Chapters (81)
- Cover
- Praise for Tess Stimson
- Dedication
- part one
- chapter 01
- chapter 02
- chapter 03
- chapter 04
- chapter 05
- chapter 06
- chapter 07
- chapter 08
- chapter 09
- chapter 10
- chapter 11
- chapter 12
- chapter 13
- chapter 14
- chapter 15
- chapter 16
- chapter 17
- chapter 18
- chapter 19
- chapter 20
- chapter 21
- chapter 22
- chapter 23
- chapter 24
- chapter 25
- chapter 26
- chapter 27
- chapter 28
- chapter 29
- chapter 30
- chapter 31
- chapter 32
- chapter 33
- chapter 34
- chapter 35
- chapter 36
- part two
- chapter 37
- chapter 38
- chapter 39
- chapter 40
- chapter 41
- chapter 42
- chapter 43
- chapter 44
- chapter 45
- chapter 46
- chapter 47
- chapter 48
- chapter 49
- part three
- chapter 50
- chapter 51
- chapter 52
- chapter 53
- chapter 54
- chapter 55
- chapter 56
- chapter 57
- chapter 58
- chapter 59
- chapter 60
- chapter 61
- chapter 62
- chapter 63
- chapter 64
- chapter 65
- chapter 66
- chapter 67
- chapter 68
- part four
- chapter 69
- ACKNOWLEDGEMENTS
- Keep Reading …
- About the Author
- By the same author:
- About the Publisher
Felix pushes away from the fridge and moves towards his wife, one hand resting casually on the back of her stool. It’s the first time I’ve seen them interact as if they’re a couple. ‘We can’t sell you the house,’ he says.
My stomach plunges. If the sale falls through now, we won’t suffer financially, beyond the money we’ve laid out for the survey, but emotionally it’s a different story. In my head, I’ve already moved into the Glass House. Even the kids have finally been getting excited about their new bedrooms. The movers are booked. I’ve arranged to have our electricity and gas supply terminated. I’ve ordered a new sofa that’s far too large for our current house, but’ll go perfectly here.
I need this move. Peter needs this move.
‘We wouldn’t do this to you if we had a choice, Millie,’ Stacey says. ‘Hopefully it’ll just mean a bit of a delay while Felix sorts everything out—’
‘How long of a delay?’
‘I don’t want to get your hopes up,’ Stacey says.
‘If Felix has lost his job, surely selling the house would be—’
‘I’m a director,’ Felix says again. ‘My assets are up for grabs.’
‘It’s the company that’s going bust, not you,’ I snap. ‘Your home should be legally protected from creditors.’
‘Not necessarily,’ Felix says.
‘What does that mean?’
Stacey looks nervously at him, and then back at me. ‘It means they can come after your personal assets if they can prove wrongful trading,’ she says. ‘I’m sure it’ll all be fine in the end, because obviously Felix hasn’t done anything wrong,’ she adds hastily. ‘Obviously. But his lawyer says it’s a lot harder to make someone homeless than it is to seize a pile of cash sitting in a bank account. He says we shouldn’t sell the house till this is all sorted out.’
‘You could transfer it into Stacey’s sole name,’ I tell Felix. ‘Your creditors couldn’t come after the money then.’
‘It’d still be a marital asset,’ Stacey says.
Felix gives me a cold stare. I imagine slicing neatly around his eyeballs with my scalpel and pocketing them, like marbles.
As if conjured by my ill-wishing, a sudden gush of blood bursts from Felix’s nose. He tilts his head back and gropes around for something to staunch it as he pinches the bridge of his nose. A light spray of blood spatters the counter and my running shoes.
‘It’s the stress,’ Stacey says, her tone oddly flat. ‘He often gets nosebleeds.’
There’s a tea-towel on the kitchen counter in front of me and I hand it to him.