives all
Beneficence, a repose, utmost repose,
The muscles of a magnet aptly felt,
A giant, on the horizon, glistening,
IX
And in bright excellence adorned, crested
With every prodigal, familiar fire,
And unfamiliar escapades: whirroos
And scintillant sizzlings such as children like,
Vested in the serious folds of majesty,
Moving around and behind, a following,
A source of trumpeting seraphs in the eye,
A source of pleasant outbursts on the ear.
X
It is a giant, always, that is evolved,
To be in scale, unless virtue cuts him, snips
Both size and solitude or thinks it does,
As in a signed photograph on a mantelpiece.
But the virtuoso never leaves his shape,
Still on the horizon elongates his cuts,
And still angelic and still plenteous,
Imposes power by the power of his form.
XI
Here, then, is an abstraction given head,
A giant on the horizon, given arms,
A massive body and long legs, stretched out,
A definition with an illustration, not
Too exactly labelled, a large among the smalls
Of it, a close, parental magnitude,
At the centre on the horizon, concentrum, grave
And prodigious person, patron of origins.
XII
That’s it. The lover writes, the believer hears,
The poet mumbles and the painter sees,
Each one, his fated eccentricity,
As a part, but part, but tenacious particle,
Of the skeleton of the ether, the total
Of letters, prophecies, perceptions, clods
Of color, the giant of nothingness, each one
And the giant ever changing, living in change.
Large Red Man Reading
There were ghosts that returned to earth to hear his phrases,
As he sat there reading, aloud, the great blue tabulae.
They were those from the wilderness of stars that had expected more.
There were those that returned to hear him read from the poem of life,
Of the pans above the stove, the pots on the table, the tulips among them.
They were those that would have wept to step barefoot into reality,
That would have wept and been happy, have shivered in the frost
And cried out to feel it again, have run fingers over leaves
And against the most coiled thorn, have seized on what was ugly
And laughed, as he sat there reading, from out of the purple tabulae,
The outlines of being and its expressings, the syllables of its law:
Poesis, poesis, the literal characters, the vatic lines,
Which in those ears and in those thin, those spended hearts,
Took on color, took on shape and the size of things as they are
And spoke the feeling for them, which was what they had lacked.