Contents ( 220)
- PREFACE
- CONTENTS
- Blanche McCarthy
- Cy Est Pourtraicte, Madame Ste Ursule, et Les Unze Mille Vierges
- Tea
- Sunday Morning
- Peter Quince at the Clavier
- The Silver Plough-Boy
- Disillusionment of Ten O’Clock
- For an Old Woman in a Wig
- Domination of Black
- Six Significant Landscapes
- Inscription for a Monument
- The Worms at Heaven’s Gate
- In the Carolinas
- Indian River
- To the Roaring Wind
- Valley Candle
- Thirteen Ways of Looking at a Blackbird
- The Plot against the Giant
- Gray Room
- Bowl, Cat and Broomstick
- The Death of a Soldier
- Metaphors of a Magnifico
- Depression before Spring
- Earthy Anecdote
- The Apostrophe to Vincentine
- Nuances of a Theme by Williams
- Le Monocle de Mon Oncle
- Nomad Exquisite
- Life Is Motion
- Banal Sojourn
- Anecdote of the Jar
- Fabliau of Florida
- Ploughing on Sunday
- The Place of the Solitaires
- The Paltry Nude Starts on a Spring Voyage
- Infanta Marina
- Cortège for Rosenbloom
- The Man Whose Pharynx Was Bad
- The Doctor of Geneva
- Gubbinal
- The Snow Man
- Tea at the Palaz of Hoon
- Another Weeping Woman
- On the Manner of Addressing Clouds
- Of Heaven Considered as a Tomb
- The Bird with the Coppery, Keen Claws
- The Comedian as the Letter C
- Bantams in Pine-Woods
- The Ordinary Women
- A High-Toned Old Christian Woman
- O Florida, Venereal Soil
- The Emperor of Ice-Cream
- Hymn from a Watermelon Pavilion
- Stars at Tallapoosa
- Floral Decoration for Bananas
- To the One of Fictive Music
- Anecdote of the Prince of Peacocks
- Two Figures in Dense Violet Light
- The Virgin Carrying a Lantern
- Academic Discourse at Havana
- Sea Surface Full of Clouds
- The Sun This March
- Lunar Paraphrase
- Anatomy of Monotony
- Autumn Refrain
- The Brave Man
- A Fading of the Sun
- The Pleasures of Merely Circulating
- The Idea of Order at Key West
- Lions in Sweden
- Evening Without Angels
- The Reader
- Like Decorations in a Nigger Cemetery
- Re-statement of Romance
- Lytton Strachey, Also, Enters into Heaven
- Sailing after Lunch
- Waving Adieu, Adieu, Adieu
- The American Sublime
- Mozart, 1935
- Sad Strains of a Gay Waltz
- Dance of the Macabre Mice
- Anglais Mort à Florence
- Some Friends from Pascagoula
- Mr. Burnshaw and the Statue
- Farewell to Florida
- A Postcard from the Volcano
- Ghosts as Cocoons
- The Men That Are Falling
- A Thought Revolved
- The Man with the Blue Guitar
- A Rabbit as King of the Ghosts
- United Dames of America
- The Dwarf
- Loneliness in Jersey City
- Anything Is Beautiful if You Say It Is
- A Weak Mind in the Mountains
- Parochial Theme
- Poetry Is a Destructive Force
- The Poems of Our Climate
- Study of Two Pears
- The Glass of Water
- Add This to Rhetoric
- Dry Loaf
- The Man on the Dump
- On the Road Home
- The Latest Freed Man
- Connoisseur of Chaos
- The Sense of the Sleight-of-Hand Man
- Of Hartford in a Purple Light
- Variations on a Summer Day
- Man and Bottle
- Of Modern Poetry
- Arrival at the Waldorf
- Landscape with Boat
- Extracts from Addresses to the Academy of Fine Ideas
- Of Bright & Blue Birds & the Gala Sun
- Mrs. Alfred Uruguay
- Asides on the Oboe
- Poem with Rhythms
- The Well Dressed Man with a Beard
- Montrachet-le-Jardin
- Metamorphosis
- Phosphor Reading by His Own Light
- Jumbo
- Poem Written at Morning
- Oak Leaves Are Hands
- Examination of the Hero in a Time of War
- [Prose statement on the poetry of war]
- Notes Toward a Supreme Fiction
- God Is Good. It Is a Beautiful Night
- Certain Phenomena of Sound
- Dutch Graves in Bucks County
- The Motive for Metaphor
- Chocorua to its Neighbor
- So-And-So Reclining on Her Couch
- No Possum, No Sop, No Taters
- The Lack of Repose
- Somnambulisma
- The Creations of Sound
- Esthétique du Mal
- The Bed of Old John Zeller
- Less and Less Human, O Savage Spirit
- The Pure Good of Theory
- Paisant Chronicle
- Flyer’s Fall
- Description without Place
- Thinking of a Relation between the Images of Metaphors
- Chaos in Motion and Not in Motion
- The House Was Quiet and the World Was Calm
- Late Hymn from the Myrrh-Mountain
- Man Carrying Thing
- Men Made out of Words
- A Woman Sings a Song for a Soldier Come Home
- The Good Man Has No Shape
- From the Packet of Anacharsis
- The Dove in the Belly
- Mountains Covered with Cats
- The Prejudice Against the Past
- Credences of Summer
- A Pastoral Nun
- Two Versions of the Same Poem
- Someone Puts a Pineapple Together
- Of Ideal Time and Choice
- The Ultimate Poem Is Abstract
- The Owl in the Sarcophagus
- The Auroras of Autumn
- A Primitive Like an Orb
- Large Red Man Reading
- This Solitude of Cataracts
- In a Bad Time
- Metaphor as Degeneration
- Our Stars Come from Ireland
- World Without Peculiarity
- The Woman in Sunshine
- Imago
- Saint John and the Back-Ache
- Puella Parvula
- An Ordinary Evening in New Haven
- The Old Lutheran Bells at Home
- Questions Are Remarks
- Angel Surrounded by Paysans
- Things of August
- As at a Theatre
- The Rock
- A Discovery of Thought
- The Course of a Particular
- Final Soliloquy of the Interior Paramour
- Madame La Fleurie
- A Quiet Normal Life
- Long and Sluggish Lines
- To an Old Philosopher in Rome
- The Poem That Took the Place of a Mountain
- Two Illustrations That the World Is What You Make of It
- Prologues to What Is Possible
- Looking Across the Fields and Watching the Birds Fly
- The World as Meditation
- An Old Man Asleep
- The Plain Sense of Things
- Lebensweisheitspielerei
- The Hermitage at the Centre
- The Dove in Spring
- The Planet on the Table
- The River of Rivers in Connecticut
- Not Ideas about the Thing but the Thing Itself
- The Sail of Ulysses
- A Child Asleep in Its Own Life
- On the Way to the Bus
- First Warmth
- As You Leave the Room
- Reality Is an Activity of the Most August Imagination
- A Clear Day and No Memories
- A Mythology Reflects Its Region
- Of Mere Being
- NOTES
- INDEX OF FIRST LINES
- INDEX OF TITLES
- ABOUT THE AUTHOR
- WALLACE STEVENS
The Man Whose Pharynx Was Bad
This poem was first published in The New Republic, Vol. XXVIII (September 14, 1921), p. 74, and appears here as it did in that publication. When Stevens included it in Harmonium (Second Edition [New York: Alfred A. Knopf; 1931]), he omitted lines 10 through 13; nor do they appear in Collected Poems (New York: Alfred A. Knopf; 1954). While it might seem that this was an oversight, it apparently was intentional: a copy of the magazine in the editor’s possession, filed together with a letter relating to new poems for inclusion in the second edition of Harmonium, has the lines clearly crossed out in pencil.
The Comedian as the Letter C, Part V, A Nice Shady Home
In Collected Poems the penultimate word in the third line is “prickling.” In both editions of Harmonium, however, the word is “pricking,” which has been restored here.
Anecdote of the Prince of Peacocks
An early version, found in manuscript, reads as follows:
In the land of the peacocks, the prince thereof,
Grown weary of romantics, walked alone,
In the first of evening, pondering.
“The deuce!” he cried.
And by him, in the bushes, he espied
A white philosopher.
The white one sighed—
He seemed to seek replies,
From nothingness, to all his sighs.
“My sighs are pulses in a dreamer’s death!”
Exclaimed the white one, smothering his lips.
The prince’s frisson reached his fingers’ tips.
Autumn Refrain
The eighth line, as the poem appears here, was included when the poem was first published in Hound and Horn, Vol. V (Winter 1932), p. 222. It was omitted in Ideas of Order (New York: Alcestis Press; 1935, and Alfred A. Knopf, 1936), and in Collected Poems.
Like Decorations in a Nigger Cemetery, Part XXVI
The third word of the first line, both in manuscript and as first published in Poetry, Vol. XLV (February 1935), pp. 239–49, is “pastiche.” It has not been changed here.
[Prose statement on the poetry of war]
These paragraphs, untitled, appear on the page facing the last page of “Examination of the Hero in a Time of War,” as the last page (unnumbered) of Parts of a World (New York: Alfred A. Knopf; 1942). When Collected Poems was being prepared, Stevens agreed with his editor that they should be omitted.
Notes Toward a Supreme Fiction, Dedication
For a discussion as to whether the opening lines are part of the dedication to Henry Church, see Letters of Wallace Stevens (New York: Alfred A. Knopf; 1966), p. 538, where Stevens says “the first eight lines have nothing to do with Mr. Church: they are by way of an introduction to the poem.” The opening, as printed here, restores the order of original publication.
Notes Toward a Supreme Fiction, It Must Give Pleasure, Part VIII
The penultimate word in the second line is “violet” in The Cummington Press editions of this poem (Cummington, Mass., 1942; second edition, 1943). “Violent” first appears as the poem is printed in Transport to Summer (New York: Alfred A. Knopf; 1947), and has not been changed here. My thanks to William Burney, Central Connecticut State College, for calling this discrepancy to my attention.