Back The Night You Left Save as PDF
Chapters (76)
  1. Cover
  2. About the Author
  3. Also by Emma Curtis
  4. Praise for Emma Curtis
  5. Dedication
  6. Epigraph
  7. PART 1
  8. GRACE
  9. GRACE
  10. TAISIE
  11. GRACE
  12. TAISIE
  13. GRACE
  14. NICK
  15. GRACE
  16. TAISIE
  17. GRACE
  18. NICK
  19. GRACE
  20. TAISIE
  21. GRACE
  22. NICK
  23. GRACE
  24. TAISIE
  25. GRACE
  26. NICK
  27. GRACE
  28. NICK
  29. GRACE
  30. TAISIE
  31. GRACE
  32. TAISIE
  33. GRACE
  34. NICK
  35. GRACE
  36. TAISIE
  37. GRACE
  38. NICK
  39. GRACE
  40. TAISIE
  41. GRACE
  42. TAISIE
  43. GRACE
  44. NICK
  45. GRACE
  46. TAISIE
  47. PART 2
  48. GRACE
  49. GRACE
  50. GRACE
  51. GRACE
  52. GRACE
  53. GRACE
  54. GRACE
  55. PART 3
  56. ANNA
  57. GRACE
  58. ANNA
  59. GRACE
  60. ANNA
  61. GRACE
  62. NICK
  63. GRACE
  64. NICK
  65. GRACE
  66. ANNA
  67. GRACE
  68. NICK
  69. GRACE
  70. ANNA
  71. GRACE
  72. ANNA
  73. GRACE
  74. ANNA
  75. GRACE
  76. Acknowledgements

Under the window is a wooden bench, silvered with age, that no one ever sits on. Its job is to look pretty and rustic, which I have a feeling might be a little pretentious, but I like it, so I don’t care. I don’t see its two occupants until it’s too late to turn round. And where would I have gone anyway?

‘Hello,’ Cora calls, as I cross the street. ‘Now, I know you said not to come, but I couldn’t sit still.’ As if to prove her point, she’s up and off the bench, hurrying towards me. ‘Have you heard anything?’

Tim strolls over, looking handsome and a little seedy, with his stubbly chin and floppy hair; the ageing public schoolboy. Lottie runs to him and he scoops her into a bear hug. I feel a little envious. I could do with a hug right now, and Tim’s greetings are so enthusiastic.

Tim is like Nick, a tall man with broad shoulders. Cora is around five foot six, with thick, wavy blonde hair. She always wears trousers – I don’t think I’ve ever seen her in a dress or a skirt, even at a function – and favours expensive fabrics and classics. Cora in the winter is all muted cashmeres, in the summer subtle beach tones; white trousers with stone-coloured tops that drape and pleat in a way that flatters her figure. Today she’s wearing a calf-length, silver quilted coat. They both have wheelie cases – his black, hers navy. I try to hide my dismay, but Tim gives me a wry smile.

‘No, but I’m about to call the police now,’ I reply. ‘You really shouldn’t have come all this way.’ It’s a good three-hour drive from their village.

‘We thought we could make ourselves useful,’ Cora says. ‘Presumably you have work? We can stay here in case something happens.’

I stand at the gate, my bag clutched against my stomach. ‘Well …’

‘Nick might turn up while you’re out and need our help.’

‘That’s very kind, but if he’s in trouble I’m not sure he’d appreciate a welcoming committee. He definitely wouldn’t want any fuss.’

‘I’m not fussing,’ she says. ‘I’m concerned for my son.’ She looks me up and down. ‘You’re looking well, Grace.’ The slight tightening around her lips tells me it isn’t a compliment.

‘I’ve been at work,’ I say, stung. ‘I’m wearing make-up. I’ve barely slept.’

‘Of course. I didn’t mean anything by it, dear. I’m sure you’re worried sick.’

‘Worried and confused,’ I say.

Tim pats my shoulder. ‘Of course you are.’