Back The Night You Left
Chapters (76)
  1. Cover
  2. About the Author
  3. Also by Emma Curtis
  4. Praise for Emma Curtis
  5. Dedication
  6. Epigraph
  7. PART 1
  8. GRACE
  9. GRACE
  10. TAISIE
  11. GRACE
  12. TAISIE
  13. GRACE
  14. NICK
  15. GRACE
  16. TAISIE
  17. GRACE
  18. NICK
  19. GRACE
  20. TAISIE
  21. GRACE
  22. NICK
  23. GRACE
  24. TAISIE
  25. GRACE
  26. NICK
  27. GRACE
  28. NICK
  29. GRACE
  30. TAISIE
  31. GRACE
  32. TAISIE
  33. GRACE
  34. NICK
  35. GRACE
  36. TAISIE
  37. GRACE
  38. NICK
  39. GRACE
  40. TAISIE
  41. GRACE
  42. TAISIE
  43. GRACE
  44. NICK
  45. GRACE
  46. TAISIE
  47. PART 2
  48. GRACE
  49. GRACE
  50. GRACE
  51. GRACE
  52. GRACE
  53. GRACE
  54. GRACE
  55. PART 3
  56. ANNA
  57. GRACE
  58. ANNA
  59. GRACE
  60. ANNA
  61. GRACE
  62. NICK
  63. GRACE
  64. NICK
  65. GRACE
  66. ANNA
  67. GRACE
  68. NICK
  69. GRACE
  70. ANNA
  71. GRACE
  72. ANNA
  73. GRACE
  74. ANNA
  75. GRACE
  76. Acknowledgements

I spend the Monday morning taking an inventory in a swanky apartment round the corner from Harrods, and I’m home and about to turn into my driveway when I stop myself in time. There’s a car parked across the entrance to the forecourt, blocking Nick’s car in. I stare at it, infuriated. It doesn’t belong to Marsh, and it doesn’t look like an unmarked police car. Perhaps Cora’s invited a friend over. I get off my bike and manoeuvre it through the gap.

I let myself into the house quietly, expecting whoever it is to be in the kitchen. But they’re not. I can hear Cora’s voice coming from upstairs. She’s using the tone she used with Douglas that day she first met him: earnest, interested, verging on flirtatious. There’s no welcome from Toffee, and his lead is not on its hook, so I deduce that Tim has made himself scarce. I slip off my leather jacket, unzip and tug off my boots, then follow the voices up to my bedroom.

A man is opening and closing the wardrobe doors, peering in and casually flicking through my clothes. He and Cora sense my presence at the same time. There’s a long, uncomfortable silence before Cora bustles forward.

‘Grace. I wasn’t expecting you back so soon.’

‘What’s going on?’

Her companion extends a hand. ‘George Bonner. From Bonner and Brightman. I was just admiring the quality of the carpentry. You have a beautiful house.’

I stare him out. ‘Why are you here?’

‘I’m—’

‘I asked George to do a valuation,’ Cora interrupts, stepping forward, as if to protect him from the volcano bubbling up inside me. ‘I thought in the circumstances it would be a good idea to find out where we stood.’

I turn back to George. ‘I’d like you to leave.’

He doesn’t move, startled into catatonia.

‘Now.’

My voice is sharp enough to knock some sense into him. Cora and I listen to his footsteps, and the shamefaced click of the front door.

‘Explain,’ I say. ‘Tell me why you’ve invited an estate agent into my home behind my back. I’m interested.’

She draws a breath. ‘Someone has to be practical if—’

I clench my teeth. ‘Don’t say it.’

‘I have to, Grace. If the worst turns out to be true, can you afford the mortgage on this place?’

‘That’s my business.’

‘Face it,’ Cora says. ‘You can’t. You have a job that pays for your little luxuries, but without Nick’s income, you’d be in trouble.’

‘I wouldn’t be the only one, would I?’

‘I was only trying to help,’ she sniffs. ‘I’ve got some shopping to do. I’ll get out of your hair.’

‘That would be nice.’

‘Why are you so hostile?’

‘Me? You’re the one who’s here uninvited. You’re the one creating a horrible atmosphere.’