Chapters (81)
- Cover
- Praise for Tess Stimson
- Dedication
- part one
- chapter 01
- chapter 02
- chapter 03
- chapter 04
- chapter 05
- chapter 06
- chapter 07
- chapter 08
- chapter 09
- chapter 10
- chapter 11
- chapter 12
- chapter 13
- chapter 14
- chapter 15
- chapter 16
- chapter 17
- chapter 18
- chapter 19
- chapter 20
- chapter 21
- chapter 22
- chapter 23
- chapter 24
- chapter 25
- chapter 26
- chapter 27
- chapter 28
- chapter 29
- chapter 30
- chapter 31
- chapter 32
- chapter 33
- chapter 34
- chapter 35
- chapter 36
- part two
- chapter 37
- chapter 38
- chapter 39
- chapter 40
- chapter 41
- chapter 42
- chapter 43
- chapter 44
- chapter 45
- chapter 46
- chapter 47
- chapter 48
- chapter 49
- part three
- chapter 50
- chapter 51
- chapter 52
- chapter 53
- chapter 54
- chapter 55
- chapter 56
- chapter 57
- chapter 58
- chapter 59
- chapter 60
- chapter 61
- chapter 62
- chapter 63
- chapter 64
- chapter 65
- chapter 66
- chapter 67
- chapter 68
- part four
- chapter 69
- ACKNOWLEDGEMENTS
- Keep Reading …
- About the Author
- By the same author:
- About the Publisher
‘It’s for such a good cause,’ Stacey says, winking at me.
At the next table, Tom roars with laughter at something Harper has said.
‘By the way, Millie,’ Stacey says, ‘I have a few pieces of furniture we can’t take with us to our new apartment, and I wondered if you’d be interested in having me leave them behind? That teal Julian Chichester cabinet in the sitting room, and the Agostino mirror. They’re simply too big.’
‘Are you sure? They’re so beautiful,’ I say.
‘You’d be doing me a favour taking them off my hands. In fact,’ she adds, ‘why don’t you come and take another look at them and then decide? Maybe Saturday morning? Felix makes a mean mimosa.’
‘I could do Sunday,’ I say. ‘I have surgical rehearsal this Saturday.’
‘Sunday works.’
Felix leans behind the man seated between him and his wife. ‘Stop it, Stacey,’ he says.
His tone is cold. I don’t know if he objects to the brunch invitation in general, or me in particular.
Michèle launches the live auction, perfectly timed for this point in the evening when the guests are nicely lubricated. The bidding is lively and even raucous at times as donors compete to flex their philanthropic muscles.
I act as a stalking horse on a number of big-ticket items, drawing out the high rollers and gracefully conceding defeat when I’m outbid. I’ve already made a private donation: when Tom gave me my Audi, I made a matching gift to the hybrid OR, though I didn’t tell him that. We can’t quite afford it, but I wouldn’t have been able to drive the car with a good conscience otherwise.
At the adjacent table, Harper squeals when she wins a photoshoot with society photographer Hugo Burnand. ‘Kyle, he took the wedding pictures of Prince William and Kate Middleton!’ she cries. ‘And now he’ll be taking pictures of us!’
A couple of well-known television personalities approach Michèle at the podium to make pre-arranged ‘spontaneous’ offers to share their talents or open their homes, the sequence carefully choreographed to make other guests feel like they’re in at something rather special and unexpected.
One excitable woman bids five figures to be a guest weather-girl on morning television. Another buys her daughter’s name for a character in a bestselling thriller writer’s new novel. A champion show jumper stands up at the back of the ballroom, and offers riding lessons on the horse she rode in the Olympics.
‘I’ll pay double if you take the place of the horse!’ a man calls.
Laughter.
Harper leaps to her feet, swaying slightly. It’s clear from the feverish light in her eyes that she’s very drunk. ‘Who’ll bid a thousand pounds for private training sessions with Kyle?’ she cries.
There’s a slightly sticky lull.
‘You can be on our vlog, too!’ Harper adds.