Chapters (81)
- Cover
- Praise for Tess Stimson
- Dedication
- part one
- chapter 01
- chapter 02
- chapter 03
- chapter 04
- chapter 05
- chapter 06
- chapter 07
- chapter 08
- chapter 09
- chapter 10
- chapter 11
- chapter 12
- chapter 13
- chapter 14
- chapter 15
- chapter 16
- chapter 17
- chapter 18
- chapter 19
- chapter 20
- chapter 21
- chapter 22
- chapter 23
- chapter 24
- chapter 25
- chapter 26
- chapter 27
- chapter 28
- chapter 29
- chapter 30
- chapter 31
- chapter 32
- chapter 33
- chapter 34
- chapter 35
- chapter 36
- part two
- chapter 37
- chapter 38
- chapter 39
- chapter 40
- chapter 41
- chapter 42
- chapter 43
- chapter 44
- chapter 45
- chapter 46
- chapter 47
- chapter 48
- chapter 49
- part three
- chapter 50
- chapter 51
- chapter 52
- chapter 53
- chapter 54
- chapter 55
- chapter 56
- chapter 57
- chapter 58
- chapter 59
- chapter 60
- chapter 61
- chapter 62
- chapter 63
- chapter 64
- chapter 65
- chapter 66
- chapter 67
- chapter 68
- part four
- chapter 69
- ACKNOWLEDGEMENTS
- Keep Reading …
- About the Author
- By the same author:
- About the Publisher
Tom thinks it’s a good thing the Porters have pulled out. Peter needs stability, he says. Maybe now isn’t the time to uproot him. And besides, we were biting off more than we could chew with that mortgage, weren’t we?
Next time, he says. There are other houses.
I tell him it’s not about the house, not any more.
‘You know what that man is doing to her, Tom!’ I say. ‘How can I just walk away?’
‘You’re only hearing one side of the story,’ he says. ‘You barely even know this woman. You’ve been friends for what? Six weeks? Eight at most. We don’t know what their relationship is really like behind closed doors. These things are complicated—’
‘I’ve seen the bruises! There’s nothing complicated about it!’
‘And I’ve seen his!’
‘Come on!’
‘Millie, you’ve got absolutely no proof Felix is abusing her.’
‘She told me. Well, as good as.’
He sighs. ‘Millie, I know how raw this subject is for you, but I don’t think it’s that straightforward. I think there’s more going on than we—’
‘Are you saying she’s lying?’
‘I know, I know,’ he says, holding up his hands. ‘Believe the woman.’
It’s clear he doesn’t like Stacey. I don’t know what he’s suddenly got against her: they seemed to get on fine when we all met at the gala. Perhaps he’s jealous. Until now, I’ve never wanted anyone but him.
‘She needs me,’ I say.
Tom retreats. He knows better than to challenge me on this.
There was a Spar shop at the end of the road where Tom and I grew up. It was run by a short, immensely fat Polish woman called Marilla who’d lived above it since before we were born. She seemed ancient to us when we were nine years old, but she was probably no more than sixty at the time. She had a thick foreign accent and more than a hint of a moustache, and always wore a long-sleeved black dress, even in the height of summer.
One day, when she was clearing up a spill in one of the aisles, she rolled up her sleeves to squeeze out a sponge and exposed a blurry blue six-digit number tattooed on the outside of her forearm.
I knew about concentration camps. We’d done a whole block about Auschwitz in our Social Studies class only the previous term.
‘Marilla lost her whole family in the camps,’ my mother said when I asked her about the tattoo. ‘Her parents were sent to the gas chamber, and her sisters died from starvation in labour camps. She told me once she always keeps a bread roll in her pocket, even now.’
‘But she isn’t Jewish,’ I said. ‘She wears a cross.’