Contents ( 220)
- PREFACE
- CONTENTS
- Blanche McCarthy
- Cy Est Pourtraicte, Madame Ste Ursule, et Les Unze Mille Vierges
- Tea
- Sunday Morning
- Peter Quince at the Clavier
- The Silver Plough-Boy
- Disillusionment of Ten O’Clock
- For an Old Woman in a Wig
- Domination of Black
- Six Significant Landscapes
- Inscription for a Monument
- The Worms at Heaven’s Gate
- In the Carolinas
- Indian River
- To the Roaring Wind
- Valley Candle
- Thirteen Ways of Looking at a Blackbird
- The Plot against the Giant
- Gray Room
- Bowl, Cat and Broomstick
- The Death of a Soldier
- Metaphors of a Magnifico
- Depression before Spring
- Earthy Anecdote
- The Apostrophe to Vincentine
- Nuances of a Theme by Williams
- Le Monocle de Mon Oncle
- Nomad Exquisite
- Life Is Motion
- Banal Sojourn
- Anecdote of the Jar
- Fabliau of Florida
- Ploughing on Sunday
- The Place of the Solitaires
- The Paltry Nude Starts on a Spring Voyage
- Infanta Marina
- Cortège for Rosenbloom
- The Man Whose Pharynx Was Bad
- The Doctor of Geneva
- Gubbinal
- The Snow Man
- Tea at the Palaz of Hoon
- Another Weeping Woman
- On the Manner of Addressing Clouds
- Of Heaven Considered as a Tomb
- The Bird with the Coppery, Keen Claws
- The Comedian as the Letter C
- Bantams in Pine-Woods
- The Ordinary Women
- A High-Toned Old Christian Woman
- O Florida, Venereal Soil
- The Emperor of Ice-Cream
- Hymn from a Watermelon Pavilion
- Stars at Tallapoosa
- Floral Decoration for Bananas
- To the One of Fictive Music
- Anecdote of the Prince of Peacocks
- Two Figures in Dense Violet Light
- The Virgin Carrying a Lantern
- Academic Discourse at Havana
- Sea Surface Full of Clouds
- The Sun This March
- Lunar Paraphrase
- Anatomy of Monotony
- Autumn Refrain
- The Brave Man
- A Fading of the Sun
- The Pleasures of Merely Circulating
- The Idea of Order at Key West
- Lions in Sweden
- Evening Without Angels
- The Reader
- Like Decorations in a Nigger Cemetery
- Re-statement of Romance
- Lytton Strachey, Also, Enters into Heaven
- Sailing after Lunch
- Waving Adieu, Adieu, Adieu
- The American Sublime
- Mozart, 1935
- Sad Strains of a Gay Waltz
- Dance of the Macabre Mice
- Anglais Mort à Florence
- Some Friends from Pascagoula
- Mr. Burnshaw and the Statue
- Farewell to Florida
- A Postcard from the Volcano
- Ghosts as Cocoons
- The Men That Are Falling
- A Thought Revolved
- The Man with the Blue Guitar
- A Rabbit as King of the Ghosts
- United Dames of America
- The Dwarf
- Loneliness in Jersey City
- Anything Is Beautiful if You Say It Is
- A Weak Mind in the Mountains
- Parochial Theme
- Poetry Is a Destructive Force
- The Poems of Our Climate
- Study of Two Pears
- The Glass of Water
- Add This to Rhetoric
- Dry Loaf
- The Man on the Dump
- On the Road Home
- The Latest Freed Man
- Connoisseur of Chaos
- The Sense of the Sleight-of-Hand Man
- Of Hartford in a Purple Light
- Variations on a Summer Day
- Man and Bottle
- Of Modern Poetry
- Arrival at the Waldorf
- Landscape with Boat
- Extracts from Addresses to the Academy of Fine Ideas
- Of Bright & Blue Birds & the Gala Sun
- Mrs. Alfred Uruguay
- Asides on the Oboe
- Poem with Rhythms
- The Well Dressed Man with a Beard
- Montrachet-le-Jardin
- Metamorphosis
- Phosphor Reading by His Own Light
- Jumbo
- Poem Written at Morning
- Oak Leaves Are Hands
- Examination of the Hero in a Time of War
- [Prose statement on the poetry of war]
- Notes Toward a Supreme Fiction
- God Is Good. It Is a Beautiful Night
- Certain Phenomena of Sound
- Dutch Graves in Bucks County
- The Motive for Metaphor
- Chocorua to its Neighbor
- So-And-So Reclining on Her Couch
- No Possum, No Sop, No Taters
- The Lack of Repose
- Somnambulisma
- The Creations of Sound
- Esthétique du Mal
- The Bed of Old John Zeller
- Less and Less Human, O Savage Spirit
- The Pure Good of Theory
- Paisant Chronicle
- Flyer’s Fall
- Description without Place
- Thinking of a Relation between the Images of Metaphors
- Chaos in Motion and Not in Motion
- The House Was Quiet and the World Was Calm
- Late Hymn from the Myrrh-Mountain
- Man Carrying Thing
- Men Made out of Words
- A Woman Sings a Song for a Soldier Come Home
- The Good Man Has No Shape
- From the Packet of Anacharsis
- The Dove in the Belly
- Mountains Covered with Cats
- The Prejudice Against the Past
- Credences of Summer
- A Pastoral Nun
- Two Versions of the Same Poem
- Someone Puts a Pineapple Together
- Of Ideal Time and Choice
- The Ultimate Poem Is Abstract
- The Owl in the Sarcophagus
- The Auroras of Autumn
- A Primitive Like an Orb
- Large Red Man Reading
- This Solitude of Cataracts
- In a Bad Time
- Metaphor as Degeneration
- Our Stars Come from Ireland
- World Without Peculiarity
- The Woman in Sunshine
- Imago
- Saint John and the Back-Ache
- Puella Parvula
- An Ordinary Evening in New Haven
- The Old Lutheran Bells at Home
- Questions Are Remarks
- Angel Surrounded by Paysans
- Things of August
- As at a Theatre
- The Rock
- A Discovery of Thought
- The Course of a Particular
- Final Soliloquy of the Interior Paramour
- Madame La Fleurie
- A Quiet Normal Life
- Long and Sluggish Lines
- To an Old Philosopher in Rome
- The Poem That Took the Place of a Mountain
- Two Illustrations That the World Is What You Make of It
- Prologues to What Is Possible
- Looking Across the Fields and Watching the Birds Fly
- The World as Meditation
- An Old Man Asleep
- The Plain Sense of Things
- Lebensweisheitspielerei
- The Hermitage at the Centre
- The Dove in Spring
- The Planet on the Table
- The River of Rivers in Connecticut
- Not Ideas about the Thing but the Thing Itself
- The Sail of Ulysses
- A Child Asleep in Its Own Life
- On the Way to the Bus
- First Warmth
- As You Leave the Room
- Reality Is an Activity of the Most August Imagination
- A Clear Day and No Memories
- A Mythology Reflects Its Region
- Of Mere Being
- NOTES
- INDEX OF FIRST LINES
- INDEX OF TITLES
- ABOUT THE AUTHOR
- WALLACE STEVENS
Of ocean, which like limpid water lay.
Who, then, in that ambrosial latitude
Out of the light evolved the moving blooms,
Who, then, evolved the sea-blooms from the clouds
Diffusing balm in that Pacific calm?
C’était mon enfant, mon bijou, mon âme.
The sea-clouds whitened far below the calm
And moved, as blooms move, in the swimming green
And in its watery radiance, while the hue
Of heaven in an antique reflection rolled
Round those flotillas. And sometimes the sea
Poured brilliant iris on the glistening blue.
II
In that November off Tehuantepec
The slopping of the sea grew still one night.
At breakfast jelly yellow streaked the deck
And made one think of chop-house chocolate
And sham umbrellas. And a sham-like green
Capped summer-seeming on the tense machine
Of ocean, which in sinister flatness lay.
Who, then, beheld the rising of the clouds
That strode submerged in that malevolent sheen,
Who saw the mortal massives of the blooms
Of water moving on the water-floor?
C’était mon frère du ciel, ma vie, mon or.
The gongs rang loudly as the windy booms
Hoo-hooed it in the darkened ocean-blooms.
The gongs grew still. And then blue heaven spread
Its crystalline pendentives on the sea
And the macabre of the water-glooms
In an enormous undulation fled.
III
In that November off Tehuantepec,
The slopping of the sea grew still one night
And a pale silver patterned on the deck
And made one think of porcelain chocolate
And pied umbrellas. An uncertain green,
Piano-polished, held the tranced machine
Of ocean, as a prelude holds and holds.
Who, seeing silver petals of white blooms
Unfolding in the water, feeling sure
Of the milk within the saltiest spurge, heard, then,
The sea unfolding in the sunken clouds?
Oh! C’était mon extase et mon amour.
So deeply sunken were they that the shrouds,
The shrouding shadows, made the petals black
Until the rolling heaven made them blue,
A blue beyond the rainy hyacinth,
And smiting the crevasses of the leaves
Deluged the ocean with a sapphire blue.
IV
In that November off Tehuantepec
The night-long slopping of the sea grew still.
A mallow morning dozed upon the deck
And made one think of musky chocolate
And frail umbrellas. A too-fluent green
Suggested malice in the dry machine
Of ocean, pondering dank stratagem.
Who then beheld the figures of the clouds
Like blooms secluded in the thick marine?
Like blooms? Like damasks that were shaken off
From the loosed girdles in the spangling must.
C’était ma foi, la nonchalance divine.
The nakedness would rise and suddenly turn
Salt masks of beard and mouths of bellowing,
Would—But more suddenly the heaven rolled
Its bluest sea-clouds in the thinking green,
And the nakedness became the broadest blooms,
Mile-mallows that a mallow sun cajoled.
V
In that November off Tehuantepec
Night stilled the slopping of the sea. The day
Came, bowing and voluble, upon the deck,
Good clown.… One thought of Chinese chocolate
And large umbrellas. And a motley green