Contents ( 220)
- PREFACE
- CONTENTS
- Blanche McCarthy
- Cy Est Pourtraicte, Madame Ste Ursule, et Les Unze Mille Vierges
- Tea
- Sunday Morning
- Peter Quince at the Clavier
- The Silver Plough-Boy
- Disillusionment of Ten O’Clock
- For an Old Woman in a Wig
- Domination of Black
- Six Significant Landscapes
- Inscription for a Monument
- The Worms at Heaven’s Gate
- In the Carolinas
- Indian River
- To the Roaring Wind
- Valley Candle
- Thirteen Ways of Looking at a Blackbird
- The Plot against the Giant
- Gray Room
- Bowl, Cat and Broomstick
- The Death of a Soldier
- Metaphors of a Magnifico
- Depression before Spring
- Earthy Anecdote
- The Apostrophe to Vincentine
- Nuances of a Theme by Williams
- Le Monocle de Mon Oncle
- Nomad Exquisite
- Life Is Motion
- Banal Sojourn
- Anecdote of the Jar
- Fabliau of Florida
- Ploughing on Sunday
- The Place of the Solitaires
- The Paltry Nude Starts on a Spring Voyage
- Infanta Marina
- Cortège for Rosenbloom
- The Man Whose Pharynx Was Bad
- The Doctor of Geneva
- Gubbinal
- The Snow Man
- Tea at the Palaz of Hoon
- Another Weeping Woman
- On the Manner of Addressing Clouds
- Of Heaven Considered as a Tomb
- The Bird with the Coppery, Keen Claws
- The Comedian as the Letter C
- Bantams in Pine-Woods
- The Ordinary Women
- A High-Toned Old Christian Woman
- O Florida, Venereal Soil
- The Emperor of Ice-Cream
- Hymn from a Watermelon Pavilion
- Stars at Tallapoosa
- Floral Decoration for Bananas
- To the One of Fictive Music
- Anecdote of the Prince of Peacocks
- Two Figures in Dense Violet Light
- The Virgin Carrying a Lantern
- Academic Discourse at Havana
- Sea Surface Full of Clouds
- The Sun This March
- Lunar Paraphrase
- Anatomy of Monotony
- Autumn Refrain
- The Brave Man
- A Fading of the Sun
- The Pleasures of Merely Circulating
- The Idea of Order at Key West
- Lions in Sweden
- Evening Without Angels
- The Reader
- Like Decorations in a Nigger Cemetery
- Re-statement of Romance
- Lytton Strachey, Also, Enters into Heaven
- Sailing after Lunch
- Waving Adieu, Adieu, Adieu
- The American Sublime
- Mozart, 1935
- Sad Strains of a Gay Waltz
- Dance of the Macabre Mice
- Anglais Mort à Florence
- Some Friends from Pascagoula
- Mr. Burnshaw and the Statue
- Farewell to Florida
- A Postcard from the Volcano
- Ghosts as Cocoons
- The Men That Are Falling
- A Thought Revolved
- The Man with the Blue Guitar
- A Rabbit as King of the Ghosts
- United Dames of America
- The Dwarf
- Loneliness in Jersey City
- Anything Is Beautiful if You Say It Is
- A Weak Mind in the Mountains
- Parochial Theme
- Poetry Is a Destructive Force
- The Poems of Our Climate
- Study of Two Pears
- The Glass of Water
- Add This to Rhetoric
- Dry Loaf
- The Man on the Dump
- On the Road Home
- The Latest Freed Man
- Connoisseur of Chaos
- The Sense of the Sleight-of-Hand Man
- Of Hartford in a Purple Light
- Variations on a Summer Day
- Man and Bottle
- Of Modern Poetry
- Arrival at the Waldorf
- Landscape with Boat
- Extracts from Addresses to the Academy of Fine Ideas
- Of Bright & Blue Birds & the Gala Sun
- Mrs. Alfred Uruguay
- Asides on the Oboe
- Poem with Rhythms
- The Well Dressed Man with a Beard
- Montrachet-le-Jardin
- Metamorphosis
- Phosphor Reading by His Own Light
- Jumbo
- Poem Written at Morning
- Oak Leaves Are Hands
- Examination of the Hero in a Time of War
- [Prose statement on the poetry of war]
- Notes Toward a Supreme Fiction
- God Is Good. It Is a Beautiful Night
- Certain Phenomena of Sound
- Dutch Graves in Bucks County
- The Motive for Metaphor
- Chocorua to its Neighbor
- So-And-So Reclining on Her Couch
- No Possum, No Sop, No Taters
- The Lack of Repose
- Somnambulisma
- The Creations of Sound
- Esthétique du Mal
- The Bed of Old John Zeller
- Less and Less Human, O Savage Spirit
- The Pure Good of Theory
- Paisant Chronicle
- Flyer’s Fall
- Description without Place
- Thinking of a Relation between the Images of Metaphors
- Chaos in Motion and Not in Motion
- The House Was Quiet and the World Was Calm
- Late Hymn from the Myrrh-Mountain
- Man Carrying Thing
- Men Made out of Words
- A Woman Sings a Song for a Soldier Come Home
- The Good Man Has No Shape
- From the Packet of Anacharsis
- The Dove in the Belly
- Mountains Covered with Cats
- The Prejudice Against the Past
- Credences of Summer
- A Pastoral Nun
- Two Versions of the Same Poem
- Someone Puts a Pineapple Together
- Of Ideal Time and Choice
- The Ultimate Poem Is Abstract
- The Owl in the Sarcophagus
- The Auroras of Autumn
- A Primitive Like an Orb
- Large Red Man Reading
- This Solitude of Cataracts
- In a Bad Time
- Metaphor as Degeneration
- Our Stars Come from Ireland
- World Without Peculiarity
- The Woman in Sunshine
- Imago
- Saint John and the Back-Ache
- Puella Parvula
- An Ordinary Evening in New Haven
- The Old Lutheran Bells at Home
- Questions Are Remarks
- Angel Surrounded by Paysans
- Things of August
- As at a Theatre
- The Rock
- A Discovery of Thought
- The Course of a Particular
- Final Soliloquy of the Interior Paramour
- Madame La Fleurie
- A Quiet Normal Life
- Long and Sluggish Lines
- To an Old Philosopher in Rome
- The Poem That Took the Place of a Mountain
- Two Illustrations That the World Is What You Make of It
- Prologues to What Is Possible
- Looking Across the Fields and Watching the Birds Fly
- The World as Meditation
- An Old Man Asleep
- The Plain Sense of Things
- Lebensweisheitspielerei
- The Hermitage at the Centre
- The Dove in Spring
- The Planet on the Table
- The River of Rivers in Connecticut
- Not Ideas about the Thing but the Thing Itself
- The Sail of Ulysses
- A Child Asleep in Its Own Life
- On the Way to the Bus
- First Warmth
- As You Leave the Room
- Reality Is an Activity of the Most August Imagination
- A Clear Day and No Memories
- A Mythology Reflects Its Region
- Of Mere Being
- NOTES
- INDEX OF FIRST LINES
- INDEX OF TITLES
- ABOUT THE AUTHOR
- WALLACE STEVENS
BROOMSTICK (With zest): Avant — Propos. You must help me with this, Bowl. My knowledge of French is not absolutely penetrating.
BOWL: Well, avant-propos means preface.
BROOMSTICK (Imitating Bowl): Claire Madeleine Colombier Dupray, the writer of the — m — the extraordinary poems gathered together in this volume, was born — m — in Geneva, of French parents. During the first fifteen years of her life she lived with her parents in Geneva, receiving instruction from her mother, a Calvinist, a woman of pronounced devotional character, and of wide reading.
Cat goes behind Broomstick and looks over his shoulder. Bowl paces up and down the stage.
BROOMSTICK: It will interest my readers — What a nice old touch that is! — It will interest my readers to know that Madame Dupray —
BOWL (With force): Madame?
Cat puts his finger on the word over Broomstick’s shoulder.
CAT: Mademoiselle, mademoiselle.
BROOMSTICK: I always confuse them. It will interest my readers to know that Mademoiselle Dupray still has in her possession some of the books from which she first became acquainted with — m — literature, in her early years.
BOWL (Protesting): Still has? Her early years?
CAT: Jeunesse. Youth.
BROOMSTICK: The abbott of Bellozane’s translation of Plutarch’s Lives, Florio’s Dictionary, a volume of Du Bellay … There is a list of twenty or thirty in all. I shall skip them.
Bowl is visibly affected.
BROOMSTICK: I gather that the books were selected by her mother. Piquant reading for a young French poetess.
Cat takes the book from Broomstick and runs with it to Bowl.
CAT: Here is something about the portrait. Translate it, Bowl.
Bowl looks at the preface. He seems incredulous. He looks at the portrait and then at the preface, and again at the portrait. He throws the book on the floor.
BOWL: What a fool I have been!
He hurries off the stage. Cat is dumbfounded. Broomstick laughs loudly. Cat picks up the book and returns it to Broomstick.
CAT: What does it say about the portrait?
BROOMSTICK: Well, just here, skipping a few lines, the sentence you saw reads as follows: The frontispiece of this volume was etched in Amsterdam, from life, after Mademoiselle Dupray, at the age of twenty-three, in the year —
He pauses.
CAT: At the age of twenty-three, in the year —
BROOMSTICK: Sixteen hundred and thirty-seven.
CAT: Sixteen hundred and thirty-seven! If she was twenty-three in sixteen hundred and thirty-seven, she was forty-six in sixteen hundred and sixty when her poems were published. She is more than fifty now — fifty-three. She will love as long as she lives.
BROOMSTICK (Cavalierly): I think you are right, after all, in your translation of rouges.
CAT: Oh, red, red! Acutely red! Damn all portraits of poets and poetesses.
Cat collapses. Broomstick laughs again, turning over the pages of the book.
BROOMSTICK: One should always read a preface first.
He helps Cat off the stage.
CURTAIN
The Death of a Soldier
Life contracts and death is expected,