Back The Night You Left Save as PDF
Chapters (76)
  1. Cover
  2. About the Author
  3. Also by Emma Curtis
  4. Praise for Emma Curtis
  5. Dedication
  6. Epigraph
  7. PART 1
  8. GRACE
  9. GRACE
  10. TAISIE
  11. GRACE
  12. TAISIE
  13. GRACE
  14. NICK
  15. GRACE
  16. TAISIE
  17. GRACE
  18. NICK
  19. GRACE
  20. TAISIE
  21. GRACE
  22. NICK
  23. GRACE
  24. TAISIE
  25. GRACE
  26. NICK
  27. GRACE
  28. NICK
  29. GRACE
  30. TAISIE
  31. GRACE
  32. TAISIE
  33. GRACE
  34. NICK
  35. GRACE
  36. TAISIE
  37. GRACE
  38. NICK
  39. GRACE
  40. TAISIE
  41. GRACE
  42. TAISIE
  43. GRACE
  44. NICK
  45. GRACE
  46. TAISIE
  47. PART 2
  48. GRACE
  49. GRACE
  50. GRACE
  51. GRACE
  52. GRACE
  53. GRACE
  54. GRACE
  55. PART 3
  56. ANNA
  57. GRACE
  58. ANNA
  59. GRACE
  60. ANNA
  61. GRACE
  62. NICK
  63. GRACE
  64. NICK
  65. GRACE
  66. ANNA
  67. GRACE
  68. NICK
  69. GRACE
  70. ANNA
  71. GRACE
  72. ANNA
  73. GRACE
  74. ANNA
  75. GRACE
  76. Acknowledgements

He wanders over to Alex, who’s standing with Freya, who also looks as though she’d prefer to be on the other team.

‘What’s going on?’ he asks.

‘Izzy,’ Freya calls. ‘Come on. Get over here.’

He can feel how conscious she is of his presence. She’s trying to behave normally, but it’s like she’s suddenly been thrust on to the stage and asked to recite a poem in front of the whole school.

‘Is no one talking to me? Is that it?’

He waits, then shrugs and wanders up to the terrace and sits on the steps, shading his eyes, which he keeps trained hard on Taisie, because he knows this is down to her. He picks at the grass, wondering how long they’re going to keep it up. The ball comes his way, hitting the ground and rolling to within a few feet of him, and Izzy comes running after it. She’s a crap runner, slow with an awkward, rolling gait. When she gets to him, she stoops to pick up the ball.

‘Are you not speaking to me either, then?’ he says.

She looks right at him. It’s an almost physical relief to be looked at and seen. She then turns and runs back. He holds her expression in his head and studies its different facets. Apologetic. Defiant. Embarrassed.

GRACE

Monday, 16 April 2018

THE AFTERNOON IS WARM AND SUNNY, THE MAGNOLIA at the end of the road heavy with pale-cream and pink flowers, some petals already strewn on the pavement. Anna and I walk to the parade and she steers me into the cafe, buys us both a coffee and carries them to a table. I peel off my jacket and hang it over the back of the chair. It feels unnatural, as though the scene has been theatrically staged. Anna pulls her hair behind her shoulders, then rests her elbows on the table and weaves her fingers together.

I study her in a way I haven’t before, as though she’s a potential rival. That she is attractive is beyond argument, but hers is not an easy face to look at; she’s challenging, too sexy, maybe; I don’t know. She has long black glossy hair, smoky eyes and full lips. Her cheekbones are pronounced, her jawline elegant. I find her both alluring and off-putting. I think most men would just find her alluring. Or scary. There is something sensual about her, and I suppose that’s what makes me uneasy. She uses her hair as a flirtation tool, flicking it back with her hand or a toss of her head, leaning forward so that it drapes over her face, winding a lock of it around her finger.

‘Do you think he’s left you?’ she asks, looking at me oddly. She’s probably wondering why I’m confiding in her and not in Cassie.