One feels the purifying change. One rejects

The trash.

That’s the moment when the moon creeps up

To the bubbling of bassoons. That’s the time

One looks at the elephant-colorings of tires.

Everything is shed; and the moon comes up as the moon

(All its images are in the dump) and you see

As a man (not like an image of a man),

You see the moon rise in the empty sky.

One sits and beats an old tin can, lard pail.

One beats and beats for that which one believes.

That’s what one wants to get near. Could it after all

Be merely oneself, as superior as the ear

To a crow’s voice? Did the nightingale torture the ear,

Pack the heart and scratch the mind? And does the ear

Solace itself in peevish birds? Is it peace,

Is it a philosopher’s honeymoon, one finds

On the dump? Is it to sit among mattresses of the dead,

Bottles, pots, shoes and grass and murmur aptest eve:

Is it to hear the blatter of grackles and say

Invisible priest; is it to eject, to pull

The day to pieces and cry stanza my stone?

Where was it one first heard of the truth? The the.

On the Road Home

It was when I said,

“There is no such thing as the truth,”

That the grapes seemed fatter.

The fox ran out of his hole.

You … You said,

“There are many truths,

But they are not parts of a truth.”

Then the tree, at night, began to change,

Smoking through green and smoking blue.

We were two figures in a wood.

We said we stood alone.

It was when I said,

“Words are not forms of a single word.

In the sum of the parts, there are only the parts.

The world must be measured by eye”;

It was when you said,

“The idols have seen lots of poverty,

Snakes and gold and lice,

But not the truth”;

It was at that time, that the silence was largest

And longest, the night was roundest,

The fragrance of the autumn warmest,

Closest and strongest.

The Latest Freed Man

Tired of the old descriptions of the world,

The latest freed man rose at six and sat

On the edge of his bed. He said,

“I suppose there is

A doctrine to this landscape. Yet, having just

Escaped from the truth, the morning is color and mist,

Which is enough: the moment’s rain and sea,

The moment’s sun (the strong man vaguely seen),

Overtaking the doctrine of this landscape. Of him

And of his works, I am sure. He bathes in the mist

Like a man without a doctrine. The light he gives—

It is how he gives his light. It is how he shines,

Rising upon the doctors in their beds

And on their beds.…”

And so the freed man said.

It was how the sun came shining into his room:

To be without a description of to be,

For a moment on rising, at the edge of the bed, to be,