Chapters (81)
- Cover
- Praise for Tess Stimson
- Dedication
- part one
- chapter 01
- chapter 02
- chapter 03
- chapter 04
- chapter 05
- chapter 06
- chapter 07
- chapter 08
- chapter 09
- chapter 10
- chapter 11
- chapter 12
- chapter 13
- chapter 14
- chapter 15
- chapter 16
- chapter 17
- chapter 18
- chapter 19
- chapter 20
- chapter 21
- chapter 22
- chapter 23
- chapter 24
- chapter 25
- chapter 26
- chapter 27
- chapter 28
- chapter 29
- chapter 30
- chapter 31
- chapter 32
- chapter 33
- chapter 34
- chapter 35
- chapter 36
- part two
- chapter 37
- chapter 38
- chapter 39
- chapter 40
- chapter 41
- chapter 42
- chapter 43
- chapter 44
- chapter 45
- chapter 46
- chapter 47
- chapter 48
- chapter 49
- part three
- chapter 50
- chapter 51
- chapter 52
- chapter 53
- chapter 54
- chapter 55
- chapter 56
- chapter 57
- chapter 58
- chapter 59
- chapter 60
- chapter 61
- chapter 62
- chapter 63
- chapter 64
- chapter 65
- chapter 66
- chapter 67
- chapter 68
- part four
- chapter 69
- ACKNOWLEDGEMENTS
- Keep Reading …
- About the Author
- By the same author:
- About the Publisher
She still has the bruises from last time.
‘Nothing like a good storm to clear the air,’ the cabbie says over his shoulder. ‘And we need the rain, the summer we been having—’
Felix leans forward, and slams the partition shut.
When the cab pulls up outside the Glass House, her husband gets out and stalks into the house, leaving her to pay.
‘Everything all right?’ the cabbie asks her.
‘Of course,’ she says. ‘He’s just tired. Long day.’
The driver makes a tepid attempt to proffer her change, and gives an old-fashioned doff to his forehead when she indicates for him to keep it. ‘Thanks very much, miss.’ He pauses. ‘I hope you don’t mind me saying, but I love your show. Me and the wife, we watch you every day.’
‘Thank you—’
‘That Brendan. He seems like a decent bloke?’
Stacey’s co-host on Morning Express is a misogynistic, homophobic, smug bigot. She’s supposed to be the lead anchor, but the show’s – male – executive producer lets Brendan get away with murder.
‘Lovely man,’ she says. ‘A real sweetie. One of the good guys, you know?’
‘That’s nice to hear,’ the cabbie says, satisfied. ‘You never want to find out Tom Hanks is a wife-beater, do you? Take care, love. Mind how you go.’
Stacey’s stomach fizzes as she walks into the darkened house. Felix hasn’t left any lights on for her, and she gropes around in the dark for the switch.
A shape looms out of the darkness. Felix shoves her against the wall, his forearm pressed against her throat, choking her. She gasps and scratches at his arm, trying to loosen his grip. His breath is hot and wine-sweet against the side of her neck.
She can’t breathe.
The room starts to spin. Black spots dance before her eyes, and she’s about to pass out when he suddenly releases her.
Stacey sags forward, her hands on her knees, and inhales deep, ragged pulls of air.
Felix stands there, watching her, his arms hanging loosely by his sides. He’s breathing heavily, as if he’s just run a race. She waits to see what he’ll do next.
Sometimes he walks away.
Sometimes he sobs, and begs her to forgive him.
Sometimes he hurts her more.
Tonight, he lunges at her and grabs her wrist, yanking her towards the bedroom. She kicks off her heels as she stumbles behind him so she can keep up without falling.
Felix flings her onto the bed and she scrambles across the mattress, trying to get out of his reach, but he’s too quick for her. He seizes her leg, and hauls her towards him on her stomach, jamming his knee against the small of her back and forcing her face into the bedcovers.
For a brief moment, he relaxes his grip, and she gasps a lungful of air.